6
" Let’s talk about mankind’s most adored emotion – Love. However, love itself is not a single emotion, rather a blend of many. It is such an enchanting sensation, that it has been inspiring artists, scientists, philosophers and thinkers for ages. Albert Einstein said, “any man who can drive safely while kissing a pretty girl is simply not giving the kiss the attention it deserves”. Geniuses around the world came up with various creations under the spell of love. Schrodinger’s Wave Equation, Hawking’s Hawking Radiation, Tagore’s songs, Rumi’s poems, are just a few among the plethora of scientific and philosophical literature created under the enigmatic and warm influence of love. So, technically it is totally worth being crazy in love. "
― Abhijit Naskar , What is Mind?
11
" In real life I fell easily under the spell of all traveling artists. En route to New Orleans, entertainments of many kinds would stop over in those days for a single performance in Jackson's Century Theatre. Then, as now, my imagination was magnetized toward transient artists - toward the transience as much as the artists. I must have seen " Acrobats in a Park" at the time I wrote the story as exotic, free of any experience as I knew it. At the center of the little story is the Zorro's act: the feat of erecting a structure of their bodies that holds together, interlocked, and stands like a wall. Writing about the family act, I was writing about the family itself, its strength as a unit, testing its frailty under stress. I treated it in an artificial and oddly formal way; the stronghold of the family is put on view as a structure built each night; on the night before the story opens, the Wall has come down when the most vulnerable member slips, and the act is done for. But from various points within it and from outside it, I've been writing about the structure of the family in stories and novels ever since. In spite of my uncompromising approach to it, my fundamental story form might have been trying to announce itself to me. "
13
" Things aren't like this," he kept repeating. " It shouldn't be this way." As if he had access to some other plane of existence, some parallel, " right" universe, and had sensed that our time had somehow been put out of joint. Such was his vehemence that I found myself believing him, believing, for example, in the possibility of that other life in which Vina had never left and we were making our lives together, all three of us, ascending together to the stars. Then he shook his head, and the spell broke. He opened his eyes, grinning ruefully. As if he knew his thoughts had infected mine. As if he knew his power. " Better get on with it," he said. " Make do with what there is. "
17
" After many years the woman died, of natural causes. And a few years after that, the ogre died. Eventually, his mistresses died, down on the ground, in the people village, over decades. The war men and women died. The human girl who had escaped her early death died, across the land, over by the ocean, in her shack of blue bowls and rocking chairs. The witch, who had originally made the cake and made up up the spell and given it as a gift to her beloved ogre friend, died.
The cake went on and on. Time passed...
And the cake, always wanting to please, the cake who had found a way to survive its endlessness by recreating its role over and over again, tried to figure out, in its cake way, what this light-dappled object might want to eat. So it became darkness, a cake of darkness. It did not have to be human food. It did not have to be digestible through a familiar tract. It lay there on the dirt, waiting, a simmering cake of darkness. Through time, and wind, and earthquakes, and chance. At last the cloak fell out of the tree and blew across the land and happened upon the cake where it ate its darkness and extinguished its own dappled light. The cloak disappeared into night and was not seen again, as it was only a piece of coat shaped darkness now and could not be spotted so easily, had there been any eyes left to see it. It floated and joined with nowhere.
Darkness was overtaking everything, anyway, pouring over the land and sky. The cake itself, still in the shape of darkness, sat on the hillside.
'What's left?' said the cake.
It thought in blocks of feeling. It felt the thick darkness all around it.
'What is left to eat me, to take me in?'
Darkness did not want to eat more darkness, not especially. Darkness did not care for carrot cake, or apple pie. Darkness did not seem interested in a water cake or a cake of money. Only when the cake filled with light did it come over. The darkness circling around the light, devouring the light. But the cake kept refilling, as we know. This is the spell of the cake. And the darkness eating light, and again, light, and again, light, lifted. "
― Aimee Bender , The Color Master: Stories