Home > Topic > these lines
1 " It's a very cheery thing to come into London by any of these lines which run high and allow you to look down upon the houses like this." I thought he was joking, for the view was sordid enough, but he soon explained himself." Look at those big, isolated clumps of buildings rising up above the slates, like brick islands in a lead-coloured sea." " The board-schools." " Light-houses, my boy! Beacons of the future! Capsules with hundreds of bright little seeds in each, out of which will spring the wiser, better England of the future. "
2 " If I tear the sun from the sky and bring all the stars cascading down, would that line of your lips curve to a smile or a frown? With my hands burnt to a crisp and prosthetics in their place, would you hold me close and allow comfort in your embrace? If I fashioned a band from that sun and those stars, would you kiss these lines on my flesh? These irrevocable scars? I've fashioned for you this band of infinite light! Yet upon your finger it is not nearly so bright... You are my stars, sun and light. You are blazing fire in hopeless night. You are a reflection of perfection if my soul stood a mirror. Your affection is my infection, if only you could be nearer. You stand as a darling of your race, while I lay as an emotion with a face. What I sought and seek is not easily found, Yet from your lips escapes the perfect sound. My name and yours, yours and mine, Not even softest silk could be so fine. And yet, I see you standing there, Indecisive and fiddling with your hair. Your eyes are downward cast and your tears and my tears flow, What I would do to see them glow…and for you to know. "
3 " ...there is a celebrated aphorism insisting that the best way to live is to 'work like you don't need the money, dance like nobody is watching, and love like you've never been hurt.'...After years of hearing and reading these lines I have decided to tell the truth: the original version is wrong. There is a grave error in the wording of this adage. The correct version should go as follows:Love like you don't need the money,Work like nobody is watching,Dance like you've never been hurt.See? Doesn't that make more sense? "
― Gina Barreca , It's Not That I'm Bitter . . .: Or How I Learned to Stop Worrying About Visible Panty Lines and Conquered the World
4 " And now the measure of my song is done: The work has reached its end; the book is mine, None shall unwrite these words: nor angry Jove, Nor war, nor fire, nor flood, Nor venomous time that eats our lives away. Then let that morning come, as come it will, When this disguise I carry shall be no more, And all the treacherous years of life undone, And yet my name shall rise to heavenly music, The deathless music of the circling stars. As long as Rome is the Eternal City These lines shall echo from the lips of men, As long as poetry speaks truth on earth, That immortality is mine to wear. "
― Ovid , Metamorphoses
5 " There's the imperative to keep secrets, and the imperative to have them known. How do you know that you're a person, distinct from other people? By keeping certain things to yourself. You guard them inside you, because, if you don't, there's no distinction between inside and outside. Secrets are the way you know you even have an inside. A radical exhibitionist is a person who has forfeited his identity. But identity in a vacuum is also meaningless. Sooner or later, the inside of you needs a witness. Otherwise you're just a cow, a cat, a stone, a thing in the world, trapped in your thingness. To have an identity, you have to believe that other identities equally exist. You need closeness with other people. And how is closeness built? By sharing secrets. . . . Your identity exists at the intersection of these lines of trust. "
― Jonathan Franzen , Purity
6 " When neurons “talk” to each other clearly, our brain is able to make sense of our lives. We make our wisest decisions when there is nothing obstructing these lines of communication. "
― Toni Sorenson ,
7 " The Complete Work is essentially dramatic, thought it takes different forms - prose passages in this first volume, poems and philosophies in other volumes. It's the product of the temperament I've been blessed or cursed with - I'm not sure which. All I know is that the author of these lines (I'm not sure if also of these books) has never had just one personality, and has never thought or felt except dramatically - that is, through invented persons, or personalities, who are more capable than he of feeling what's to be felt. "
― Fernando Pessoa , The Selected Prose of Fernando Pessoa
8 " A good part of the physical attraction [between the hero and heroine of a romance novel] comes to life during these exchanges as well, since language creates a meeting of the minds. I have long thought that these lines of dialogue carve out the lines of the central love relationship. The dialogue between the hero and heroine creates the central shape of the story. It is the verbal sculpture. "
9 " She draws patterns on my face / These lines make shapes that can’t replace / the version of me that I hold inside / when lying with you, lying with you, lying with you. "
― Maggie Stiefvater , Shiver (The Wolves of Mercy Falls, #1)
10 " [In the case of research director, Willis R. Whitney, whose style was to give talented investigators as much freedom as possible, you may define 'serendipity' as] the art of profiting from unexpected occurrences. When you do things in that way you get unexpected results. Then you do something else and you get unexpected results in another line, and you do that on a third line and then all of a sudden you see that one of these lines has something to do with the other. Then you make a discovery that you never could have made by going on a direct road. "
