11
" Within this narrative, creation itself is understood as a kind of Temple, a heaven-and-earth duality, where humans function as the “image-bearers” in the cosmic Temple, part of earth yet reflecting the life and love of heaven. This is how creation was designed to function and flourish: under the stewardship of the image-bearers. Humans are called not just to keep certain moral standards in the present and to enjoy God’s presence here and hereafter, but to celebrate, worship, procreate, and take responsibility within the rich, vivid developing life of creation. According to Genesis, that is what humans were made for. The diagnosis of the human plight is then not simply that humans have broken God’s moral law, offending and insulting the Creator, whose image they bear—though that is true as well. This lawbreaking is a symptom of a much more serious disease. Morality is important, but it isn’t the whole story. Called to responsibility and authority within and over the creation, humans have turned their vocation upside down, giving worship and allegiance to forces and powers within creation itself. The name for this is idolatry. The result is slavery and finally death. It isn’t just that humans do wrong things and so incur punishment. This is one element of the larger problem, which isn’t so much about a punishment that might seem almost arbitrary, perhaps even draconian; it is, rather, about direct consequences. When we worship and serve forces within the creation (the creation for which we were supposed to be responsible!), we hand over our power to other forces only too happy to usurp our position. We humans have thus, by abrogating our own vocation, handed our power and authority to nondivine and nonhuman forces, which have then run rampant, spoiling human lives, ravaging the beautiful creation, and doing their best to turn God’s world into a hell (and hence into a place from which people might want to escape). As I indicated earlier, some of these “forces” are familiar (money, sex, power). Some are less familiar in the popular mind, not least the sense of a dark, accusing “power” standing behind all the rest. Called "
― N.T. Wright , The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion
15
" First, there is the underlying issue of idolatry, injustice, and plain old “sin.” That is clear. It hasn’t gone away. It hasn’t, as some suppose, been displaced by all this talk of the covenant, of Israel’s vocation. Nor, however, should we forget that the problem with “sin” was not just the breaking of moral laws, but idolatry and the consequent failure to grasp the truly human vocation and reflect God’s glory into the world: “All sinned, and fell short of God’s glory” (3:23). Sin matters; so, behind it, does idolatry. All this must be dealt with if God is to put the world right. "
― N.T. Wright , The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion
16
" Part of Paul’s point in that same chapter, Romans 6, is that those who have come into the Messiah’s family must constantly make it real, in thought and deed: “Calculate yourselves as being dead to sin, and alive to God in the Messiah, Jesus,” and “Don’t allow sin to rule in your mortal body” (6:11, 12). A similar warning is given in 1 Corinthians 10:12: “Anyone who reckons they are standing upright should watch out in case they fall over”! Like the Israelites leaving Egypt, just because you have escaped the life of total slavery, that doesn’t mean you won’t have to work hard to translate your newfound freedom into actual life. "
― N.T. Wright , The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion
17
" If we are talking about the victory over evil and the launch of new creation, it won’t make much sense unless we are working for those very things in the lives of the poorest of the poor. If we are talking about Jesus winning the victory over the dark powers and thereby starting the long-awaited revolution, it will be much easier for people to believe it if we are working to show what we mean in art and music, in song and story. The great philosopher Ludwig Wittgenstein said, “It is love that believes the resurrection,” and hearts can be wooed by glorious or poignant music, art, dance, or drama into believing for a moment that a different world might after all be possible, a world in which resurrection, forgiveness, healing, and hope abound. Gifts that stir the imagination can frequently unblock channels of understanding that had remained stubbornly clogged when addressed by reasoned words. "
― N.T. Wright , The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion
20
" So what was the hidden divine purpose in this seemingly strange story? As we saw, from Romans 5:12 on Paul has referred to “Sin” in the singular, “Sin” as a force or power that is let loose in the world and that ultimately rules the world (“Sin reigned in death,” 5:21). “Sin” here seems to be the accumulation not just of human wrongdoings, but of the powers unleashed by idolatry and wickedness—the powers that humans were supposed to have, but that, through idolatry, they had handed over to nongods. Paul then uses the word “Sin” as a personification for all this. Sometimes it seems as though, in 7:7–12 at least, Paul says “Sin” where he might have said “the satan,” or at least the serpent in Genesis 3. In any case, in Romans 7 Paul is telling two stories, the story of Adam and the story of Israel, weaving them together to show—as in much Jewish tradition—just how closely that they resonated with one another. His main point is that, through the Torah, Israel recapitulated the sin of Adam. "
― N.T. Wright , The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion
