3
" I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life.
Originally published in The Washington Post Book World "
― Michael Chabon
4
" Go on, my dear," urges the snake. " Take one. Hear it? 'Pluck me,' it's saying. That big, shiny red one. 'Pluck me, pluck me now and pluck me hard.' You know you want to." , clever girl, " expressly forbids us to eat the fruit from the Tree of Knowledge." ?" Eve folds her arms schoolgirlishly. " God expressly forbade it. Adam said." The snake grins through his fangs, admiring Eve's playacting. " God is a nice enough chap in His way. I daresay He means well. But between you and The Tree of Knowledge, He is terribly insecure." " Insecure? He made the entire bloody universe! He's omnipotent." " Exactly! Almost neurotic, isn't it? All this worshiping, morning, noon, and night. It's 'Oh Praise Him, Oh Praise Him, Oh Praise the Everlassssting Lord.' I don't call that omnipotent. I call it pathetic. Most independent authorities agree that God has never sufficiently credited the work of virtual particles in the creation of the universssse. He raises you and Adam on this diet of myths while all the really interesting information is locked up in these juicy apples. Seven days? Give me a break. "
15
" Surrendering: The act of giving yourself entirely to a new self, and then let go of your personal freedom for the achievement of something greater than you had before, a new you, a new self, envisioned and designed by yourself. Surrendering, to a God or to a Dream, or to both, is the ultimate act of designing your new future and then letting go the present reality to live that dream. It is, indeed, the creation of a virtual reality in which one will find himself present, after detaching from the previous reality, which will then become virtual by default. Because, as one cannot surrender without accepting, one cannot get without letting go. And so, when one surrenders entirely, he becomes entirely new. "
― Robin Sacredfire
18
" Ma'am," he said, reaching for the door. He held it open, his posture as erect and sturdy as a pole.I eyed the man's uniform, the pins and badges that signified his military rank and position. At that moment I felt opposing forces wash over me, clashing internally like a cold and warm front meeting in the air.At first I was hit by a burning sense of respect and gratitude. How privileged a person I was to have this soldier unbar the way for me, maintaining a clear path that I might advance unhindered. The symbolism marked by his actions did strike me with remarkable intensity. How many virtual doors would be shut in my face if not for dutiful soldiers like him?As I went to step forward, my feet nearly faltered as if they felt unworthy. It was I who ought to be holding open the door for this gentleman—this representative of great heroes present and past who did fight and sacrifice and continue to do so to keep doors open, paths free and clear for all of humanity.I moved through the entrance and thanked him." Yes, ma'am," he said.How strange that I should feel such pride while passing through his open door. "
19
" We find the same situation in the economy. On the one hand, the battered remnants of production and the real economy; on the other, the circulation of gigantic amounts of virtual capital. But the two are so disconnected that the misfortunes which beset that capital – stock market crashes and other financial debacles – do not bring about the collapse of real economies any more. It is the same in the political sphere: scandals, corruption and the general decline in standards have no decisive effects in a split society, where responsibility (the possibility that the two parties may respond to each other) is no longer part of the game.
This paradoxical situation is in a sense beneficial: it protects civil society (what remains of it) from the vicissitudes of the political sphere, just as it protects the economy (what remains of it) from the random fluctuations of the Stock Exchange and international finance. The immunity of the one creates a reciprocal immunity in the other – a mirror indifference. Better: real society is losing interest in the political class, while nonetheless availing itself of the spectacle. At last, then, the media have some use, and the ‘society of the spectacle’ assumes its full meaning in this fierce irony: the masses availing themselves of the spectacle of the dysfunctionings of representation through the random twists in the story of the political class’s corruption. All that remains now to the politicians is the obligation to sacrifice themselves to provide the requisite spectacle for the entertainment of the people. "
― Jean Baudrillard , Screened Out