Home > Work > The Glass Room (Vera Stanhope, #5)
1 " In theory Vera liked strong women; in practice they often irritated her. "
― Ann Cleeves , The Glass Room (Vera Stanhope, #5)
2 " Vera Stanhope climbed out of Hector’s ancient Land Rover and felt the inevitable strain on her knees. Hector’s Land Rover. Her father had been dead for years, but still she thought of the vehicle as his. She stopped for a moment to look down the valley at the view. Another thing her father had gifted her: this house. Sod all else, she thought, maybe she should forgive him because of this. It was October and the light was going. A smell of wood-smoke and ice. Most of the trees were already bare and the whooper swans had come back to the lough. "
3 " was she keen to let slip that she’d been back to visit Joanna the night before. He began with a recap. "
4 " She got Wainwright to drive her up the "
5 " Vera smiled. She liked it when Joe stood up to her, as long as he didn’t do it too often. "
6 " It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged "
