1
" Burke had meticulously plotted and committed to memory every aspect of his cover story, quite conscious that “half-covers” like his, in which one’s real name was retained but attached to a false biography, were often far easier to slip up on than a “full-cover.” He had also been leery of drawing too close to the Rome film crowd, worried over potential questions about his ties to a production company no one had ever heard of, and which didn’t seem to actually produce anything. Fortunately, though, Burke discovered the Roman cinéastes were, much like their Hollywood counterparts, a profoundly self-absorbed lot. “I was mildly surprised at how incurious people were and how very easy it was, when it suited my purpose, to direct attention away from myself simply by asking the right question of other persons and being a good listener, or at least appearing to be. "
― Scott Anderson , The Quiet Americans: Four CIA Spies at the Dawn of the Cold War—A Tragedy in Three Acts
9
" He found Frank Wisner much harder to read. “He was extremely polite, and obviously very intelligent, but there was a kind of tension, a nervousness, about him. And he was a Southerner, of course. I hadn’t really been around many Southerners at that point, so it was hard for me to square his energy level, his dynamism, with this soft accent, this gracious quality of his. "
― Scott Anderson , The Quiet Americans: Four CIA Spies at the Dawn of the Cold War—A Tragedy in Three Acts