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1 " What unites the identitarians who lord over the art world is the belief that art is primarily, even solely, a political enterprise. That was also the premise of Socialist Realism, the theory and style of art promoted in the former Soviet Union. One could fairly contend that identitarian art is something like our era’s version of Socialist Realism. "
― Sohrab Ahmari , The New Philistines
2 " This last is identitarian art’s greatest injustice against the culture: since social power dynamics and collective identity are all that such art knows and cares about, its practitioners can’t grapple with individuality, with things of the soul, with the inner life – the very things that draw most of us to art in the first place. "
3 " Say what you will about the Soviet critics, at least they were erudite. Not so with today’s identitarian critics, who care little for art history and aesthetics. What they are blessed with is lots of opinions about everything – all of which invariably revolve around race, gender and class, power and privilege. "
4 " The general public long ago stopped looking for beauty in high culture. But it still has TV and the movies....you are far more likely to find genuinely mesmerising images and real beauty in big-budget Hollywood movies -- think of, say, Christopher Nolan's Interstellar or his Dark Knight Trilogy -- than in any European art-house "
5 " It is almost inconceivable that so many filmmakers could think of nothing -- be inspired by nothing -- nothing, nothing, nothing -- but the politics of representation, 'performitivity', gender, race, queer theory etc. There must be other subjects, in the world outside or in their inner lives, which belong on the silver (or digital) screen. This degree of conformity is unsettling. It should alarm cultural elites rather than comfort them. Yet the art world's ideological atmosphere is so thick and pervasive that those inside of it don't even realise it as the air they breathe.""Forgive me, I forgot to mention the other permissible topic: 'consumptive capitalism', that oppressive economic system which creates vast sums of taxable wealth, which in turn allows the UK government to fund even this nonsense. "
6 " Liberal, free-market societies can, and do, grant visibility and representation to the hitherto invisible and unrepresented, in other words, without radically changing the social structure. Marginal groups and peripheral movements rise up; they win legal emancipation and cultural acceptance; and then they are absorbed into the fabric of liberalism. At its best – or worst, depending on your outlook – liberal capitalism can defang even its most ardent enemies, rendering them into harmless kitsch like so many Che Guevara T-shirts. "
7 " liberal culture insists there is something in each of us, something unique and immutable, that can’t be reduced to group identities such as race, nationality, gender, sexuality – in short, to collectivity. And great art has long made it its business to articulate that irreducible something. Think "