this set QUOTES

1 " So now begins the first war with Cordelia' in which I retreat and thereby teach her to be victorious as she pursues me. I continually fall back, and in this backward movement I teach her to know through me all the powers of erotic love, its turbulent thoughts' its passion, what longing is, and hope, and impatient expectancy. As I perform this set of steps before her' all this will correspondingly in her' It is a triumphant procession in which I am leading her, and I myself am just as much the one who dithyrambically sings praises to her victory as I am the one who shows the way. She will gain courage to believe in erotic love, to believe it is an etemal force, when she sees its dominion over me, sees my movements. She will believe me, partly because I rely on my artistry, and partly because at the bottom of what I am doing there is truth. If that were not the case, she would not believe me. With my every move, she becomes stronger and stronger; love is awakening in her soul; she is being enthroned in her meaning as a woman "

― Søren Kierkegaard

2 " According to Melanie Klein, we develop moral responses in reaction to questions of survivability. My wager is that Klein is right about that, even as she thwarts her own insight by insisting that it is the ego's survivability that is finally at issue. Why the ego? After all, if my survivability depends on a relation to others, to a " you" or a set of " yous" without whom I cannot exist, then my existence is not mine alone, but is to be found outside myself, in this set of relations that precede and exceed the boundaries of who I am. If I have a boundary at all, or if a boundary can be said to belong to me, it is only because I have become separated from others, and it is only on condition of this separation that I can relate to them at all. So the boundary is a function of the relation, a brokering of difference, a negotiation in which I am bound to you in my separateness. If I seek to preserve your life, it is not only because I seek to preserve my own, but because who " I" am is nothing without your life, and life itself has to be rethought as this complex, passionate, antagonistic, and necessary set of relations to others. I may lose this " you" and any number of particular others, and I may well survive those losses. But that can happen only if I do not lose the possibility of any " you" at all. If I survive, it is only because my life is nothing without the life that exceeds me, that refers to some indexical you, without whom I cannot be. "

3 " As we’ve already mentioned, the main premise of the worrier is that things are uniformly dangerous. No risks can be tolerated. It is here, in the mind of the worrier, that the four rules of anxiety come into play: detect danger, catastrophize danger, control all the circumstances, and avoid discomfort. Sticking to this set of rules greatly interferes with one’s ability to assess risks in a balanced and rational way. "

4 " You're the medium Weed and I use to communicate, that's all, this set of holes, pleasantly framed, this little femme scampering back and forth with scented messages tucked in her little secret places." She was too young then to understand what he thought he was offering her, a secret about power in the world. That's what he thought it was. Brock was young then too. She only took it as some parable about his feelings for her, one she didn't exactly understand but covered for with the wide invincible gaze practiced by many sixties children, meaning nearly anything at all, useful in a lot of situations, including ignorance. "

5 " To be on this set today, I feel very blessed for the second chance and for the opportunity, my record company believing in me and everybody here just showing me so much love and support. "

6 " You put on this set of goggles, and within seconds, your brain is convinced you're now in a different, virtual environment. You're somewhere else, and that somewhere else may be a video game, it may be in a real-time movie, a museum exhibit, or a medical surgical training app. "

7 " I've grown as a person. The dynamics on this set are very demanding because we work a lot of hours, it's very sad material, so there's always someone upset because it's really heavy stuff. "