22
" We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole. "
― George Carlin
26
" A loud clang of what sounded like a tray hitting the marble kitchen floor made Bree jump and Gianni go wide eyed with apparent terror. He covered his ears and shook his head. “Bang! Bang! Bang!” He fell over and covered his head. Bree rushed over to him as he began shrieking fearfully. “Maaammaaaaaa!” “Is okay, Gianni. Just a ting falled down,” Will said patting Gianni’s back but Bree noticed her little boy’s hand was shaking. “It’s okay, sweetie. Mommy’s here. That’s okay,” she crouched down and gathered Gianni into her arms. “Bang! Mama. It bang!” he wailed into her shoulder, trembling in her arms. “It was just a loud noise. Cook just dropped something, probably a whole big plate of yucky beets. Isn’t that funny?” she said, forcing a laugh. Jesus Christ, how much more violence would her children be forced to endure? Again, Bree felt selfish for bringing her innocent babies into the Dardano world. Gianni looked up at her, picking up on her tone he gave a small watery smile. “Ucky ee “Yucky yucky beets,” Bree repeated bouncing him lightly as her heart returned to its normal rhythm in her chest. Gianni giggled and shuddered against her as the last remnants of his fear dissipated. Bree looked over at Will. “You okay, sweetie?” Will blinked and looked over at her, wide eyed and his lower lip quivered, but he set his chin like she knew he’d watched Alessandro do and nodded. “I bwave. I nod scared.” Bree smiled at him and kissed his cheek as she ran her fingers through his hair. “Wow. That is pretty brave. I know I was
scared when I first heard the noise.” “Really?” Will asked hesitantly. “Definitely,” Bree nodded. Gianni echoed the gesture. “Well, dat’s diffen. You’s a girl.” “Oh, is that so?” Bree asked setting Gianni on the blanket next to her. “So you think ’cause mommy’s a girl she’s a fraidy cat. Huh? Huh?” she asked poking him. Will curled in on himself and giggled as he tried to avoid her fingers. "
― E. Jamie , The Betrayal (Blood Vows, #2)
32
" I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. …
Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’
As reported by Gambon, their conversation went like this:
Olivier: ‘What are you going to do for me?’
Gambon: ‘Richard the Third.’
Olivier: ‘Is that so. Which part?’
Gambon: ‘Richard the Third.’
Olivier: ‘Yes, but which part?’
Gambon: ‘Richard the Third.’
Olivier: ‘Yes, I understand that, but which part?’
Gambon: ‘Richard the Third.’
Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’
Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’
Olivier: ‘What, the King? Richard?’
Gambon: ‘ — the Third, yeah.’
Olivier: “You’ve got a fucking cheek, haven’t you?’
Gambon: ‘Beg your pardon?’
Olivier: ‘Never mind, which part are you going to do?’
Gambon: ‘Richard the Third.’
Olivier: ‘Don’t start that again. Which speech?’
Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘
Olivier: ‘Right. Whenever you’re ready.’
Gambon: ‘ “Was ever woman in this humour woo’d –” ‘
Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’
Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘
Olivier: ‘Wait. Stop. What’s the blood?’
Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’
A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done.
Gambon: ‘Shall I start again?’
Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’
Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic.
‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning. "
― Antony Sher , Year of the King: An Actor's Diary and Sketchbook
