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1 " You called me at four thirty-four....I hate four thirty-four. I think four thirty-four should be banned and replaced with something more reasonable, like, say, nine twelve. "
― Darynda Jones , First Grave on the Right (Charley Davidson, #1)
2 " Have we freed this man or cursed him?" he wondered aloud." Freedom is never a curse, brother," Thirty-four insisted. " But it is often a hard road. "
3 " She was surprised to discover that Paola was thirty-four. 'What have you been doing all this time?' she wanted to ask, but instead she said, 'What brought you to England?''There was a man,' Paola said. 'When the man left, I decided to stay.''An Italian man?'Barely perceptibly, Paola nodded.'He had a job here. He is an -' She paused. '- aeronautical engineer. After a year he had to go home.'Solly was seething with questions. It was strange: in Paola's presence she felt herself to be a failure, yet a part of her believed that a woman of thirty-four with no husband or children was the greatest failure of all. It was a kind of unstoppable need for resolution that grew from her like ivy over the prospect of freedom and tried to strangle it. She couldn't bear the idea of loose threads, of open spaces, of stories without ends. Did Paola not want to get married? Did she not want children, and a house of her own? She sat there in her white sweater, delicately eating. Solly, a sack stuffed with children, a woman who had spent and spent her life until there was none left, sat opposite her, impatient for more. "
4 " I am life,’ the girl said.‘What?’ he said, startled.‘To you, I am life. What are you, thirty-eight? Forty? What have you learned? Have you done anything? Look at me, look. I’m life and when you’re done with me, some of it rubs off on you. You don’t feel so old now, do you? With me here in the squib beside you.’Nick said, ‘I’m thirty-four and I don’t feel old. As a matter of fact, sitting here with you makes me feel older, not younger. Nothing is rubbing off.’‘It will,’ she said. "
― Philip K. Dick , Our Friends from Frolix 8
5 " We strolled to the end of the platform. We came to a man with a signal lamp and I saw that as he passed us he looked at a conductor standing on another platform and made a drinking movement with his hand near his mouth. We stopped past the end of the roof and looked at the sun. " You see the sun, Koekebakker?" The sun was especially clear, right in front of us, close by, bigger and redder than I had ever seen it. It almost touched the rails, it didn't flash brightly on things anymore, there was a dull glow only on the frosted windowpanes of the train shed to the right of the track. " You think I'm drunk?" I did indeed. " It doesn't matter, Koekebakker, when I'm sober I don't understand anything anyway." " Do you understand what the sun wants from me? I have thirty-four setting suns leaning against the wall, one on top of the other, all facing the wall. But every evening it's there again." " Unless it's cloudy," I said. But he wouldn't let himself be distracted." Koekebakker, you've always been my best friend. I've known you since--how long has it been?" " Thirteen years. That's a long time. You know what you need to do? Do me a favor. You have a hatbox?" I didn't say anything." Put it in a hatbox, Koekebakker. In a hatbox. I want to be left alone. Put it in a hatbox, a plain old hatbox. That's all it's worth." Bavinck blubbered drunkard's tears. I looked around helplessly. A man in a uniform with a yellow stripe on his cap came up to us and spoke to me." I think it would be better, sir, if you took the gentleman home. "