42
" The first time Halley set eyes on Howard was at a showing of The Towering Inferno. When she heard about him, her sister had wondered aloud how much of a future you could have with someone you’d met at a disaster movie. But at that point Halley wasn’t feeling picky. She had been in Dublin just over three weeks – not so long that she didn’t still get lost all the time on the infuriating streets that kept changing their names, but enough to disabuse her of most of her illusions about the place; enough too, with the deposit and first month’s rent for her new apartment, to separate her from most of the money she’d brought, and cut the time available for soul-searching and self-finding quite drastically. That afternoon she’d spent in an Internet café, reluctantly updating her résumé; she hadn’t had a conversation since the night before, a stilted exchange with the Chinese pizza delivery boy about his native Yunan province. When she spotted the poster for The Towering Inferno, which she and Zephyr must have watched twenty times together, it was like catching sight of an old friend. She went in and for three hours warmed herself in the familiar blaze of collapsing architecture and suffocating hotel guests; she stayed in her seat until the ushers started sweeping round her feet. "
― Paul Murray , Skippy Dies
45
" She never came back after mid-term break; according to the Automator, ‘unforeseen circumstances’ had forced her to extend her holiday. Every day Howard sees her classes trooping despondently from the Geography Room to the study hall, or carrying votive bundles of cardboard and paper to the recycling bins, their faces anxious, hopeful, like Indians doing a rain dance. He knows how they feel. Since mid-term he’s existed in a constant state of tension, braced against every moment as the one that might finally restore her. Even out of school, even on his own, shopping in the supermarket, sitting at the traffic lights, he finds himself holding his breath. But the days are a series of ghost pregnancies, delivering nothing. "
― Paul Murray , Skippy Dies
46
" They pause, almost but not quite clutching each other, with their ears cocked. The hideous dried-out croak is drawing inevitably closer – apparently, whether by some quirk of the architecture, the type of stone in the masonry perhaps or the curious way the corridor bends, from both directions at once. The boys gibber at each other helplessly. With every passing instant now the temperature drops precipitously, the grey light wanes; the ghastly voice chants its message, necrotic and Latin, over and again, as though doomed to repeat it, doomed for eternity, a doom that any second now they will be sharing, when the voice’s owner comes around that corner, or the other corner, or possibly even both corners, to find them quaking before her – "
― Paul Murray , Skippy Dies
48
" A dainty man of a nervous disposition, Father Laughton detests discord above all things. He always climbs down before seriously disagreeing with anyone; he can’t dismiss the most disruptive student from his class without feeling sorry twenty seconds later and racing down the corridor to summon him back. As a result, his music appreciation courses are notoriously anarchic – in fact they make anarchy look like a slow day at the library – and yet, at the same time, they are marked by a kind of goodwill, and the priest always seems happy there, in the midst of the melee, humming along to a Field larghetto or a Chopin mazurka while paper planes, pencil cases, books and larger objects fly through the air around him. "
― Paul Murray , Skippy Dies
49
" Cutting through Temple Bar toward the river, they pass the cinema outside which Howard met Halley for the first time: this nugget of history he does not pass on to the boys. He remembers walking with her down to the riverside, but it’s only as they are crossing Ha’penny Bridge – the elderly construction seeming to sway beneath their impatient feet, the quays of the city stretching away on either side – that he remembers the museum was where she had been headed that day too, was where he had promised to take her, but never did, instead falling in love with her, leading her away into the backstreets of his life. Now he’s finally on his way there, but with twenty-six hormonal teenage boys instead of her. Nice job, Howard. "
― Paul Murray , Skippy Dies
56
" His name was Paul Eluard, and he said this thing once: There is another world, but it is in this one.
Ruprecht looked baffled.
It's about how -- she could feel herself going red, she squeezed her eyes shut, trying to remember what Mr Scott had told them -- like, how people are always going somewhere? Like everybody's always trying to be not where they are? Like they want to be in Stanford, or in Tuscany, or in Heaven, or in a bigger house on a fancier street? Or they want to be different, like thinner or smarter or richer or with cooler friends (or dead, she did not say). They're so busy trying to find their way somewhere else they don't see the world they're actually in. So this guy's saying, instead of searching for ways out of our lives, what we should be searching for are ways in. Because if you really look at the world, it's like ... it's like ...
It's like, you know, inside every stove there's a fire. Well, inside every grass blade there's a grass blade, that's just like burning up with being a grass blade. And inside every tree, there's a tree, and inside every person there's a person, and inside this world that seems so boring and ordinary, if you look hard enough, there's a totally amazing magical beautiful world. And anything you would want to know, or anything you would want to happen, all the answers are right there where you are right now. In your life. She opened her eyes. Do you know what I mean? "
― Paul Murray , Skippy Dies
57
" When you think about it, the Big Bang's a big like school, isn't it?
...
Well, I mean to say, one day we'll all leave here and become scientists and bank clerks and driving instructors and hotel managers -- the fabric of society, so to speak. But in the meantime, that fabric, that is to say, us, the future, is crowded into one tiny little point where none of the laws of society applies, viz., this school.
-Ruprecht "
― Paul Murray , Skippy Dies
59
" On the way back, Dennis, who has been unusually quiet this lunchtime, speaks up. ‘I’ve been thinking about that Robert Frost poem,’ he says. ‘I don’t think it’s about making choices at all.’
‘What’s it about, so?’ Geoff says.
‘Anal sex,’ Dennis says.
‘Anal sex?’
‘How’d’you figure, Dennis?’
‘Well, once you see it, it’s pretty obvious. Just look at what he says. He’s in a wood, right? He sees two roads in front of him. He takes the one less travelled. What else could it be about? "
― Paul Murray , Skippy Dies
60
" But things like the world-inside-this-one are too big to hold in your head by yourself. You need someone to remind you, or else, you need someone you can tell, and you have to keep telling each other, over and over, throughout your whole life. And as you tell them, the things are slowly binding you together, like tiny invisible strings, or like a frisbee that's thrown back and forth, or like words written on the floor in syrup. TELL LORI. TELL RUPRECHT.
Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and wave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter or even a whole word... "
― Paul Murray , Skippy Dies