2
" In America the magazines in which one can frequently publish stories or poems about Negroes are very few, and most of these do not pay, since they are of a social service or proletarian nature. The big American bourgeois publications are very careful about what they publish by or about colored people. Exotic or humorous tales they will occasionally use. Stories that show Negroes as savages, fools, or clowns, they will often print. And once in a blue moon there may be a really sound and serious literary picture of black life in a big magazine--but it doesn't happen often enough to feed an author. They can't live on blue moons. Most colored writers find their work turned down with a note that the files are already full of "Negro material," or that the subject is not suitable, or, as happened to me recently when I submitted a story about a more or less common situation in American interracial life--the manuscript was returned with regrets since the story was "excellently written, but it would shock our good middle-class audience to death." And thus our American publications shy away from the Negro problem and the work of Negro writers. "
― Langston Hughes ,
3
" Writing is the urge to tell folks about it. About what? About what hurts you inside. Colored folks, through the sheer fact of being colored, have got plenty hurting them inside. You see, we, too, are one of those minority races the newspapers are always talking about. Except that we are here in America, not in Europe, fourteen million of us--a rather large minority, but still a minority.
Now, what's hurting us? Well, Jim Crow is hurting us. Ghettos, and segregation, and lack of jobs is hurting us. Signs up: COLORED TRADE NOT DESIRED, and dirty names such as the Jews know under Hitler hurt us. So those of us who are writers have plenty to tell the world about.
To us democracy is a paradox, full of contradictions. "
― Langston Hughes ,
7
" There is in Moscow a great curiosity for things American, and a great sympathy for things Negro. So, being both an American and a Negro, I am met everywhere with friendly questions from children and adults as to how we live at home. Is there really a crisis, with people hungry and ragged when there are in America so many factories, so much technique, so much wheat, and cotton and livestock? How can that be? Do they actually kill people in electric chairs? Actually lynch Negroes? Why?
The children in the Moscow streets, wise little city children, will oft times gather around you if you are waiting for a streetcar, or looking into a shop window. They will take your hand and ask you about the Scottsboro boys, or if you like the Soviet Union and are going to stay forever. Sometimes as you pass a group of children playing, they will stop and exclaim, "Negro!" But in wonder and surprise a long ways from the insulting derision of the word "Nigger" in the mouths of America's white children. Here, the youth in the schools are taught to respect all races. "
― Langston Hughes ,
8
" In Moscow I asked how these things were achieved. I was told that the whole theory of the Communist state was opposed to the separation of peoples on religious or racial grounds, and that workers had no strength divided up into warring camps. I was told the Soviet schools taught that all men are equal.
I said, "The theory of our American democracy is that all men are equal, too--except that where I live it does not seem to work out that way. Theories are all right--but how do you make them work in Russia?"
"Here we have laws against racial intolerance," they said.
I said, "We have such laws in some of our American cities, too, but often the laws do not work."
The Russians said, "In the Soviet Union, we make them work. Here nobody dares insult or spit on or hurt a Jew simply because he is a Jew any more. "
― Langston Hughes ,
11
" And another thing that makes Moscow different from Chicago or Cleveland, or New York, is that in the cities at home Negroes--like me--must stay away from a great many places--hotels, clubs, parks, theatres, factories, offices, and union halls--because they are not white. And in Moscow, all the doors are open to us just the same of course, and I find myself forgetting that the Russians are white folks. They're too damn decent and polite. To walk into a big hotel without the doorman yelling at me (at my age), "Hey, boy, where're you going?" Or to sit at the table in any public restaurant and not be told, "We don't serve Negroes here." Or to have the right of seeking a job at any factory or in any office where I am qualified to work and never be turned down on account of color or a WHITE ONLY sign at the door. To dance with a white woman in the dining room of a fine restaurant and not be dragged out by the neck--is to wonder if you're really living in a city full of white folks (as is like Moscow).
But then the papers of the other lands are always calling the Muscovites red. I guess it's the red that makes the difference. I'll be glad when Chicago gets that way, and Birmingham. "
― Langston Hughes ,
14
" On the train I had a lot of time to think. I thought how in the thirty years of my life I had seldom gotten on a train in America without being conscious of my color. In the South, there are Jim Crow cars and Negroes must ride separate from the whites, usually in a filthy antiquated coach next to the engine, getting all the smoke and bumps and dirt. In the South, we cannot buy sleeping car tickets. Such comforts are only for white folks. And in the North where segregated travel is not the law, colored people have, nevertheless, many difficulties. In auto buses they must take the seats in the rear, over the wheels. On the boats they must occupy the worst cabins. The ticket agents always say that all other accommodations are sold. On trains, if one sits down by a white person, the white person will sometimes get up, flinging back an insult at the Negro who has dared to take a seat beside him. Thus it is that in America, if you are yellow, brown, or black, you can never travel anywhere without being reminded of your color, and oft-times suffering great inconveniences.
I sat in the comfortable sleeping car on my first day out of Moscow and remembered many things about trips I had taken in America. I remembered how, once as a youngster going alone to see my father who was working in Mexico, I went into the dining car of the train to eat. I sat down at a table with a white man. The man looked at me and said, "You're a nigger, ain't you?" and left the table. It was beneath his dignity to eat with a Negro child. At St. Louis I went onto the station platform to buy a glass of milk. The clerk behind the counter said, “We don't serve niggers," and refused to sell me anything. As I grew older I learned to expect this often when traveling. So when I went South to lecture on my poetry at Negro universities, I carried my own food because I knew I could not go into the dining cars. Once from Washington to New Orleans, I lived all the way on the train on cold food. I remembered this miserable trip as I sat eating a hot dinner on the diner of the Moscow-Tashkent express.
Traveling South from New York, at Washington, the capital of our country, the official Jim Crow begins. There the conductor comes through the train and, if you are a Negro, touches you on the shoulder and says, "The last coach forward is the car for colored people." Then you must move your baggage and yourself up near the engine, because when the train crosses the Potomac River into Virginia, and the dome of the Capitol disappears, it is illegal any longer for white people and colored people to ride together. (Or to eat together, or sleep together, or in some places even to work together.) Now I am riding South from Moscow and am not Jim-Crowed, and none of the darker people on the train with me are Jim-Crowed, so I make a happy mental note in the back of my mind to write home to the Negro papers: "There is no Jim Crow on the trains of the Soviet Union. "
― Langston Hughes ,
18
" Poets who write mostly about love, roses and moonlight, sunsets and snow, must lead a very quiet life. Seldom, I imagine, does their poetry get them into difficulties. Beauty and lyricism are really related to another world, to ivory towers, to your head in the clouds, feet floating off the earth. Unfortunately, having been born poor--and also colored--in Missouri, I was stuck in the mud from the beginning. Try as I might to float off into the clouds, poverty and Jim Crow would grab me by the heels, and right back on earth I would land. "
― Langston Hughes ,
19
" And now, in Madrid, Spain's besieged capital, I've met wide-awake Negroes from various parts of the world--New York, our Middle West, the French West Indies, Cuba, Africa--some stationed here, others on leave from their battalions--all of them here because they know that if Fascism creeps across Spain, across Europe, and then across the world, there will be no place left for intelligent young Negroes at all. In fact, no decent place for any Negroes--because Fascism preaches the creed of Nordic supremacy and a world for whites alone. "
― Langston Hughes ,
