3
" Laugh, even when you feel too sick or too worn out or tired.
Smile, even when you're trying not to cry and the tears are blurring your vision.
Sing, even when people stare at you and tell you your voice is crappy.
Trust, even when your heart begs you not to.
Twirl, even when your mind makes no sense of what you see.
Frolick, even when you are made fun of. Kiss, even when others are watching. Sleep, even when you're afraid of what the dreams might bring.
Run, even when it feels like you can't run any more.
And, always, remember, even when the memories pinch your heart. Because the pain of all your experience is what makes you the person you are now. And without your experience---you are an empty page, a blank notebook, a missing lyric. What makes you brave is your willingness to live through your terrible life and hold your head up high the next day. So don't live life in fear. Because you are stronger now, after all the crap has happened, than you ever were back before it started. "
― Alysha Speer
6
" Because it begins to seem to me at such times that I am incapable of beginning a life in real life, because it has seemed to me that I have lost all touch, all instinct for the actual, the real; because at last I have cursed myself; because after my fantastic nights I have moments of returning sobriety, which are awful! Meanwhile, you hear the whirl and roar of the crowd in the vortex of life around you; you hear, you see, men living in reality; you see that life for them is not forbidden, that their life does not float away like a dream, like a vision; that their life is being eternally renewed, eternally youthful, and not one hour of it is the same as another; while fancy is so spiritless, monotonous to vulgarity and easily scared, the slave of shadows, of the idea, the slave of the first cloud that shrouds the sun... One feels that this inexhaustible fancy is weary at last and worn out with continual exercise, because one is growing into manhood, outgrowing one's old ideals: they are being shattered into fragments, into dust; if there is no other life one must build one up from the fragments. And meanwhile the soul longs and craves for something else! And in vain the dreamer rakes over his old dreams, as though seeking a spark among the embers, to fan them into flame, to warm his chilled heart by the rekindled fire, and to rouse up in it again all that was so sweet, that touched his heart, that set his blood boiling, drew tears from his eyes, and so luxuriously deceived him! "
― Fyodor Dostoevsky , White Nights
8
" I looked about me. Luminous points glowed in the darkness. Cigarettes punctuated the humble meditations of worn old clerks. I heard them talking to one another in murmurs and whispers. They talked about illness, money, shabby domestic cares. And suddenly I had a vision of the face of destiny. Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as a man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning. "
― Antoine de Saint-Exupéry , Wind, Sand and Stars
10
" I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-" " What little bird?" said Aziraphale suspiciously." This little bird I'm talking about. And every thousand years-" " The same bird every thousand years?" Crowley hesitated. " Yeah," he said." Bloody ancient bird, then." " Okay. And every thousand years this bird flies-" " -limps-" " -flies all the way to this mountain and sharpens its beak-" " Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. " Loads of buggerall, dear boy." " But it gets there anyway," Crowley persevered." How?" " It doesn't matter!" " It could use a space ship," said the angel.Crowley subsided a bit. " Yeah," he said. " If you like. Anyway, this bird-" " Only it is the end of the universe we're talking about," said Aziraphale. " So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. " What havethey got to do?" " Sharpen its beak on the mountain," said Crowley. " And then it flies back-" " -in the space ship-" " And after a thousand years it goes and does it all again," said Crowley quickly.There was a moment of drunken silence." Seems a lot of effort just to sharpen a beak," mused Aziraphale." Listen," said Crowley urgently, " the point is that when the bird has worn the mountain down to nothing, right, then-" Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly." -then you still won't have finished watching The Sound of Music." Aziraphale froze." And you'll enjoy it," Crowley said relentlessly. " You really will." " My dear boy-" " You won't have a choice." " Listen-" " Heaven has no taste." " Now-" " And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face. "
11
" Are You Ready for New Urban Fragrances?
Yeah, I guess I'm ready, but listen:
Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.
Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.
I want to travel on a train that smells like snowflakes.
I want to sip in cafes that smell like comets.
Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.
I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.
I want to carry luggage that reeks of the neurons in Einstein's brain.
I want a city's gases to smell like the golden belly hairs of the gods.
And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella. "
― Tom Robbins , Wild Ducks Flying Backward
12
" What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force. "
― Friedrich Nietzsche
14
" What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms – in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins. "
― Friedrich Nietzsche
17
" There are different ways people make this place. Sweat, exercise and pain is one way. You can see them in the gyms, in the well-ordered swimming pools. You can see them jogging in the small, worn parks. Another way to make your place is TV. A bright, brash place, always well lit, full of fun and jokes that tell you when to laugh so you never miss them. World news carefully edited so that it’s not too disturbing, but disturbing enough to make you glad that you weren’t born in a foreign country. News with music to tell you who to hate, who to feel sorry for, and who laugh at. "
― David Mitchell , Ghostwritten
18
" God abides in men" " God abides in men,These are men who are simple,they are fields of corn...Such men have mindslike wide grey skies,they have the grandeurthat the fools call emptiness.God abides in men.Some men are not simple,they live in citiesamong the teeming buildings,wrestling with forcesas strong as the sun and the rain.Often they must forgo dream upon dream...Christ walks in the wildernessin such lives.God abides in men,because Christ has put onthe nature of man, like a garment, and worn it to his own shape.He has put on everyone's life...to the workman's clothes to the King's red robes,to the snowy loveliness of the wedding garment...Christ has put on Man's nature,and given him back his humanness...God abides in man. "