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1 " BERENGER: And you consider all this natural? DUDARD: What could be more natural than a rhinoceros? BERENGER: Yes, but for a man to turn into a rhinoceros is abnormal beyond question. DUDARD: Well, of course, that's a matter of opinion ... BERENGER: It is beyond question, absolutely beyond question! DUDARD: You seem very sure of yourself. Who can say where the normal stops and the abnormal begins? Can you personally define these conceptions of normality and abnormality? Nobody has solved this problem yet, either medically or philosophically. You ought to know that. BERENGER: The problem may not be resolved philosophically -- but in practice it's simple. They may prove there's no such thing as movement ... and then you start walking ... [he starts walking up and down the room] ... and you go on walking, and you say to yourself, like Galileo, 'E pur si muove' ... DUDARD: You're getting things all mixed up! Don't confuse the issue. In Galileo's case it was the opposite: theoretic and scientific thought proving itself superior to mass opinion and dogmatism. BERENGER: [quite lost] What does all that mean? Mass opinion, dogmatism -- they're just words! I may be mixing everything up in my head but you're losing yours. You don't know what's normal and what isn't any more. I couldn't care less about Galileo ... I don't give a damn about Galileo. DUDARD: You brought him up in the first place and raised the whole question, saying that practice always had the last word. Maybe it does, but only when it proceeds from theory! The history of thought and science proves that. BERENGER: [more and more furious] It doesn't prove anything of the sort! It's all gibberish, utter lunacy! DUDARD: There again we need to define exactly what we mean by lunacy ... BERENGER: Lunacy is lunacy and that's all there is to it! Everybody knows what lunacy is. And what about the rhinoceroses -- are they practice or are they theory? "
― Eugène Ionesco , Rhinoceros / The Chairs / The Lesson
2 " I have no use for a theoretic freedom. Let me have something finite, definite — matter that can lend itself to my operation only insofar as it is commensurate with my possibilities. And such matter presents itself to me together with limitations. I must in turn impose mine upon it. So here we are, whether we like it or not, in the realm of necessity. And yet which of us has ever heard talk of art as other than a realm of freedom? This sort of heresy is uniformly widespread because it is imagined that art is outside the bounds of ordinary activity. Well, in art as in everything else, one can build only upon a resisting foundation: whatever constantly gives way to pressure, constantly renders movement impossible. My freedom thus consists in my moving about within the narrow frame that I have assigned myself for each one of my undertakings.I shall go even further: my freedom will be so much the greater and more meaningful the more narrowly I limit my field of action and the more I surround myself with obstacles. Whatever diminishes constraint, diminishes strength. The more constraints one imposes, the more one frees one’s self of the chains that shackle the spirit. "
― Igor Stravinsky , Poetics of Music in the Form of Six Lessons
3 " So far gone am I in the dark side of earth, that its other side, the theoretic bright one, seems but uncertain twilight to me. "
― Herman Melville , Moby-Dick or, the Whale
4 " This easy acceptance of an opaque limit to our speculative insight; this satisfaction with a Being whose character we simply apprehend without comprehending anything more about him, and with whom after a certain point our dealings can be only of a volitional and emotional sort; above all, this sitting down contended with a blank unmediated dualism - are they not the very picture of unfaithfulness to the rights and duties of our theoretic reasons? "
5 " We seek to uncoverbehind the events changes in the collective consciousness. We reject wholesale references to the “spontaneity” of the movement, references which in most casesexplain nothing and teach nobody. Revolutions take place according to certain laws. This does not mean that the masses in action are aware of the laws of revolution, but it does mean that the changes in mass consciousness are not accidental, but are subject to an objective necessity which is capable of theoretic explanation, and thus makes both prophecy and leadership possible. "
― Leon Trotsky , History of the Russian Revolution
6 " [D]oubt, the principle of theoretic freedom, appears to me a crime. … [T]he highest crime is doubt in God, or the doubt that God exists. … [T]hat which I do not trust myself to doubt, … without feeling disturbed in my soul, without incurring guilt; that is no matter of theory, but a matter of conscience[.] "
― Ludwig Feuerbach , The Essence of Christianity
7 " Mrs. Almond lived much farther up town, in an embryonic street with a high number—a region where the extension of the city began to assume a theoretic air, where poplars grew beside the pavement (when there was one), and mingled their shade with the steep roofs of desultory Dutch houses, and where pigs and chickens disported themselves in the gutter. These elements of rural picturesqueness have now wholly departed from New York street scenery; but they were to be found within the memory of middle-aged persons, in quarters which now would blush to be reminded of them. "
― Henry James , Washington Square
8 " Each department of knowledge passes through three stages. The theoretic stage the theological stage and the metaphysical or abstract stage. "