41
" True beauty, the kind that doesn’t fade or wash off, takes time. It takes pressure. It takes incredible endurance. It is the slow drip that makes the stalactite, the shaking of the earth that creates mountains, the constant pounding of the waves that break up the rocks and smooths the rough edges. And from the violence, the furor, the raging of the winds, the roaring of the waters, something better emerges, something that would otherwise never exist.
And so we endure. We have faith that there is purpose. We hope for things we cant see. We believe that there are lessons in loss, power in love, and that we have within us the potential for a beauty so magnificent that our bodies cant contain it. "
― Amy Harmon , Making Faces
43
" I breathe in...
The sights and smells
Of this city
I’ve come to know...
So well
I gaze...
Across the turquoise ocean
Where the waves
Liberate my spirit...
From its shell
I breathe in...
The brilliant sky line
Where the birds
Emerge shyly
From the dappled sunshine
I breathe in...
The gently...
Blowing winds
That soothe me
Like a mother, around her child
I breathe in...
The sounds of laughter
Pure and pretty
Like the golden-green butterfly
I’m always after
I breathe in...
The closeness,
I have always shared
With people,
Who almost knew me,
Almost cared
I breathe in...
The comfort
Of my home,
The safe walls,
The scents of childhood
On the pillows
I breathe in...the silence
Of my own heart
Aching with tenderness...
With memories..
Of home
I breathe... in...
The fragrance
Of love, and moist sand
The one...
His roses left...
On both my hands
And I just keep on breathing
Every moment
As much as I can
Preserving it, in my body
For the day
It can’t
So I breathe in..
Once again..
Feeling life's energy
Fizzing through my cells
Never knowing
What awaits me
Or what's going to happen to me..
Next
I breathe in
This moment...
Knowing it's either life
Or it's death
I close my eyes,
And breathe in
Just believing in myself. "
― Sanober Khan , A touch, a tear, a tempest
44
" Young Bindo Altovini, looking out from time, made a perfect coalition with the mountains, the sky, and the tall redheaded woman who had bent over just slightly to examine a raging battle that was long over. Alessandro imagined that Bindo Altovini was saying, half with longing, half with delight, " These are the things in which I was so helplessly caught up, the waves that took me, what I loved. When light filled my eyes and I was restless and could move, I knew not what all the color was about, but only that I had a passion to see. And now that I am still, I pass on to you my liveliness and my life, for you will be taken, as once I was, and although you must fight beyond your capacity to fight and feel beyond your capacity to feel, remember that it ends in perfect peace, and you will be as still and content as am I, for whom centuries are not even seconds." In the eyes of Bindo Altoviti, Alessandro saw wisdom and amusement, and he knew why the subjects of paintings and photographs seemed to look from the past as if with clairvoyance. Even brutal and impatient men, when frozen in time, assumed expressions of extraordinary compassion, as if they had reflected the essence of their redemption back into the photograph. In a sense they were still living. "
45
" At the Uffizi, I experienced a moment that was touching, painful, and almost embarrassing. We stopped in front of the famous Botticelli painting, The Birth of Venus. I gazed wistfully at her incomparably lovely, yet, as Vasari described, oddly distorted form emerging from the waves in a seashell, her long red-golden tresses blown by Zephyrs. No woman ever had so elongated a neck or such sinuous limbs. Botticelli contorted, and some might say deformed, the human shape to give us a glimpse of the sublime. "
― Gary Inbinder , Confessions of the Creature
49
" And immediately we rushed like horses, wild with the knowledge of this song, and bolted into a startingly loud harmony:
'Rule Britannia, Britannia rules the waves; Britons, never-never-ne-verr shall be slaves!'
and singing, I saw the kings and the queens in the room with us, laughing in a funny way, and smiling and happy with us. The headmaster was soaked in glee. And I imagined all the glories of Britannia, who, or what or which, had brought us out of the ships crossing over from the terrible seas from Africa, and had placed us on this island, and had given us such good headmasters and assistant masters, and such a nice vicar to teach us how to pray to God - and he had come from England; and such nice white people who lived on the island with us, and who gave us jobs watering their gardens and taking out their garbage, most of which we found delicious enough to eat...all through the ages, all through the years of history; from the Tudors on the wall, down through the Stuarts also on the wall, all through the Elizabethans and including those men and women singing in their hearts with us, hanging dead and distant on our schoolroom walls; Britannia, who, or what or which, had ruled the waves all these hundreds of years, all these thousands and millions of years, and kept us on the island, happy - the island of Barbados (Britannia the Second), free from all invasions. Not even the mighty Germans; not even the Russians whom our headmaster said were dressed in red, had dared to come within submarine distance of our island! Britannia who saw to it that all Britons (we on the island were, beyond doubt, little black Britons, just like the white big Britons up in Britannialand. The headmaster told us so!) - never-never-ne-verr, shall be slaves! "
― Austin Clarke , Amongst Thistles and Thorns