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1 " Your body and my body are both totally made up of and dependent upon the elements of the earth—the water, the air, the heat, the land, the soil and the food it produces—as well as all of the elements that these elements are dependent upon—the sun, the stars, the galaxies, and a vast field of energy and space to contain them in. Nature is our extended body, and the elements outside of our skin are just as important to our health as the elements within our skin. Our bodies are connected to the universe as a whole, and consequently to each other and the many ways in which we influence our shared environment. "
― Joseph P. Kauffman , The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom
2 " He who causes another to become powerful ruins himself, for he brings such a power into being either by design or by force, and both of these elements are suspects to the one whom he has made powerful. "
― Niccolò Machiavelli , The Prince
3 " For wicked people to do evil requires money, and good people superstition. Combining these elements and we get organized religion, but to achieve the worst of all evil conflate politics to the compound and the tragedies are endless. "
― Sean S Kamali
4 " For wicked people to do evil requires money, and good people superstition. Combining these elements gives us organized religion, but to achieve the worst of all evil conflate politics to the compound and the tragedies are endless. "
― Sean Kamali
5 " It often happens that the real tragedies of life occur in suchan inartistic manner that they hurt us by their crude violence, theirabsolute incoherence, their absurd want of meaning, their entire lackof style. They affect us just as vulgarity affects us. They give usan impression of sheer brute force, and we revolt against that.Sometimes, however, a tragedy that possesses artistic elements ofbeauty crosses our lives. If these elements of beauty are real, thewhole thing simply appeals to our sense of dramatic effect. Suddenlywe find that we are no longer the actors, but the spectators of theplay. Or rather we are both. We watch ourselves, and the mere wonderof the spectacle enthralls us. "
― Oscar Wilde , The Picture of Dorian Gray
6 " Problem, purpose, conflict, goal. Use them. Think about them while you are in the planning phase of your novel; keep these elements at the back of your mind to guide you while you write. When you have written a scene, make sure they are all there, or that if one or another is missing, it is intentional and the effect is what you want. "
7 " To express oneself fluently involves more than simply speaking the language properly. It includes inflection, voice, posture, gestures, and clothing. All of these elements add up to an individual’s personal expression. They are the elements of style. "
8 " Guess what? “Someday” almost never comes around. It gets lost somewhere between the shouda, woulda, couldas of your life. Let go of whatever is holding you back and dare to live – boldly, bravely, and courageously - now. Remember, none of these elements mean you have to be fearless. It’s absolutely okay to be afraid! Acknowledge that part of yourself and then push beyond that fear, whatever it may be. I’m not brave. . . . I’m just taking every opportunity to LIVE. "
― Kendra Thomas
9 " We all love a good story. We all love a tantalizing mystery. We all love the underdog pressing onward against seemingly insurmountable odds. We all, in one form or another, are trying to make sense of the world around us. And all of these elements lie at the core of modern physics. The story is among the grandest -- the unfolding of the entire universe; the mystery is among the toughest -- finding out how the cosmos came to be; the odds are among the most daunting -- bipeds, newly arrived by cosmic time scales trying to reveal the secrets of the ages; and the quest is among the deepest -- the search for fundamental laws to explain all we see and beyond, from the tiniest particles to the most distant galaxies. "
― , The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory
10 " Mrs. Almond lived much farther up town, in an embryonic street with a high number—a region where the extension of the city began to assume a theoretic air, where poplars grew beside the pavement (when there was one), and mingled their shade with the steep roofs of desultory Dutch houses, and where pigs and chickens disported themselves in the gutter. These elements of rural picturesqueness have now wholly departed from New York street scenery; but they were to be found within the memory of middle-aged persons, in quarters which now would blush to be reminded of them. "
― Henry James , Washington Square