7
" It's through the cross that we reach the resurrection. We should be absolutely sure of this truth, and we should keep this cross hidden and not place it on the shoulders of others. It is our cross we have to carry. It is the one God has given us to go through into His resurrection. This is the one we should keep hidden.But there are crosses and crosses, some of our own making. These we should immediately discard. Some permitted by God for our sanctification. These we can share for they are also for the sanctification of others. True, we can help to carry other people's crosses and they can help to carry our crosses, but the operative word is " hidden." The Lord said, " So when you give to the needy, do not announce it with trumpets as the hypocrites do in the synagogues and on the streets, to be honoured by men," and " When you fast, put oil on your head and wash your face, so that it will not be obvious to men that you are fasting, but only to your Father, who is unseen; and your Father, who sees what is done in secret, will reward you." (Mt 6:16-18)Our very hiddenness becomes a light if we do not complain, if we carry our cross manfully, ready to help in the carrying of other people's crosses. Then we become a light to our neighbour's feet because we become an icon of Christ—shining! "
9
" Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The " Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years. "