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21 " Countless communities have virtually outlawed unstructured outdoor nature play, often because of the threat of lawsuits, but also because of a growing obsession with order. Many parents now believe outdoor play is verboten even when it is not; perception is nine-tenths of the law. "
22 " Like many who'd married in the war, my parents were finding it hard to survive the peace. This wasn't because they had discovered that they didn't love each other once their life together wasn't spiced with constant separations and the threat of death. Far from it. But they hadn't chosen each other so much against the social grain that they were tense, self-conscious, embattled, as though something was supposed to go wrong. Their families didn't like their marriage, nor did the village. "
― Lorna Sage , Bad Blood
23 " Gay people getting married is not a threat to the institution of marriage. You know what's a threat to the institution of marriage? Infidelity is! Hate is! Unforgiveness is! Apathy is! Coldheartedness is! Fear is! And you know what's a threat to the kids? It’s not having gay parents! Most gay kids have straight parents! And plenty of gay parents raise respectable, straight kids! The threat to children isn't their parents being gay; the threat to children is their parents not loving one another! Not caring for one another! Not being crazy about each other! Domestic violence is a threat to children. Stupidity is a threat to children. A swimming pool in the backyard with no supervision is a threat to children! "
― C. JoyBell C.
24 " In response to threat and injury, animals, including humans, execute biologically based, non-conscious action patterns that prepare them to meet the threat and defend themselves. The very structure of trauma, including activation, dissociation and freezing are based on the evolution of survival behaviors. When threatened or injured, all animals draw from a " library" of possible responses. We orient, dodge, duck, stiffen, brace, retract, fight, flee, freeze, collapse, etc. All of these coordinated responses are somatically based- they are things that the body does to protect and defend itself. It is when these orienting and defending responses are overwhelmed that we see trauma.The bodies of traumatized people portray " snapshots" of their unsuccessful attempts to defend themselves in the face of threat and injury. Trauma is a highly activated incomplete biological response to threat, frozen in time. For example, when we prepare to fight or to flee, muscles throughout our entire body are tensed in specific patterns of high energy readiness. When we are unable to complete the appropriate actions, we fail to discharge the tremendous energy generated by our survival preparations. This energy becomes fixed in specific patterns of neuromuscular readiness. The person then stays in a state of acute and then chronic arousal and dysfunction in the central nervous system. Traumatized people are not suffering from a disease in the normal sense of the word- they have become stuck in an aroused state. It is difficult if not impossible to function normally under these circumstances. "
25 " Power's not a chalice. It's a hammer. And it only does one thing. Power smashes. The subtext of all power is extortion. It's always the threat of force, of imprisonment, the threat of death. Always. "
26 " The intruders spoke no words as they rushed in. Five boys carrying baseball bats and tire irons. They wore an assortment of Halloween masks and stocking masks.But Derek knew who they were.“No! No!” he cried.All five boys wore bulky shooter’s earmuffs. They couldn’t hear him. But more importantly, they couldn’t hear Jill.One of the boys stayed in the doorway. He was in charge. A runty kid named Hank. The stocking pulled down over his face smashed his features into Play-Doh, but it could only be Hank.One of the boys, fat but fast-moving and wearing an Easter Bunny mask, stepped to Derek and hit him in the stomach with his aluminum baseball bat.Derek dropped to his knees.Another boy grabbed Jill. He put his hand over her mouth. Someone produced a roll of duct tape.Jill screamed. Derek tried to stand, but the blow to his stomach had winded him. He tried to stand up, but the fat boy pushed him back down.“Don’t be stupid, Derek. We’re not after you.”The duct tape went around and around Jill’s mouth. They worked by flashlight. Derek could see Jill’s eyes, wild with terror. Pleading silently with her big brother to save her.When her mouth was sealed, the thugs pulled off their shooter’s earmuffs.Hank stepped forward. “Derek, Derek, Derek,” Hank said, shaking his head slowly, regretfully. “You know better than this.”“Leave her alone,” Derek managed to gasp, clutching his stomach, fighting the urge to vomit.“She’s a freak,” Hank said.“She’s my little sister. This is our home.”“She’s a freak,” Hank said. “And this house is east of First Avenue. This is a no-freak zone.”“Man, come on,” Derek pleaded. “She’s not hurting anyone.”“It’s not about that,” a boy named Turk said. He had a weak leg, a limp that made it impossible not to recognize him. “Freaks with freaks, normals with normals. That’s the way it has to be.”“All she does is—”Hank’s slap stung. “Shut up. Traitor. A normal who stands up for a freak gets treated like a freak. Is that what you want?”“Besides,” the fat boy said with a giggle, “we’re taking it easy on her. We were going to fix her so she could never sing again. Or talk. If you know what I mean.”He pulled a knife from a sheath in the small of his back. “Do you, Derek? Do you understand?”Derek’s resistance died.“The Leader showed mercy,” Turk said. “But the Leader isn’t weak. So this freak either goes west, over the border right now. Or…” He let the threat hang there.Jill’s tears flowed freely. She could barely breathe because her nose was running. Derek could see that by the way she sucked tape into her mouth, trying for air. She would suffocate if they didn’t let her go soon.“Let me at least get her doll. "
― Michael Grant , Lies (Gone, #3)
27 " Agrarians are committed to preserving both communities and the material means of life, to cultivating practices that ensure that the essential means of life suffice for all members of the present generation and are not diminished for those who come after. Agrarianism in this sense is, and has nearly always been, a marginal culture existing at the edge or under the domination of a larger culture whose ideology, social system, and economy are fundamentally different. So agrarian writers, both ancient and modern, always speak with a vivid awareness of the threat posed by the culture of the powerful. "
― Ellen F. Davis
28 " All established order forms a line of resistance against the threat of rupture and places its meager forces at the service of continuity. That everything should continue as usual is the bourgeois standard of a reality that is indeed bourgeois precisely because it is a standard. "
― Julio Cortázar , Around the Day in Eighty Worlds
29 " Today is a new day! Let today be the day you free your mind from the prison of self doubt. Your thoughts can either hinder you or propel you to the next level. Precautions are necessary to maintain your safety and well-being. But fear and precautions are two different things. When you are afraid your doubt is increased. Do what makes you happy in order to satisfy the core of your existence. Fear: to be afraid of something or someone whether the threat is real or imaginedPrecaution: a measure taken in advance to prevent something from happening, prudent foresightDoubt:a feeling of uncertainty or lack of conviction "
― Amaka Imani Nkosazana
30 " With the threat of them being potential spies or saboteurs, nobody will argue against our actions, and history itself will vindicate us. "
― Evan Meekins , The Black Banner
31 " There is nothing novel or comedic or righteous about men using the threat of sexual violence to control non-compliant women. This is how society has always functioned. Stay indoors, women. Stay safe. Stay quiet. Stay in the kitchen. Stay pregnant. Stay our of the world. IF you want to talk about silencing, censorship, placing limits and consequences on speech, this is what it looks like. "
― Lindy West , Shrill: Notes from a Loud Woman
32 " It wasn't only my friends who suffered from female rivalry. I remember when I was just sixteen years old, during spring vacation, being whisked off to an early lunch by my best friend's brother, only to discover, to my astonishment and hurt, that she was expecting some college boys to drop by and didn't want me there to compete with her. When I started college at Sarah Lawrence, I soon noticed that while some of my classmates were indeed true friends, others seemed to resent that I had a boyfriend. It didn't help that Sarah Lawrence, a former girls' school, included very few straight men among its student body--an early lesson in how competing for items in short supply often brings out the worst in women. In graduate school, the stakes got higher, and the competition got stiffer, a trend that continued when I went on to vie for a limited number of academic jobs. I always had friends and colleagues with whom I could have trusted my life--but I also found women who seemed to view not only me but all other female academics as their rivals. This sense of rivalry became more painful when I divorced my first husband. Many of my friends I depended on for comfort and support suddenly began to view me as a threat. Some took me out to lunch to get the dirt, then dropped me soon after. I think they found it disturbing that I left my unhappy marriage while they were still committed to theirs. For other women, the threat seemed more immediate--twice I was told in no uncertain terms that I had better stay away from someone's husband, despite my protests that I would no more go after a friend's husband than I would stay friends with a woman who went after mine. Thankfully, I also had some true friends who remained loyal and supportive during one of the most difficult times of my life. To this day I trust them implicitly, with the kind of faith you reserve for people who have proved themselves under fire. But I've also never forgotten the shock and disappointment of discovering how quickly those other friendships turned to rivalries. "
― Susan Shapiro Barash , Tripping the Prom Queen: The Truth about Women and Rivalry
33 " Cages everywhere I went. I was no better off in Saxonia, excepting only for the threat of vigorous, royal incest. Perhaps this also means that a princess is only a particularly desirable kind of monstrous creature--a lure that must be kept in a box at all times. "
34 " There's folly in her stridethat's the rumorjustified by liesI've seen her up closebeneath the sheetsand sometime during the summershe was mine for a few sweet months in the falland parts of December((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))I found her looking through a windowthe same window I'd been looking throughShe smiled and her eyes never falteredthis folly was a crime((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))She had an identity I could identify withsomething my fingertips could caress in the night((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.What constitutes peace is in the mind of the beholder. )))Have you heard the argument?This displacement of men and womenand women and menthe minds we all havethe beliefs we all shareSlipping inside of usthoughts and religions and bodiesall bare((( “Without darkness, there can be no light,”he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))When she leftshe kissed with eyes openI knew this because I'd done the sameSometimes we saw eye to eye like thatVery briefly,she considered an apotheosisa synthesisa rendering of her follyinto solidarity((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))Experiencing the subsequent sunriseinhaling and drinkingbreaking mirrors and regurgitatingjust to start againall in allI was just another gash in the bark((( Plato once said:“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))Leaving town and throwing shit out the windowdrinking boroughs and borrowing spare changeI glimpsed the rear view mirrorstole a glimpse reallyI've believed in looking back for a whileit helps to have one last viewa reminder in case one ever decides to rebelin the event the self regressesand makes the declaration of devastationonce more((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. ))) "
― Dave Matthes , Wanderlust and the Whiskey Bottle Parallel: Poems and Stories
35 " WRITER'S NIGHTMARE" " I felt a grip on my arm that shook my body, forcefully pulling me toward a tunnel of darkness. The threat of consciousness stole my steady breath. For a moment I believed myself to be under siege; ripped from the sky in mid flight, my wings useless against the monstrous claws shredding my reality. I struggled to remain, to be left alone, aloft. Reaching with wings that through the power of imagination were suddenly feathered arms, I grabbed at the air. My hands clutched at something solid. Wooden. A desk. My head spun as I held the furniture, suffering the illusion of falling. " I was flying," I gasped, realizing suddenly that it had all been a dream. " My best fantasy ever." Lifting my head from its resting spot on the writing desk, I worked mentally to secure the fading images, hoping to capture their essence to memory before they faded away forever. Bitterness tainted my heart against the hand that had jerked me into sensibility. Why was I always so callously awakened while doing my best work? Why not let me dream? "
36 " When I was small, I never wanted to step in puddles. Not because of any fear of drowned worms or wet stockings; I was by and large a grubby child, with a blissful disregard for filth of any kind.It was because I couldn't bring myself believe that that perfect smooth expanse was no more than I thin film of water over solid earth. I believed it was an opening into some fathomless space. Sometimes, seeing the tiny ripples caused by my approach, I thought the puddle impossibly deep, a bottomless sea in which the lazy coil of a tentacle and gleam of scale lay hidden, with the threat of huge bodies and sharp teeth adrift and silent in the far-down depths.And then, looking down into reflection, I would see my own round face and frizzled hair against a featureless blue sweep, and think instead that the puddle was the entrance to another sky. If I stepped in there, I would drop at once, and keep on falling, on and on, into blue space.The only time I would dare walk though a puddle was at twilight, when the evening stars came out. If I looked in the water and saw one lighted pinprick there, I could slash through unafraid--for if I should fall into the puddle and on into space, I could grab hold of the star as I passed, and be safe.Even now, when I see a puddle in my path, my mind half-halts--though my feet do not--then hurries on, with only the echo of the though left b "
37 " Ged saw all these things from outside and apart, alone, and his heart was very heavy in him, though he would not admit to himself that he was sad. As night fell he still lingered in the streets, reluctant to go back to the inn. He heard a man and a girl talking together merrily as they came down the street past him towards the town square, and all at once he turned, for he knew the man's voice.He followed and caught up with the pair, coming up beside them in the late twilight lit only by distant lantern-gleams. The girl stepped back, but the man stared at him and then flung up the staff he carried, holding it between them as a barrier to ward off the threat or act of evil. And that was somewhat more than Ged could bear. His voice shook a little as he said, " I thought you would know me, Vetch." Even then Vetch hesitated for a moment." I do know you," he said, and lowered the staff and took Ged's hand and hugged him round the shoulders-" I do know you! Welcome, my friend, welcome! What a sorry greeting I gave you, as if you were a ghost coming up from behind– and I have waited for you to come, and looked for you- "
38 " The white-hot singularity at the core of the Machine is – ultimately - a fear of death. It's the inevitability of a journey's end and the threat of a question nobody can honestly answer: what does it mean to make the most of a life? How can you tell that you've spent your time well? There is no metric, no answer key at the back of the book. It's a question that I think everyone had to answer for themselves, and hold tight onto that answer with both hands. "
39 " Abuse really is its own alphabet. Those who have not gone through it cannot understand it fully. The echos of violence hang in subconscious long after the threat is gone. "
― Michelle Franklin
40 " It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise. "
― Simon Pegg , Nerd Do Well