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5 " He parted from him on the usual terms outwardly, but he felt obscurely abused by Fulkerson in regard to the Dryfooses, father and son. He did not know but Fulkerson had taken an advantage of him in allowing him to commit himself to their enterprise with out fully and frankly telling him who and what his backer was; he perceived that with young Dryfoos as the publisher and Fulkerson as the general director of the paper there might be very little play for his own ideas of its conduct. Perhaps it was the hurt to his vanity involved by the recognition of this fact that made him forget how little choice he really had in the matter, and how, since he had not accepted the offer to edit the insurance paper, nothing remained for him but to close with Fulkerson. In this moment of suspicion and resentment he accused Fulkerson of hastening his decision in regard to the Grosvenor Green apartment; he now refused to consider it a decision, and said to himself that if he felt disposed to do so he would send Mrs. Green a note reversing it in the morning. But he put it all off till morning with his clothes, when he went to bed, he put off even thinking what his wife would say; he cast Fulkerson and his constructive treachery out of his mind, too, and invited into it some pensive reveries of the past, when he still stood at the parting of the ways, and could take this path or that. In his middle life this was not possible; he must follow the path chosen long, ago, wherever, it led. He was not master of himself, as he once seemed, but the servant of those he loved; if he could do what he liked, perhaps he might renounce this whole New York enterprise, and go off somewhere out of the reach of care; but he could not do what he liked, that was very clear. In the pathos of this conviction he dwelt compassionately upon the thought of poor old Lindau; he resolved to make him accept a handsome sum of money—more than he could spare, something that he would feel the loss of—in payment of the lessons in German and fencing given so long ago. At the usual rate for such lessons, his debt, with interest for twenty-odd years, would run very far into the hundreds. Too far, he perceived, for his wife's joyous approval; he determined not to add the interest; or he believed that Lindau would refuse the interest; he put a fine speech in his mouth, making him do so; and after that he got Lindau employment on 'Every Other Week,' and took care of him till he died. "

William Dean Howells , A Hazard of New Fortunes

7 " Why, Alma," whispered the mother, "who in the world can it be at this time of night? You don't suppose he—"

"Well, I'm not going to the door, anyhow, mother, I don't care who it is; and, of course, he wouldn't be such a goose as to come at this hour." She put on a look of miserable trepidation, and shrank back from the door, while the hum of the bell died away, in the hall.

"What shall we do?" asked Mrs. Leighton, helplessly.

"Let him go away—whoever they are," said Alma.

Another and more peremptory ring forbade them refuge in this simple expedient.

"Oh, dear! what shall we do? Perhaps it's a despatch."




The conjecture moved Alma to no more than a rigid stare. "I shall not go," she said. A third ring more insistent than the others followed, and she said: "You go ahead, mamma, and I'll come behind to scream if it's anybody. We can look through the side-lights at the door first."

Mrs. Leighton fearfully led the way from the back chamber where they bad been sitting, and slowly descended the stairs. Alma came behind and turned up the hall gas-jet with a sudden flash that made them both jump a little. The gas inside rendered it more difficult to tell who was on the threshold, but Mrs. Leighton decided from a timorous peep through the scrims that it was a lady and gentleman. Something in this distribution of sex emboldened her; she took her life in her hand, and opened the door.




The lady spoke. "Does Mrs. Leighton live heah?" she said, in a rich, throaty voice; and she feigned a reference to the agent's permit she held in her hand.

"Yes," said Mrs. Leighton; she mechanically occupied the doorway, while
Alma already quivered behind her with impatience of her impoliteness.
"Oh," said the lady, who began to appear more and more a young lady, "Ah didn't know but Ah had mistaken the hoase. Ah suppose it's rather late to see the apawtments, and Ah most ask you to pawdon us." She put this tentatively, with a delicately growing recognition of Mrs. Leighton as the lady of the house, and a humorous intelligence of the situation in the glance she threw Alma over her mother's shoulder. "Ah'm afraid we most have frightened you."

"Oh, not at all," said Alma; and at the same time her mother said, "Will you walk in, please? "

William Dean Howells , A Hazard of New Fortunes

8 " What does that one-armed Dutchman do on this book?"
"What does he do?" March echoed, as people are apt to do with a question that is mandatory and offensive.
"Yes, sir, what does he do? Does he write for it?"
"I suppose you mean Lindau," said March. He saw no reason for refusing to answer Dryfoos's demand, and he decided to ignore its terms. "No, he doesn't write for it in the usual way. He translates for it; he examines the foreign magazines, and draws my attention to anything he thinks of interest. But I told you about this before—"
"I know what you told me, well enough. And I know what he is. He is a red-mouthed labor agitator. He's one of those foreigners that come here from places where they've never had a decent meal's victuals in their lives, and as soon as they get their stomachs full, they begin to make trouble between our people and their hands. There's where the strikes come from, and the unions and the secret societies. They come here and break our Sabbath, and teach their atheism. They ought to be hung! Let 'em go back if they don't like it over here. They want to ruin the country."
March could not help smiling a little at the words, which came fast enough now in the hoarse staccato of Dryfoos's passion. "I don't know whom you mean by they, generally speaking; but I had the impression that poor old Lindau had once done his best to save the country. I don't always like his way of talking, but I know that he is one of the truest and kindest souls in the world; and he is no more an atheist than I am. He is my friend, and I can't allow him to be misunderstood. "

William Dean Howells , A Hazard of New Fortunes

10 " Alma said, "They seem to be greatly amused with something in there."
"Me, probably," said Beaton. "I seem to amuse everybody to-night."
"Don't you always?"
"I always amuse you, I'm afraid, Alma."
She looked at him as if she were going to snub him openly for using her name; but apparently she decided to do it covertly. "You didn't at first. I really used to believe you could be serious, once."
"Couldn't you believe it again? Now?"
"Not when you put on that wind-harp stop."
"Wetmore has been talking to you about me. He would sacrifice his best friend to a phrase. He spends his time making them."
"He's made some very pretty ones about you."
"Like the one you just quoted?"
"No, not exactly. He admires you ever so much. He says" She stopped, teasingly.
"What?"
"He says you could be almost anything you wished, if you didn't wish to be everything."
"That sounds more like the school of Wetmore. That's what you say, Alma. Well, if there were something you wished me to be, I could be it."
"We might adapt Kingsley: 'Be good, sweet man, and let who will be clever.'" He could not help laughing. She went on: "I always thought that was the most patronizing and exasperating thing ever addressed to a human girl; and we've had to stand a good deal in our time. I should like to have it applied to the other 'sect' a while. As if any girl that was a girl would be good if she had the remotest chance of being clever."
"Then you wouldn't wish me to be good?" Beaton asked.
"Not if you were a girl."
"You want to shock me. Well, I suppose I deserve it. But if I were one-tenth part as good as you are, Alma, I should have a lighter heart than I have now. I know that I'm fickle, but I'm not false, as you think I am."
"Who said I thought you were false?"
"No one," said Beaton. "It isn't necessary, when you look it—live it."
"Oh, dear! I didn't know I devoted my whole time to the subject."
"I know I'm despicable. I could tell you something—the history of this day, even—that would make you despise me." Beaton had in mind his purchase of the overcoat, which Alma was getting in so effectively, with the money he ought to have sent his father. "But," he went on, darkly, with a sense that what he was that moment suffering for his selfishness must somehow be a kind of atonement, which would finally leave him to the guiltless enjoyment of the overcoat, "you wouldn't believe the depths of baseness I could descend to."
"I would try," said Alma, rapidly shading the collar, "if you'd give me some hint."
Beaton had a sudden wish to pour out his remorse to her, but he was afraid of her laughing at him. He said to himself that this was a very wholesome fear, and that if he could always have her at hand he should not make a fool of himself so often. A man conceives of such an office as the very noblest for a woman; he worships her for it if he is magnanimous. But Beaton was silent, and Alma put back her head for the right distance on her sketch. "Mr. Fulkerson thinks you are the sublimest of human beings for advising him to get Colonel Woodburn to interview Mr. Dryfoos about Lindau. What have you ever done with your Judas?"
"I haven't done anything with it. Nadel thought he would take hold of it at one time, but he dropped it again. After all, I don't suppose it could be popularized. Fulkerson wanted to offer it as a premium to subscribers for 'Every Other Week,' but I sat down on that. "

William Dean Howells , A Hazard of New Fortunes

11 " Alma could not feel the absurdity of this, and she merely said, "'Every Other Week' seems to be going on just the same as ever."

"Yes, the trouble has all blown over, I believe. Fulkerson," said Beaton, with a return to what they were saying, "has managed the whole business very well. But he exaggerates the value of my advice."

"Very likely," Alma suggested, vaguely. "Or, no! Excuse me! He couldn't, he couldn't!" She laughed delightedly at Beaton's foolish look of embarrassment.

He tried to recover his dignity in saying, "He's 'a very good fellow, and he deserves his happiness."

"Oh, indeed!" said Alma, perversely. "Does any one deserve happiness?"

"I know I don't," sighed Beaton.

"You mean you don't get it."

"I certainly don't get it."

"Ah, but that isn't the reason."

"What is?"

"That's the secret of the universe," She bit in her lower lip, and looked at him with eyes, of gleaming fun.

"Are you never serious?" he asked.

"With serious people always."

"I am serious; and you have the secret of my happiness—" He threw himself impulsively forward in his chair.

"Oh, pose, pose!" she cried.

"I won't pose," he answered, "and you have got to listen to me. You know I'm in love with you; and I know that once you cared for me. Can't that time—won't it—come back again? Try to think so, Alma!"

"No," she said, briefly and seriously enough.

"But that seems impossible. What is it I've done what have you against me?"

"Nothing. But that time is past. I couldn't recall it if I wished. Why did you bring it up? You've broken your word. You know I wouldn't have let you keep coming here if you hadn't promised never to refer to it."

"How could I help it? With that happiness near us—Fulkerson—"

"Oh, it's that? I might have known it!"

"No, it isn't that—it's something far deeper. But if it's nothing you have against me, what is it, Alma, that keeps you from caring for me now as you did then? I haven't changed."

"But I have. I shall never care for you again, Mr. Beaton; you might as well understand it once for all. Don't think it's anything in yourself, or that I think you unworthy of me. I'm not so self-satisfied as that; I know very well that I'm not a perfect character, and that I've no claim on perfection in anybody else. I think women who want that are fools; they won't get it, and they don't deserve it. But I've learned a good deal more about myself than I knew in St. Barnaby, and a life of work, of art, and of art alone that's what I've made up my mind to."

"A woman that's made up her mind to that has no heart to hinder her!"

"Would a man have that had done so?"

"But I don't believe you, Alma. You're merely laughing at me. And, besides, with me you needn't give up art. We could work together. You know how much I admire your talent. I believe I could help it—serve it; I would be its willing slave, and yours, Heaven knows!"

"I don't want any slave—nor any slavery. I want to be free always. Now do you see? I don't care for you, and I never could in the old way; but I should have to care for some one more than I believe I ever shall to give up my work. Shall we go on?" She looked at her sketch.

"No, we shall not go on," he said, gloomily, as he rose.

"I suppose you blame me," she said, rising too.

"Oh no! I blame no one—or only myself. I threw my chance away. "

William Dean Howells , A Hazard of New Fortunes

14 " He was walking over toward the West Side, aimlessly at first, and then at times with the longing to do something to save those mistaken men from themselves forming itself into a purpose. Was not that what she meant when she bewailed her woman's helplessness? She must have wished him to try if he, being a man, could not do something; or if she did not, still he would try, and if she heard of it she would recall what she had said and would be glad he had understood her so. Thinking of her pleasure in what he was going to do, he forgot almost what it was; but when he came to a street-car track he remembered it, and looked up and down to see if there were any turbulent gathering of men whom he might mingle with and help to keep from violence. He saw none anywhere; and then suddenly, as if at the same moment, for in his exalted mood all events had a dream-like simultaneity, he stood at the corner of an avenue, and in the middle of it, a little way off, was a street-car, and around the car a tumult of shouting, cursing, struggling men. The driver was lashing his horses forward, and a policeman was at their heads, with the conductor, pulling them; stones, clubs, brickbats hailed upon the car, the horses, the men trying to move them. The mob closed upon them in a body, and then a patrol-wagon whirled up from the other side, and a squad of policemen leaped out and began to club the rioters. Conrad could see how they struck them under the rims of their hats; the blows on their skulls sounded as if they had fallen on stone; the rioters ran in all directions.

One of the officers rushed up toward the corner where Conrad stood, and then he saw at his side a tall, old man, with a long, white beard, who was calling out at the policemen: "Ah, yes! Glup the strikerss—gif it to them! Why don't you co and glup the bresidents that insoalt your lawss, and gick your Boart of Arpidration out-of-toors? Glup the strikerss—they cot no friendts! They cot no money to pribe you, to dreat you!"

The officer lifted his club, and the old man threw his left arm up to shield his head. Conrad recognized Lindau, and now he saw the empty sleeve dangle in the air over the stump of his wrist. He heard a shot in that turmoil beside the car, and something seemed to strike him in the breast. He was going to say to the policeman: "Don't strike him! He's an old soldier! You see he has no hand!" but he could not speak, he could not move his tongue. The policeman stood there; he saw his face: it was not bad, not cruel; it was like the face of a statue, fixed, perdurable—a mere image of irresponsible and involuntary authority. Then Conrad fell forward, pierced through the heart by that shot fired from the car.

March heard the shot as he scrambled out of his car, and at the same moment he saw Lindau drop under the club of the policeman, who left him where he fell and joined the rest of the squad in pursuing the rioters. The fighting round the car in the avenue ceased; the driver whipped his horses into a gallop, and the place was left empty.

March would have liked to run; he thought how his wife had implored him to keep away from the rioting; but he could not have left Lindau lying there if he would. Something stronger than his will drew him to the spot, and there he saw Conrad, dead beside the old man. "

William Dean Howells , A Hazard of New Fortunes

17 " but Wetmore launched out, with Alma for a tacit text, on the futility of women generally going in for art. "Even when they have talent they've got too much against them. Where a girl doesn't seem very strong, like Miss Leighton, no amount of chic is going to help."

His wife disputed him on behalf of her sex, as women always do.

"No, Dolly," he persisted; "she'd better be home milking the cows and leading the horse to water."

"Do you think she'd better be up till two in the morning at balls and going all day to receptions and luncheons?"

"Oh, guess it isn't a question of that, even if she weren't drawing. You knew them at home," he said to Beaton.

"Yes."

"I remember. Her mother said you suggested me. Well, the girl has some notion of it; there's no doubt about that. But—she's a woman. The trouble with these talented girls is that they're all woman. If they weren't, there wouldn't be much chance for the men, Beaton. But we've got Providence on our own side from the start. I'm able to watch all their inspirations with perfect composure. I know just how soon it's going to end in nervous breakdown. Somebody ought to marry them all and put them out of their misery."

"And what will you do with your students who are married already?" his wife said. She felt that she had let him go on long enough.

"Oh, they ought to get divorced."

"You ought to be ashamed to take their money if that's what you think of them."

"My dear, I have a wife to support."

Beaton intervened with a question. "Do you mean that Miss Leighton isn't standing it very well?"

"How do I know? She isn't the kind that bends; she's the kind that breaks. "

William Dean Howells , A Hazard of New Fortunes

18 " What a noble thing life is, anyway! Here I am, well on the way to fifty, after twenty-five years of hard work, looking forward to the potential poor-house as confidently as I did in youth. We might have saved a little more than we have saved; but the little more wouldn't avail if I were turned out of my place now; and we should have lived sordidly to no purpose. Some one always has you by the throat, unless you have some one else in your grip. I wonder if that's the attitude the Almighty intended His respectable creatures to take toward one another! I wonder if He meant our civilization, the battle we fight in, the game we trick in! I wonder if He considers it final, and if the kingdom of heaven on earth, which we pray for—"
"Have you seen Lindau to-day?" Mrs. March asked.
"You inferred it from the quality of my piety?" March laughed, and then suddenly sobered. "Yes, I saw him. It's going rather hard with him, I'm afraid. The amputation doesn't heal very well; the shock was very great, and he's old. It'll take time. There's so much pain that they have to keep him under opiates, and I don't think he fully knew me. At any rate, I didn't get my piety from him to-day."
"It's horrible! Horrible!" said Mrs. March. "I can't get over it! After losing his hand in the war, to lose his whole arm now in this way! It does seem too cruel! Of course he oughtn't to have been there; we can say that. But you oughtn't to have been there, either, Basil."
"Well, I wasn't exactly advising the police to go and club the railroad presidents."
"Neither was poor Conrad Dryfoos."
"I don't deny it. All that was distinctly the chance of life and death. That belonged to God; and no doubt it was law, though it seems chance. But what I object to is this economic chance-world in which we live, and which we men seem to have created. It ought to be law as inflexible in human affairs as the order of day and night in the physical world that if a man will work he shall both rest and eat, and shall not be harassed with any question as to how his repose and his provision shall come. Nothing less ideal than this satisfies the reason. But in our state of things no one is secure of this. No one is sure of finding work; no one is sure of not losing it. I may have my work taken away from me at any moment by the caprice, the mood, the indigestion of a man who has not the qualification for knowing whether I do it well, or ill. At my time of life—at every time of life—a man ought to feel that if he will keep on doing his duty he shall not suffer in himself or in those who are dear to him, except through natural causes. But no man can feel this as things are now; and so we go on, pushing and pulling, climbing and crawling, thrusting aside and trampling underfoot; lying, cheating, stealing; and then we get to the end, covered with blood and dirt and sin and shame, and look back over the way we've come to a palace of our own, or the poor-house, which is about the only possession we can claim in common with our brother-men, I don't think the retrospect can be pleasing. "

William Dean Howells , A Hazard of New Fortunes