5
" We convince ourselves that life will be better after we get married, have a baby, then another. Then we are frustrated that the kids aren't old enough and we'll be more content when they are. After that we're frustrated that we have teenagers to deal with. We will certainly be happy when they are out of that stage. We tell ourselves that our life will be complete when our spouse gets his or her act together, when we get a nicer car, are able to go on a nice vacation, when we retire. The truth is, there's no better time to be happy than right now. Your life will always be filled with challenges. It's best to admit this to yourself and decide to be happy anyway. One of my favorite quotes comes from Alfred D Souza. He said, " For a long time it had seemed to me that life was about to begin - real life. But there was always some obstacle in the way, something to be gotten through first, some unfinished business, time still to be served, a debt to be paid. Then life would begin. At last it dawned on me that these obstacles were my life." This perspective has helped me to see that there is no way to happiness. Happiness is the way. So, treasure every moment that you have. Stop waiting until you finish school, until you go back to school, until you lose ten pounds, until you gain ten pounds, until you have kids, until your kids leave the house, until you start work, until you retire, until you get married, until you get divorced, until Friday night, until Sunday morning, until you get a new car or home, until your car or home is paid off, until spring, until summer, until fall, until winter, until you are off welfare, until the first or fifteenth, until your song comes on, until you've had a drink, until you've sobered up, until you die, until you are born again to decide that there is no better time than right now to be happy. "
8
" Gemma Davidson,” she answered, her voice as groggy as I felt.
“Where are you?” I asked.
“Who is this?”
“Elvis.”
“What time is it?”
“Hammer time?”
“Charley.”
“Did you text me? Did your car break down?”
“No and no. Why are you doing this to me?” She was funny.
“Check your cell.”
I heard a loud, sleepy sigh, some rustling of sheets, then, “It won’t come on.”
“Not at all?”
“No. What did you do to it?”
“I ate it for breakfast. Check the battery compartment.”
“Where the hell is that?”
“Um, behind the battery door.”
“Are you punking me?” I heard her fumbling with the phone.
“Gem, if I was going to punk you, I wouldn't simply turn off your phone. I would pour honey in your hair while you slept. Or, you know, something like that.”
“That was you?” she asked, appalled. "
― Darynda Jones , Third Grave Dead Ahead (Charley Davidson, #3)
10
" I want you here. I want you in my home, my bed, my life,” he murmured, the smooth out of his voice, it was low and so rough with sex and emotion, it was abrasive, scoring through me.
“Baby –”
“I want your clothes in my closet. I wanna hear your voice in my house when you’re talkin’ on the phone. I want you sittin’ beside me when we’re watchin’ TV. I want shit you like in my fridge. I want “your razors in my shower. I want my roof over your head. Your car in my garage. I want to give you what I should have been giving you for sixteen years. As good as you deserve. A showplace. A place where I can make you happy.”
God. He was killing me.
“Creed, let me –”
He didn’t let me finish. He pressed on, driving in, our bodies jolting with his thrusts, his voice harsh in my ear.
“Give me that, Sylvie. Give me that and, swear to God, I’ll give you everything.”
“I –”
His head came up, his cock drove deep and stayed planted and his eyes burned into mine.
“All I’ll ask. All I’ll ever ask. You give me that and you got a lifetime of nothin’ but take. "
― Kristen Ashley , Creed (Unfinished Hero, #2)
11
" I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, " Running Scared," exploded into the room.Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, " Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, " Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him. "
17
" Since I am writing a book about depression, I am often asked in social situations to describe my own experiences, and I usually end by saying that I am on medication. “Still?” people ask. “But you seem fine!” To which I invariably reply that I seem fine because I am fine, and that I am fine in part because of medication. “So how long do you expect to go on taking this stuff?” people ask. When I say that I will be on medication indefinitely, people who have dealt calmly and sympathetically with the news of suicide attempts, catatonia, missed years of work, significant loss of body weight, and so on stare at me with alarm. “But it’s really bad to be on medicine that way,” they say. “Surely now you are strong enough to be able to phase out some of these drugs!” If you say to them that this is like phasing the carburetor out of your car or the buttresses out of Notre Dame, they laugh. “So maybe you’ll stay on a really low maintenance dose?” They ask. You explain that the level of medication you take was chosen because it normalizes the systems that can go haywire, and that a low dose of medication would be like removing half of your carburetor. You add that you have experienced almost no side effects from the medication you are taking, and that there is no evidence of negative effects of long-term medication. You say that you really don’t want to get sick again. But wellness is still, in this area, associated not with achieving control of your problem, but with discontinuation of medication. “Well, I sure hope you get off it sometime soon,” they say. "
