22
" She would have liked to love. It was terrible to think she had never loved her son as a man. Sometimes her hands would wrestle together. They were supple, rather plump hands, broad and not yet dry. But wrestling like this together, they were papery and dried-up. Then she would force herself into some deliberate activity or speak tenderly to her good husband, offering him things to eat, and seeing to his clothes. She loved her husband. Even after the drudgery of love she could still love him. But sometimes she lay on her side and said, I have not loved him enough, not yet, he has not seen the evidence of love. It would have been simpler if she had been able to turn and point to the man their son, but she could not. "
― Patrick White , The Tree of Man
36
" Speaking of tongues, they are the main reason I'm a nervous wreck. Ryan is a senior and well, sadly, I'm not all that experienced with boys. I mean, I'm a freshman and have been to dances with boys my age and even have gone out with boys, but I've never really kissed them. Not like I hope to kiss Ryan anyway. Bobby Robinson did shove his tongue into my mouth one time, when we were kissing under the bleachers at a football game, but it didn't feel so good. I'm pretty sure he didn't have it exactly right. So I talked to my friends, Katie and Lisa, about how to properly make out. But, well, here is just a bit of their unhelpful advice.
Just let him take the lead, do what ever he does.
Um, couldn't that get me into a lot of trouble?
Just sort of kiss his tongue, but try not to drool.
Don't open your mouth too wide.
And then, just open your mouth wide.
See?
Stupid, conflicting information.
And this from girls who supposedly know how to do this!
I feel like I'm an undercover CIA agent trying to wrestle vital information out of a ruthless double agent, and the fate of the free world depends upon it. All the while, the President is yelling at me in a panic, saying, Somebody! Anybody! Just get me the truth! "
― Jillian Dodd , That Boy (That Boy, #1)
38
" From all that urges and admonishes, the romantic turns away. He wants to dream, enjoy, immerse himself, instead of clearing his way by striving and wrestling. That which has been and rises out of what is past occupies him far more than what is to become and also more than what wants to become; for the word of the future would always be command. Experiences with their many echoes and their billows stand higher in his estimation than life with its tasks; for tasks always establish a bond with harsh reality. And from this he is in flight. He does not want to struggles against fate, but rather to receive it with an ardent and devout soul; he does not want to wrestle for the blessing, but to experience it, abandoning himself, devoid of will, to what spells salvation and bliss. "
― ,