2
" Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios. "
― Jerome K. Jerome , Works of Jerome Klapka Jerome
5
" We have no school for the turning-out of stanch men in this nineteenth century. In the old, earnest times, war made men stanch and true to each other. We have learned up a good many glib phrases about the wickedness of war, and we thank God that we live in these peaceful, trading times, wherein we can — and do — devote the whole of our thoughts and energies to robbing and cheating and swindling one another — to “doing” our friends, and overcoming our enemies by trickery and lies — wherein, undisturbed by the wicked ways of fighting-men, we can cultivate to better perfection the “smartness,” the craft, and the cunning, and all the other “business-like” virtues on which we so pride ourselves, and which were so neglected and treated with so little respect in the bad old age of violence, when men chose lions and eagles for their symbols rather than foxes. "
― Jerome K. Jerome , Works of Jerome Klapka Jerome
7
" Every boy and girl in Germany, above the peasant class, speaks English. Were English pronunciation less arbitrary, there is not the slightest doubt but that in the course of a very few years, comparatively speaking, it would become the language of the world. All foreigners agree that, grammatically, it is the easiest language of any to learn. A German, comparing it with his own language, where every word in every sentence is governed by at least four distinct and separate rules, tells you that English has no grammar. A good many English people would seem to have come to the same conclusion; but they are wrong. As a matter of fact, there is an English grammar, and one of these days our schools will recognise the fact, and it will be taught to our children, penetrating maybe even into literary and journalistic circles. But "
― Jerome K. Jerome , Works of Jerome Klapka Jerome
8
" She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. "
― Jerome K. Jerome , Works of Jerome Klapka Jerome
12
" We have learned up a good many glib phrases about the wickedness of war, and we thank God that we live in these peaceful, trading times, wherein we can — and do — devote the whole of our thoughts and energies to robbing and cheating and swindling one another — to “doing” our friends, and overcoming our enemies by trickery and lies — wherein, undisturbed by the wicked ways of fighting-men, we can cultivate to better perfection the “smartness,” the craft, and the cunning, and all the other “business-like” virtues on which we so pride ourselves, and which were so neglected and treated with so little respect in the bad old age of violence, when men chose lions and eagles for their symbols rather than foxes. "
― Jerome K. Jerome , Works of Jerome Klapka Jerome
19
" a pound or two of short dips; a crown, set with diamonds and rubies each as big as a duck’s egg; a cradle — empty, an affecting sight; carpets, kettles, and pots; a stretcher; a chariot; a bunch of carrots; a costermonger’s barrow; banners; a leg of mutton, and a baby. Everything, in short, that could possibly be wanted, either in a palace or a garret, a farmyard or a battle-field. "
― Jerome K. Jerome , Works of Jerome Klapka Jerome