1
" This backwards journey in the narrating of this ’membering, this remembrance, is a lesson I learned from Geoffrey Chaucer’s Canterbury Tales, and which considers how language, in this case, English, the only language I know, is at present of profound interest, when used in a non-traditional manner. I have used this language in The Polished Hoe, and I call it many things, but the most precise definition I have given it is contained in a booklet published by the Giller Prize Foundation, celebrating the tenth anniversary of this literary prize. In that review of the literary problems I faced in the writing of The Polished Hoe in 2002, my main concern was to find a language, or to more strictly use the language I already knew, in such a way that it became, in my manipulation of it, a “new” language. And to explain the result of this experiment, I said that I intended to “creolize Oxford English. "
― Austin Clarke , ’Membering
2
" but here I am, in this study that looks across a road well travelled in the rushing mornings to work, and hardly travelled with such anxiety and intent during the hours that come before the rush to work, walked on, and peed on, by the homeless, and the prostitutes and the pimps, and the men and women going home to apartments in the sky, surrounding and overlooking Moss Park park, as I like to call it. Moss Park park is where life stretches out itself on its back, prostrate in filthy, hopeless, bouts of heroism and stardom, for these men who lie on the benches and the dying grass, are heroes to themselves and to one another, "
― Austin Clarke , ’Membering
