42
" Let's Play Cat & MouseIt was a beautiful day as he walked the streets,filled with flowers of summer and the green of the trees.The sun just rising, the freshness in the air.In the distance, something rolled across the road,pushed and played with by a fluffy, tiger like cat.It rolled, and was poked and pushed to the edge …Stop that, Stop that, Stop that now …it’s tiny little legs on the floor as it stretched as tall as it could,arms in front, as it looked up at fluffy …No, No, NoYou can’t catch me …Shocked and amazed was fluffy …As his morning breakfast, scurried and hurried along the side of the road …Goodbye, Good Day, have a wonderful Day …As they continued their day …No more time for Let’s play cat and mouse.by Natasha Parker Copyright © 2014 by Luisa Natasha Parker "
43
" No living creature lives without mistakes, Leo.” As it spoke, the flightsuit played videos in the visor, showing diapered babies sitting down hard as they learned to walk, tiger cubs rolling with each other and a blur of dozens of different moments captured from Earth. Everything man and Explorer creates is designed from mistakes, learned and corrected, to improve subsequent designs. I am the product of millions of mistakes, adjustments made to original concepts and plans.”
The images in the visor displayed bridges swaying wildly, buildings crumbling to the ground, the blackened interior of a space capsule through a charred open door.
“Every device you've ever used-so familiar you may have never considered their creation. Every device is the product of mistakes, hundreds or thousands of previous mistakes. You see the results, but you do not see the mistakes.”
The flightsuit paused. “You see yourself in the mirror and see the results, and you do not see the millions of shaping events that made you. You survived these challenges. There are millions more shaping events ahead of you. You have not yet survived these, and so they feel dangerous and uncertain. If you were able to precisely recall, at will, the feelings of fear and uncertainty you experienced in the past or the moments you long ago overcame and survived would you discourage your past self from trying? "
― Tom Deaderick , Flightsuit (The Lost Cove Series, #1)
52
" At their core, Tiger Eyes, Forever..., and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) "
― Jennifer O'Connell , Everything I Needed to Know about Being a Girl I Learned from Judy Blume
54
" Of course there always will be darkness but I realize now something inhabits it. Historical or not. Sometimes it seems like a cat, the panther with its moon mad gait or a tiger with stripes of ash and eyes as wild as winter oceans. Sometimes it's the curve of a wrist or what's left of romance, still hiding in the drawer of some long lost nightstand or carefully drawn in the margins of an old discarded calendar. Sometimes it's even just a vapor trail speeding west, prophetic, over clouds aglow with dangerous light. Of course these are only images, my images, and in the end they're born out of something much more akin to a Voice, which though invisible to the eye and frequently unheard by even the ear still continues, day and night, year after year, to sweep through us all. "
― Mark Z. Danielewski , House of Leaves
55
" I had spent many nights in the jungle looking for game, but this was the first time I had ever spent a night looking for a man-eater. The length of road immediately in front of me was brilliantly lit by the moon, but to right and left the overhanging trees cast dark shadows, and when the night wind agitated the branches and the shadows moved, I saw a dozen tigers advancing on me, and bitterly regretted the impulse that had induced me to place myself at the man-eater's mercy. I lacked the courage to return to the village and admit I was too frightened to carry out my self-imposed task, and with teeth chattering, as much from fear as from cold, I sat out the long night. As the grey dawn was lighting up the snowy range which I
was facing, I rested my head on my drawn-up knees, and it was in this position my men an hour later found me fast asleep; of the tiger I had neither heard nor seen anything. "
― Jim Corbett , The Champawat Man - Eater
56
" Everyone experiences grace, even if they don't realize it.
It's kind of like Moby's music. You could ask your average sixty-something-year-old retired banker in Connecticut if he's ever heard of Moby and/or his music and the response you'd receive more than likely would be a resounding, “No—what's a Moby?”
But if you say, “Remember that American Express commercial where Tiger Woods is putting around New York City? Remember the song playing? That was Moby.”
“Oh, then, OK. I guess I have heard Moby,” our theoretical retired banker in New Canaan might say.
“So … what exactly is a Moby?”
That's like grace. Not that grace is a pretentious vegan techno-rocker, but you get the idea.
Grace is everywhere, all around us, all of the time. We only need the ears to hear it and the eyes to see it. "
― Cathleen Falsani , Sin Boldly: A Field Guide for Grace
58
" I saw the massive stone altar first begin to glow like a ruby; then it was a heart of liquid gold like a solid single-crystal chrysoprase: the gold intensified into ice-cold emerald and passed into the dark sapphire of an arctic sky; this again withdrew into a violet so deep that the visual purple of the eye itself seemed absorbed in that depth, that abyss of color in which sight was being drowned. And as this intensification of vibrancy seemed to sweep across the visible spectrum up to those ranges where energy absorbs all mass and that which can pierce the most solid is itself fine beyond all substance, so it seemed with hearing. That abyss of sound which I had been thinking of as only depth, it, too, seemed to rise or, rather, I suppose I was carried up on some rising wave which explored the deep of the height.
As the light drew toward the invisible, I experienced a sound so acute that I can only remember feeling to myself that this was the note emitted when the visible universe returns to the unmanifest—this was the consummatum est of creation. I knew that an aperture was opening in the solid manifold. The things of sense were passing with the music of their own transmutation, out of sight. Veil after veil was evaporating under the blaze of the final Radiance. Suddenly I knew terror as never before. The only words which will go near to recreating in me some hint of that actual mode are those which feebly point toward the periphery of panic by saying that all things men dread are made actually friendly by this ultimate awfulness. Every human horror, every evil that the physical body may suffer, seemed, beside this that loomed before me, friendly, homely, safe. The rage of a leaping tiger would have been a warm embrace. The hell of a forest wrapped in a hurricane of fire, the subzero desolation of the antarctic blizzard, would have been only the familiar motions of a simple well-known world. Yes, even the worst, most cunning and cruel evil would only be the normal reassuring behavior of a well-understood, much-sympathized-with child. Against This, the ultimate Absolute, how friendly became anything less, anything relative. "
― Gerald Heard , Dromenon: The Best Weird Stories of Gerald Heard