122
" To an onlooker, his face would be unreadable, but to me I know that look. His thoughts roll around his head like a frantic ball as he considers each excuse he'll give me. At this moment I wish I were the onlooker, a stranger, I know he can't quit for good, not yet. He's searching for the perfect sentence, the perfect touch to bid time until I'm safely sucked into his trap. When he reaches me, he doesn't ask for permission, he pulls me into a hug, wrapping his arms around my back and pulling me into his chest. He's willing me to forget—to forgive because somewhere deep down, he knows this time I won't. "
― , Hazed (Hazed, #1)
124
" The news that she had gone of course now spread rapidly, and by lunch time Riseholme had made up its mind what to do, and that was hermetically to close its lips for ever on the subject of Lucia. You might think what you pleased, for it was a free country, but silence was best. But this counsel of perfection was not easy to practice next day when the evening paper came. There, for all the world to read were two quite long paragraphs, in " Five o'clock Chit-Chat," over the renowned signature of Hermione, entirely about Lucia and 25 Brompton Square, and there for all the world to see was the reproduction of one of her most elegant photographs, in which she gazed dreamily outwards and a little upwards, with her fingers still pressed on the last chord of (probably) the Moonlight Sonata. . . . She had come up, so Hermione told countless readers, from her Elizabethan country seat at Riseholme (where she was a neighbour of Miss Olga Bracely) and was settling for the season in the beautiful little house in Brompton Square, which was the freehold property of her husband, and had just come to him on the death of his aunt. It was a veritable treasure house of exquisite furniture, with a charming music-room where Lucia had given Hermione a cup of tea from her marvellous Worcester tea service. . . . (At this point Daisy, whose hands were trembling with passion, exclaimed in a loud and injured voice, " The very day she arrived!" ) Mrs. Lucas (one of the Warwickshire Smythes by birth) was, as all the world knew, a most accomplished musician and Shakespearean scholar, and had made Riseholme a centre of culture and art. But nobody would suspect the blue stocking in the brilliant, beautiful and witty hostess whose presence would lend an added gaiety to the London season.Daisy was beginning to feel physically unwell. She hurried over the few remaining lines, and then ejaculating " Witty! Beautiful!" sent de Vere across to Georgie's with the paper, bidding him to return it, as she hadn't finished with it. But she thought he ought to know. . . . Georgie read it through, and with admirable self restraint, sent Foljambe back with it and a message of thanks--nothing more--to Mrs. Quantock for the loan of it. Daisy, by this time feeling better, memorised the whole of it.Life under the new conditions was not easy, for a mere glance at the paper might send any true Riseholmite into a paroxysm of chattering rage or a deep disgusted melancholy. The Times again recorded the fact that Mr. and Mrs. Philip Lucas had arrived at 25 Brompton Square, there was another terrible paragraph headed 'Dinner,' stating that Mrs. Sandeman entertained the following to dinner. There was an Ambassador, a Marquis, a Countess (dowager), two Viscounts with wives, a Baronet, a quantity of Honourables and Knights, and Mr. and Mrs. Philip Lucas. Every single person except Mr. and Mrs. Philip Lucas had a title. The list was too much for Mrs. Boucher, who, reading it at breakfast, suddenly exclaimed:" I didn't think it of them. And it's a poor consolation to know that they must have gone in last." Then she hermetically sealed her lips again on this painful subject, and when she had finished her breakfast (her appetite had quite gone) she looked up every member of that degrading party in Colonel Boucher's " Who's Who. "
129
" Hamlet promised himself he’d throw down afterward, but I think perhaps when he said, “From this time forth, my thoughts be bloody, or be nothing worth!” the limits of blank verse weakened his resolve somehow. If he’d been free to follow the dictates of his conscience rather than the pen of Shakespeare, perhaps he would have abandoned verse altogether, like me, and contented himself with this instead: “Bring it, muthafuckas. Bring it. "
― Kevin Hearne , Hounded (The Iron Druid Chronicles, #1)
133
" Alexander moved her off him, laid her down, was over her, was pressed into her, crushing her. Anthony was right there, he didn't care, he was trying to inhale her, trying to absorb her into himself. " All this time you were stepping out in front of me, Tatiana," he said. " Now I finally understand. You hid me on Bethel Island for eight months. For two years you hid me and deceived me - to save me. I am such an idiot," he whispered. " Wretch or not, ravaged or not, in a carapace or not, there you still were, stepping out for me, showing the mute mangled stranger your brave and indifferent face." Her eyes closed, her arms tightened around his neck. " That stranger is my life," she whispered. They crawled away from Anthony, from their only bed, onto a blanket on the floor, barricading themselves behind the table and chairs. " You left our boy to go find me, and this is what you found..." Alexander whispered, on top of her, pushing inside her, searching for peace.Crying out underneath him, Tatiana clutched his shoulders." This is what you brought back from Sachsenhausen." his movement was tense, deep, needful. Oh God. Now there was comfort. " You thought you were bringing back him, but Tania, you brought back me." " Shura...you'll have to do..." Her fingers were clamped into his scars." In you," said Alexander, lowering his lips to her parted mouth and cleaving their flesh, " are the answers to all things." All the rivers flowed into the sea and still the sea was not full. "
135
" I should like to ask you: -- Does your childhood seem far off? Do the days when you sat at your mother's knee, seem days of very long ago?" Responding to his softened manner, Mr. Lorry answered: " Twenty years back, yes; at this time of my life, no. For, as I draw closer and closer to the end, I travel in the circle, nearer and nearer to the beginning. It seems to be one of the kind smoothings and preparings of the way. My heart is touched now, by many remembrances that had long fallen asleep, of my pretty young mother (and I so old!), and by many associations of the days when what we call the World was not so real with me, and my faults were not confirmed with me. "
137
" Of course, there were innumerable conversions during these years, as Christianity became the religion of Western Europe and Christendom took its characteristic shape. Many of these were undramatic – serfs responding to the importunity of their lords – or group events, as in the conversion of Clovis’s troops. But for many others there was no longer need of conversion. The contours of Christian experience had shifted. Whereas up to the time of Augustine there had been four stages of initiation and incorporation into the church, there were no typically two. The first stage was brief and obligatory – baptism in the days or months after birth. The second stage would happen later and would take longer – if it took place at all – when confirmation happened and when parents instructed their children and godparents instructed their godchildren in the beliefs and behavior of the Christian church. Indeed, at this time of the rapid spread of Christianity into new territories, it was vitally necessary that the baptizands be taught well. The heroic and valorous values of the folk, the glorious narratives of warriors, the adulation of wealth and strength – all of these were as firmly in place in seventh-century Gaul as the pagan values and narratives had been in third-century Rome. If Christianity were to be a religion of revelation that could challenge the commonplaces of Gallic society, if new habits were to be taught and new role models were to be adopted, there would have to be some form of postbaptismal pastoral follow-up. "
― , The Change of Conversion and the Origin of Christendom
