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81 " I love to watch the fine mist of the night come on, The windows and the stars illumined, one by one, The rivers of dark smoke pour upward lazily, And the moon rise and turn them silver. I shall see The springs, the summers, and the autumns slowly pass; And when old Winter puts his blank face to the glass, I shall close all my shutters, pull the curtains tight, And build me stately palaces by candlelight. "
― Charles Baudelaire , Les Fleurs du Mal
82 " Contentedly sat the old woman. Soon now, the sea would hold no terrors, and the blinds wouldn't have to be down, nor the windows shut; she would even be able to walk along the shore at midnight as of old; and they, whom she had deserted so long ago, would once more shrink from the irresistable energy aura of her new, young body.The sound of the sea came to her, where she sat so quietly; calm sound at first, almost gentle in the soft sibilation of each wave thrust. Farther out, the voices of the water were louder, more raucous, blatantly confident, but the meaning of what they said was blurred by the distance, a dim, clamorous confusion that rustled discordantly out of the gathering night.Night!She shouldn't be aware of night falling, when the blinds were drawn.(" The Witch" ) "
83 " Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in.The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground.Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again.Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get.This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here.(" New York Blues" ) "
84 " The moon seemed to veil herself before the bold looks of Satan. The night was cold. All the doors were closed, all the windows darkened. and the streets deserted. From their appearance, one would have imagined that, for a long time past no foot had traversed those silent streets. Everything around us bore a death-like aspect. It seemed as if, when day came, no one would open their doors; that no head, of woman or of child, would look out of those dark, dull windows; that no step would break the silence which fell, like a pall, upon all around. I seemed to be walking in a city which had been buried some ages. In truth, the town seemed to have been depopulated, and the cemetery to have grown full.Still we went forward, without hearing a murmur, or meeting even with a shadow. The street stretched for a long way across this fearful city of silence and repose. At last we reached my house.'You remember it?' said the fiend.'Yes,' replied I, sullenly, 'let us enter.' 'First,' said he, 'we must open the door. It is I, by the way, who invented the science of opening doors without breaking them in. In fact, I have a second key to all doors and gates - with one exception - that of Paradise! "
85 " Twenty-three stories up and all I could see out the windows was grey smog. They could call it the City of the Angels if they wanted to, but if there were angels out there, they had to be flying blind. "
― Laurell K. Hamilton , A Kiss of Shadows (Merry Gentry, #1)
86 " What did you do to make him smile?” “Ah…” Alessandro bit back a grin and cleared his throat. “I might’ve sung a song.” “Really? What song?” “As his mother, I don’t think I should repeat it for you,” Alessandro said, his cheeks and the tips of his ears pink. “Oh come on, Alessandro. The windows didn’t break so you couldn’t have done that bad a job.” “It’s not my ability that I’m referring to,” Alessandro replied. Bree narrowed her eyes. “Just what were you singing to my son? And so help me if you say anything by Sir Mix-a-lot I’ll castrate you,” “Not quite,” Alessandro said. “All right. But, remember you asked for it. Your cousin Max, taught it to me.” Bree crossed her arms over her breasts and waited. "
― E. Jamie , The Betrayal (Blood Vows, #2)
87 " The fingers on the windows leave traces on them "
88 " I would write:" The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam." Or:" The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream." " The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers." My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. "
89 " 5) The Eyes Are the Windows to Where the Soul Is Supposed to Be "
90 " Observe the eyes, for they are the windows to her soul. "
― Habeeb Akande
91 " Are these black cats like the hare?" " No. They're smaller; they only want me to play with them. Fly away with them to a place on the other side of the moon. There's a garden there, all silvery-gold, and the cats and hares dance and jump round and round. They can jump so much farther than they can on earth; it's like flying, and they love it so. Sometimes I've felt as if I'd like to dance and jump through the air too, they looked so happy, and I've thought maybe if I did I wouldn't be afraid any more, but when I look they're all dancing round a Figure that sits still in the middle of the garden. A big black Figure with a hood on. And It hasn't got any face. Its face is so awful that It keeps it covered. And then I get so terribly afraid. And everything stops." " And you see all that in the picture?" " I don't know." She hesitated again. " I think it's partly dreams. After I've thought they were at the windows - the cats and the big hare. They sit there and watch, you see, after I've gone to sleep. But they don't come often. I don't usually know what's there." She came closer and whispered, her blue eyes earnest and weird, " I don't think it's an animal hare. I think it's Aunt Sarai's hare, that maybe it came from hell. It isn't swearing to say that word just as the name of a place, is it? That's why people used to be so scared of witches' black cats, isn't it, because they thought they weren't earth-cats, they were from the devil? Mother says there isn't any hell or any witches. But Aunt Sarai was a witch; that's why she can come back. I think they've all been witches here; the house is mad because mother wouldn't be; that's why it wants me now." Carew said, " It was all dreams, Betty. There is no hell. There is no garden on the other side of the moon. It's a dead world, full of volcanic craters, with no air for anything to grow in or breathe. A hare frightened you and, being nervous, you've had nightmares about it - pictures that fear paints on your mind just as an artist would on canvas, with paints and brushes." Every dream is now a movie we make for ourselves in our sleep... "
92 " We were girls in plaid skirts, loud and obnoxious, driving with the windows down. Capable students, nailing honor roll every year, despite our reputation. We were good kissers, decent dancers, fast with our hands. Desperate and dangerous. A little loose, sure. But desirable. Everyone knew. We were the girls who thought we were nothing if not this: a force, a flame, a million nerve ends electric with appetite and not afraid. "
― Colleen Curran , Whores on the Hill
93 " The city blew the windows of my brain wide open. But being in a place so bright, fast and brilliant made you vertiginous with possibility: it didn't necessarily help you grasp those possibilities. I still had no idea what I was going to do. I felt directionless and lost in the crowd. I couldn't yet see how the city worked, but I began to find out. "
― Hanif Kureishi , The Buddha of Suburbia
94 " I suddenly remembered that Murray Gell-Mann and I were supposed to give talks at that conference on the present situation of high-energy physics. My talk was set for the plenary session, so I asked the guide, " Sir, where would the talks for the plenary session of the conference be?" " Back in that room that we just came through." " Oh!" I said in delight. " Then I'm gonna give a speech in that room!" The guide looked down at my dirty pants and my sloppy shirt. I realized how dumb that remark must have sounded to him, but it was genuine surprise and delight on my part. We went along a little bit farther, and the guide said, " This is a lounge for the various delegates, where they often hold informal discussions." They were some small, square windows in the doors to the lounge that you could look through, so people looked in. There were a few men sitting there talking. I looked through the windows and saw Igor Tamm, a physicist from Russia that I know. " Oh!" I said. " I know that guy!" and I started through the door.The guide screamed, " No, no! Don't go in there!" By this time he was sure he had a maniac on his hands, but he couldn't chase me because he wasn't allowed to go through the door himself! "
95 " Your eyes are the windows to your soul” indeed. It is a cliché for a good reason—it is a timeless truth with universal application. "
― Susan C. Young , The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3)
96 " The rain hit the windows like rice "
97 " Then there was a fine noise of rushing water from the crown of an oak at his back, as if a spigot there had been turned. Then the noise of fountains came from the crowns of all the tall trees. Why did he love storms, what was the meaning of his excitement when the door sprang open and the rain wind fled rudely up the stair, why had the simple task of shutting the windows of an old house seem fitting and urgent, why did the first watery notes of a storm wind have for him the unmistakable sound of good news, cheer, glad tidings? "
― John Cheever , The Swimmer
98 " Feb. 1, 1965Storm late at night, heavy rain, a thunderous racket, the windows shaking. I heard my name called. A woman’s voice in hell pleading with me to join her. "
― Leonard Michaels , Time out of Mind: The Diaries of Leonard Michaels, 1961-1995
99 " The music filled the room, making the windows shake. I'd forgotten how much I loved to dance. It didn't take long before I was letting go of Princess Catherine and dancing like Cathy-and it felt good. Free and fun. I bumped butts with Patricia, wrapped a boa around Chadwick, and laughed as Daniel did the YMCA. "
― Nichole Chase , Recklessly Royal (The Royals, #2)
100 " The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card.No single detail was quite right, but much as something might appear similar if one were to unfocus their vision…The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers.No, he was burdened not just by the gas containers, but by some notion of responsibility.A man, when facing death, aspires to finish what he started.What had the custodian of the Thorburn estate started? What drove him?She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply.The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful.It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed.This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he’d set for himself. To better the world.The Fool was wrought with air – the clouds he gazed at, the void beyond the cliff, the feather in his cap, even the dog could often be found mid-step, bounding, just above the ground.He was a Fool wrought with a different element. The familiar didn’t quite fit for the departure from the air, but the traditional dog didn’t conjure ideas of air right off the bat either.What was he wrought with? That was another question that begged an answer. "
― , Pact
