28
" The fundamental metaphor of National Socialism as it related to the world around it was the garden, not the wild forest. One of the most important Nazi ideologists, R.W. Darré, made clear the relationship between gardening and genocide: “He who leaves the plants in a garden to themselves will soon find to his surprise that the garden is overgrown by weeds and that even the basic character of the plants has changed. If therefore the garden is to remain the breeding ground for the plants, if, in other words, it is to lift itself above the harsh rule of natural forces, then the forming will of a gardener is necessary, a gardener who, by providing suitable conditions for growing, or by keeping harmful influences away, or by both together, carefully tends what needs tending and ruthlessly eliminates the weeds which would deprive the better plants of nutrition, air, light, and sun. . . . Thus we are facing the realization that questions of breeding are not trivial for political thought, but that they have to be at the center of all considerations, and that their answers must follow from the spiritual, from the ideological attitude of a people. We must even assert that a people can only reach spiritual and moral equilibrium if a well-conceived breeding plan stands at the very center of its culture. "
― Derrick Jensen , The Culture of Make Believe
30
" Presumptuous Man! the reason wouldst thou find,
Why form'd so weak, so little, and so blind?
First, if thou canst, the harder reason guess,
Why form'd no weaker, blinder, and no less!
Ask of thy mother earth, why oaks are made
Taller or stronger than the weeds they shade?
Or ask of yonder argent fields above,
Why Jove's Satellites are less than Jove? "
― Alexander Pope , An Essay on Man
31
" Eleven years she had lived in the dark house and its gloomy garden. He was jealous of the very light and air getting to her, and they kept her close. He stopped the wide chimneys, shaded the little windows, left the strong-stemmed ivy to wander where it would over the house-front, the moss to accumulate on the untrimmed fruit trees in the red-walled garden, the weeds to over-run its green and yellow walks. He surrounded her with images of sorrow and desolation. He caused her to be filled with fears of the place and of the stories that were told of it, and then on pretext of correcting them, to be left in it in solitude, or made to shrink about it in the dark. When her mind was most depressed and fullest of terrors, then, he would come out of one of the hiding-places from which he overlooked her, and present himself as her sole resource. "
― Charles Dickens , A Christmas Carol / The Chimes / The Cricket on the Hearth
32
" There is no silence upon the earth or under the earth like the silence under the sea;No cries announcing birth,No sounds declaring death.There is silence when the milt is laid on the spawn in the weeds and fungus of the rock-clefts;And silence in the growth and struggle for life.The bonitoes pounce upon the mackerel,And are themselves caught by the barracudas,The sharks kill the barracudasAnd the great molluscs rend the sharks,And all noiselessly--Though swift be the action and final the conflict,The drama is silent.There is no fury upon the earth like the fury under the sea.For growl and cough and snarl are the tokens of spendthrifts who know not the ultimate economy of rage.Moreover, the pace of the blood is too fast.But under the waves the blood is sluggard and has the same temperature as that of the sea.There is something pre-reptilian about a silent kill.Two men may end their hostilities just with their battle-cries,'The devil take you,' says one.'I'll see you in hell,' says the other.And these introductory salutes followed by a hail of gutturals and sibilants are often the beginning of friendship, for who would not prefer to be lustily damned than to be half-heartedly blessed?No one need fear oaths that are properly enunciated, for they belong to the inheritance of just men made perfect, and, for all we know, of such may be the Kingdom of Heaven.But let silent hate be put away for it feeds upon the heart of the hater.Today I watched two pairs of eyes. One pair was black and the other grey. And while the owners thereof, for the space of five seconds, walked past each other, the grey snapped at the black and the black riddled the grey.One looked to say--'The cat,'And the other--'The cur.'But no words were spoken;Not so much as a hiss or a murmur came through the perfect enamel of the teeth; not so much as a gesture of enmity.If the right upper lip curled over the canine, it went unnoticed.The lashes veiled the eyes not for an instant in the passing.And as between the two in respect to candour of intention or eternity of wish, there was no choice, for the stare was mutual and absolute.A word would have dulled the exquisite edge of the feeling.An oath would have flawed the crystallization of the hate.For only such culture could grow in a climate of silence--Away back before emergence of fur or feather, back to the unvocal sea and down deep where the darkness spills its wash on the threshold of light, where the lids never close upon the eyes, where the inhabitants slay in silence and are as silently slain. "