Home > Topic > this purpose
1 " Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon.I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.”—from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer) "
2 " I felt in my bones; first, that this world does not explain itself. It may be a miracle with a supernatural explanation; it may be a conjuring trick, with a natural explanation. But the explanation of the conjuring trick, if it is to satisfy me, will have to be better than the natural explanations I have heard. The thing is magic, true or false. Second, I came to feel as if magic must have a meaning, and meaning must have some one to mean it. There was something personal in the world, as in a work of art; whatever it meant it meant violently. Third, I thought this purpose beautiful in its old design, in spite of its defects, such as dragons. Fourth, that the proper form of thanks to it is some form of humility and restraint: we should thank God for beer and Burgundy by not drinking too much of them. We owed, also, an obedience to whatever made us. And last, and strangest, there had come into my mind a vague and vast impression that in some way all good was a remnant to be stored and held sacred out of some primordial ruin. Man had saved his good as Crusoe saved his goods: he had saved them from a wreck...And all this time I had not even thought of Christian theology. "
― G.K. Chesterton , Orthodoxy
3 " We do not content ourselves with the life we have in ourselves and in our own being; we desire to live an imaginary life in the mind of others, and for this purpose we endeavour to shine. We labour unceasingly to adorn and preserve this imaginary existence, and neglect the real. And if we possess calmness, or generosity, or truthfulness, we are eager to make it known, so as to attach these virtues to that imaginary existence. We would rather separate them from ourselves to join them to it; and we would willingly be cowards in order to acquire the reputation of being brave. A great proof of the nothingness of our being, not to be satisfied with the one without the other, and to renounce the one for the other! For he would be infamous who would not die to preserve his honour. "
― Blaise Pascal , Pensées
4 " Human person as a unit harmonic and dynamic individual integrates in the living environment using for this purpose all available resources. "
5 " But God does not neglect his lost creature. He plans to re-create his image in man, to recover his first delight in his handiwork. He is seeking in it his own image so that he may love it. But there is only one way to achieve this purpose and that is for God, out of sheer mercy, to assume the image and form of fallen man. But this restoration of the divine image concerns not just a part, but the whole image of divine nature. It is not enough for man to simply recover right ideas about God, or to obey his will in the isolated actions of his life. No, man must be re-fashioned as a living whole in the image of God. His whole form, body, soul and spirit, must once more bear that image on earth. Such is God’s purpose and destiny for man. His good pleasure can rest only on his perfected image. "
― Dietrich Bonhoeffer , The Cost of Discipleship
6 " The bourgeoisie, which far surpasses the proletariat in the completeness and irreconcilibility of its class consciousness, is vitally interested in imposing its moral philosophy upon the exploited masses. It is exactly for this purpose that the concrete norms of the bourgeois catechism are concealed under moral abstractions...The appeal to abstract norms is not a disinterested philosophic mistake but a necessary element in the mechanics of class deception. "
― Leon Trotsky
7 " Experience teaches effectually, but brutally. It makes us acquainted with all the effects of an action, by causing us to feel them; and we cannot fail to finish by knowing that fire burns, if we have burned ourselves. For this rough teacher, I should like, if possible, to substitute a more gentle one. I mean Foresight. For this purpose I shall examine the consequences of certain economical phenomena, by placing in opposition to each other those which are seen, and those which are not seen. "
― Frédéric Bastiat
8 " When individuals combine in a joint effort to realize ends the have in common, the organizations, like the state, that they form for this purpose are given their own system of ends and their own means. But any organization thus formed remains one " person" among other, in the case of the state much more powerful than any of the others, it is true, yet still with its separate and limited sphere in which alone its ends are supreme. "
9 " In life,” he said, “there are no essentially major or minor characters. To that extent, all fiction and biography, and most historiography, are a lie. Everyone is necessarily the hero of his own life story. Hamlet could be told from Polonius’s point of view and called The Tragedy of Polonius, Lord Chamberlain of Denmark. He didn’t think he was a minor character in anything, I daresay. Or suppose you’re an usher in a wedding. From the groom’s viewpoint he’s the major character; the others play supporting parts, even the bride. From your viewpoint, though, the wedding is a minor episode in the very interesting history of your life, and the bridge and groom both are minor figures. What you’ve done is choose to play the part of a minor character: it can be pleasant for you to pretend to be less important you know you are, as Odysseus does when he disguises as a swineherd. And every member of the congregation at the wedding sees himself as the major character, condescending to witness the spectacle. So in this sense fiction isn’t a lie at all, but a true representation of the distortion that everyone makes of life. “Now, not only are we the heroes of our own life stories–we’re the ones who conceive the story, and give other people the essences of minor characters. But since no man’s life story as a rule is ever one story with a coherent plot, we’re always reconceiving just the sort of hero we are, and consequently just the sort of minor roles that other people are supposed to play. This is generally true. If any man displays almost the same character day in and day out, all day long, it’s either because he has no imagination, like an actor who can play only one role, or because he has an imagination so comprehensive that he sees each particular situation of his life as an episode in some grand over-all plot, and can so distort the situations that the same type of hero can deal with them all. But this is most unusual. “This kind of role-assigning is myth-making, and when it’s done consciously or unconsciously for the purpose of aggrandizing or protecting your ego–and it’s probably done for this purpose all the time–it becomes Mythotherapy. Here’s the point: an immobility such as you experienced that time in Penn Station is possible only to a person who for some reason or other has ceased to participate in Mythotherapy. At that time on the bench you were neither a major nor a minor character: you were no character at all. It’s because this has happened once that it’s necessary for me to explain to you something that comes quite naturally to everyone else. It’s like teaching a paralytic how to walk again. "
― John Barth
10 " The error in this conclusion may be most simply demonstrated by means of an actual example. Let us select for this purpose the monetary history of Austria, which Laughlin also uses as an illustration. From 1859 onwards the Austrian National Bank was released from the obligation to convert its notes on demand into silver, and nobody could tell when the State paper-money issued in 1866 would be redeemed, or even if it would be redeemed at all. It was not until the later 'nineties that the transition to metallic money was completed by the actual resumption of cash payments on the part of the Austro-Hungarian Bank. "
― Ludwig von Mises , The Theory of Money and Credit
11 " To be American is to be part of a dialogical and democratic operation that grapples with the challenge of being human in an open-ended and experimental manner. Although America is a romantic project in which a paradise, a land of dreams, is fanned and fueled with a religion of vast possibility, it is, more fundamentally, a fragile experiment-precious yet precarious-of dialogical and democratic human endeavor that yields forms of modern self-making and self-creating unprecedented in human history. From Thomas Jefferson to Elijah Muhammad, Geronimo to Dorothy Day, Jane Adams to Nathaniel West, it holds out the possibility of self-transformation and self-reliance to New World dwellers willing to start anew and recast themselves for the purpose of deliverance and betterment. This purpose requires only a restlessness, energy and boldness that galvanizes people to organize and mobilize themselves in a way that makes new opportunities and possibilities credible and worth the "
― Cornel West
12 " In criticism, I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me. "
― Edgar Allan Poe
13 " In Euclid's Elements we meet the concept which later plays a significant role in the development of science. The concept is called the " division of a line in extreme and mean ratio" (DEMR). ...the concept occurs in two forms. The first is formulated in Proposition 11 of Book II. ...why did Euclid introduce different forms... which we can find in Books II, VI and XIII? ...Only three types of regular polygons can be faces of the Platonic solids: the equilateral triangle... the square... and the regular pentagon. In order to construct the Platonic solids... we must build the two-dimensional faces... It is for this purpose that Euclid introduced the golden ratio... (Proposition II.11)... By using the " golden" isosceles triangle...we can construct the regular pentagon... Then only one step remains to construct the dodecahedron... which for Plato is one of the most important regular polyhedra symbolizing the universal harmony in his cosmology. "
14 " I did not know what I was going to do with my life; before anything else I wanted to find an answer, my answer, to the timeless questions, and then after that I would decide what I would become. If I did not begin by discovering what was the grand purpose of life on earth, I said to myself, how would I be able to discover the purpose of my tiny ephemeral life? And if I did not give my life a purpose, how would I be able to engage in action? I was not interested in finding what life's purpose was objectively - this, I divined, was impossible and futile - but simply what purpose I, of my own free will, could give it in accord with my spiritual and intellectual needs. Whether or not this purpose was the true one did not, at that time, have any great significance for me. The important thing was that I should find (should create) a purpose congruent with my own self, and thus, by following it, reel out my particular desires and abilities to the furthest possible limit. For then at last I would be collaborating harmoniously with the totality of the universe. "
― Nikos Kazantzakis , Report to Greco
15 " We do not content ourselves with the life we have in ourselves we desire to live an imaginary life in the minds of others and for this purpose we endeavor to shine. "
16 " The earth is bountiful, and where her bounty fails, nitrogen drawn from the air will refertilize her womb. I developed a process for this purpose in 1900. It was perfected fourteen years later under the stress of war by German chemists. "
17 " The most obvious purpose of college education is to help students acquire information and knowledge by acquainting them with facts, theories, generalizations, principles, and the like. This purpose scarcely requires justification. "
18 " But in truth, should I meet with gold or spices in great quantity, I shall remain till I collect as much as possible, and for this purpose I am proceeding solely in quest of them. "
