1
" By paying a certain kind of attention, you can humanise or dehumanise, cherish or strip of all value. By a kind of alienating, fragmenting and focal attention, you can reduce humanity – or art, sex, humour, or religion – to nothing. You can so alienate yourself from a poem that you stop seeing the poem at all, and instead come to see in its place just theories, messages and formal tropes; stop hearing the music and hear only tonalities and harmonic shifts; stop seeing the person and see only mechanisms – all because of the plane of attention. More than that, when such a state of affairs comes about, you are no longer aware that there is a problem at all. For you do not see what it is you cannot see. "
― Iain McGilchrist , The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World
10
" It is from motion that we gain our sense of both space and time. The right hemisphere seems to be essential for both, and the capacity for each is linked with the other.69 The left hemisphere’s focus, however, narrows both. If I want to focus precisely on a particular element in my environment, clearly and in sharp detail, I have not just to home in on it in space, but to immobilise or freeze it in time, too. It becomes like a snapshot (what the French call, suggestively, a cliché). The more precise anything is, the less content it has: ‘the more certain our knowledge the less we know.’ The left hemisphere’s experience is fragmentary and therefore taken out of the flow of experiential life, and tends towards stasis. It is concerned with the moment of the ‘kill’. However, outside of this glare of the spotlight, things carry on living, moving and changing. "
― Iain McGilchrist , The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World
12
" Examine the lives of the best and most fruitful people and peoples and ask yourselves whether a tree which is supposed to grow to a proud height could do without bad weather and storms; whether misfortune and external resistance, whether any kinds of hatred, jealousy, stubbornness, mistrust, hardness, greed, and violence do not belong to the favourable conditions without which any great growth even of virtue is scarcely possible? "
― Iain McGilchrist , The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World
17
" It is fair to say that, though the main deficits incurred by damage to the left hemisphere are in the twin important areas of the use of language and of the right hand, the world itself usually remains recognisable, and mainly, though not always wholly, undisturbed. That is because the right hemisphere is functioning as normal. Things are very different when the damage is in the right hemisphere, and the subject is more – or wholly – dependent on the left. When those who care for left hemisphere stroke patients were asked to specify the most important problem encountered, they named difficulty writing or spelling; by contrast, when those who care for right hemisphere stroke patients were asked, it was loss of empathy. Almost half of carers for those with right hemisphere stroke reported as among the most important problems a whole range of cognitive and emotional impairments, as well as alterations to personality. Not one of the carers for left hemisphere stroke sufferers did so.4 For those with right hemisphere damage, they and their world had changed. For those with left hemisphere damage, they and their world were recognisably the same: it was their ability to handle it, to make use of it, that had altered. As we have seen, the foundational difference between the hemispheres lies in the way they attend – and how you attend changes the world. It also changes you, the one who is doing the attending. Since it is of such consummate importance, let’s take a closer look at attention from a hemisphere point of view. "
― Iain McGilchrist , The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World
18
" The work of art exists precisely to get beyond representation, to presence, even if that presence is itself composed of words, as it is in poetry. If this were not so, a lot of effort could have been spared, as it could all have been better stated in prose. The work of art does not hide, represent, or body forth something else, that must therefore be decoded: it is precisely what it is. And yet neither is it opaque, as though we were stopped at its frontiers. It is semi-transparent, translucent: we see it all right, and yet see through it to something beyond. "
― Iain McGilchrist , The Matter With Things: Our Brains, Our Delusions, and the Unmaking of the World
