24
" She now discovered amidst them, the poet's flights of fancy, and the historian's seldom pleasing—ever instructive page. The first may transmit to posterity the records of a sublime genius, which once flashed in strong, but transient rays, through the tenement of clay it was given a moment to inhabit: and though the tenement decayed and the spirit fled, the essence of a mind which darted through the universe to cull each created and creative image to enrich an ever-varying fancy, is thus snatched from oblivion, and retained, spite of nature, amidst the mortality from which it has struggled, and is freed. The page of the historian can monarchs behold, and not offer up the sceptre to be disencumbered of the ponderous load that clogs their elevation! Can they read of armies stretch upon the plain, provinces laid waste, and countries desolated, and wish to be the mortal whose vengeance, or whose less fierce, but fatal decision sent those armies forth! "
35
" In real life I fell easily under the spell of all traveling artists. En route to New Orleans, entertainments of many kinds would stop over in those days for a single performance in Jackson's Century Theatre. Then, as now, my imagination was magnetized toward transient artists - toward the transience as much as the artists. I must have seen " Acrobats in a Park" at the time I wrote the story as exotic, free of any experience as I knew it. At the center of the little story is the Zorro's act: the feat of erecting a structure of their bodies that holds together, interlocked, and stands like a wall. Writing about the family act, I was writing about the family itself, its strength as a unit, testing its frailty under stress. I treated it in an artificial and oddly formal way; the stronghold of the family is put on view as a structure built each night; on the night before the story opens, the Wall has come down when the most vulnerable member slips, and the act is done for. But from various points within it and from outside it, I've been writing about the structure of the family in stories and novels ever since. In spite of my uncompromising approach to it, my fundamental story form might have been trying to announce itself to me. "
39
" For what Luc was in fact proposing was just a game, an enticing game, but, even so, one that could destroy my undoubtedly quite genuine feelings for Bertrand; and it could destroy something else within me, something ill-defined but fiercely felt, which, whether I liked it or not, was opposed to transience. Or, at the very least, to the intentionally transient nature of what Luc what was offering. And then, even if I was able to conceive of any passion or liaison as being short-lived, I couldn't accept in advance that it had to be that way. Like any individual for whom life is a series of charades, I could bear the charades only if they were written by me, and by me alone. "
― Françoise Sagan , A Certain Smile