48
" Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain. "
― Jim Butcher , Fool Moon (The Dresden Files, #2)
49
" When I touched that boy, I felt something. Something awful. Something I can’t describe.”
“We all felt it,” Nick said.
“You may have felt it, but I caused it.” Then both his eyes seemed to go far away. “Something changed out there. I don’t know what it was, but something in the world changed because that kid didn’t deserve what I did to him—and the powers that be know that I did it.” Nick watched as a tear fell from his Everlost eye and disappeared through the living world table.
“What if,” said Nick, not even sure what he was going to say yet, “what if you were that kid and you were told you could change the world, but you would have to sacrifice yourself to do it?”
Clarence chuckled at the thought. “I believe that question was already asked a long time ago, and that creepy kid did not look anything like Jesus to me.”
“But you do think that something changed. . . .”
“I don’t know whether it’s good or bad.”
“What if it’s neither?” suggested Nick. “What if we get to make it one or the other? "
― Neal Shusterman , Everfound (Skinjacker, #3)
52
" One could always imagine that one's life, though smoldering parts, might be undamaged in the west." " We also serve who live with grace." " If there had been more time, or less, it all would have been easier. If its an hour one can say what one likes. If it's a year, one can be what one is like. A day is exactly the wrong lenght of time to be oneself in, don't you think?" " In the end I suppose we lay flowers on a grave because we cannot lay ourselves on it." " The dead were filthy, half buried, sometimes barely distinguishable from the mud or the rubble they lay in. One didn't understand, until one had seen a great many bodies, the unconscious effort that one must be making every minute simply to keep one's hands and face and clothes clean. The world's surfaces were so filthy that the living touched them only with the tips of their fingers and the soles of their shoes. How grubby it was to die, to give up making that effort." Life took longer to reassemble than it did to blow apart, but that didn't mean it wouldn't be lovely, providing that one remembered to go for country walks, and to tune the wireless to music. "
55
" For that half-hour in the hospital delivery room I was intimate with immensity, for that half-minute before birth I held her hands and for that duration we three were undivided, I felt the blood of her pulse as we gripped hands, felt her blood beat in the rhythm that reached into the baby as she slipped into the doctor's hands, and for a few days we touched that immensity, we saw through her eyes to an immense intimacy, saw through to where she had come from, I felt important being next to her, and the feeling lasted when we entered our car for the drive home, thinking to myself that we weren't to be trusted with our baby, the feeling lasting while I measured us against the landscape, the February rain, the pewter sky, and then the rain freezing to the roadway, the warmth of the interior of the car with its unbreakable transparent sky dome and doors, until the car spun on the ice in the lane and twirled so that I could take an hour to describe how I threw up my hands in anguish as the baby slipped from her arms and whipped into the face of her mother reflected in the glass door, and she caught the baby back into her arms as the car glided to a stop in its usual place at the end of the drive, and nothing but silence and a few drops of blood at a nostril suggested that we would now be intimate with the immensities of death (" Interim" ) "
57
" I had been hungry all the years-
My noon had come, to dine-
I, trembling, drew the table near
And touched the curious wine.
'Twas this on tables I had seen
When turning, hungry, lone,
I looked in windows, for the wealth
I could not hope to own.
I did not know the ample bread,
'Twas so unlike the crumb
The birds and I had often shared
In Nature's diningroom.
The plenty hurt me, 'twas so new,--
Myself felt ill and odd,
As berry of a mountain bush
Transplanted to the road.
Nor was I hungry; so I found
That hunger was a way
Of persons outside windows,
The entering takes away. "
― Emily Dickinson , I'm Nobody! Who Are You?
58
" High Flight
Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
of sun-split clouds, — and done a hundred things
You have not dreamed of — wheeled and soared and swung
High in the sunlit silence. Hov’ring there,
I’ve chased the shouting wind along, and flung
My eager craft through footless halls of air....
Up, up the long, delirious, burning blue
I’ve topped the wind-swept heights with easy grace.
Where never lark, or even eagle flew —
And, while with silent, lifting mind I've trod
The high untrespassed sanctity of space,
- Put out my hand, and touched the face of God. "
― John Gillespie Magee Jr.
