22
" It would be perfect if everyone who makes love, is in love, but this is simply an unrealistic expectation. I'd say 75 percent of the population of people who make love, are not in love, this is simply the reality of the human race, and to be idealistic about this is to wait for the stars to aline and Jupiter to change color; for the Heavens to etch your names together in the sky before you make love to someone. But idealism is immaturity, and as a matter of fact, the stars may never aline, Jupiter may never change color, and the Heavens may never ever etch your names together in the sky for you to have the never-ending permission to make endless love to one another. And so the bottom line is, there really is no difference between doing something today, and doing something tomorrow, because today is what you have, and tomorrow may not turn out the way you expect it to. At the end of the day, sex is an animalistic, humanistic, passionate desire. "
― C. JoyBell C.
30
" Take bread away from me, if you wish,take air away, butdo not take from me your laughter.Do not take away the rose,the lance flower that you pluck,the water that suddenlybursts forth in joy,the sudden waveof silver born in you.My struggle is harsh and I come backwith eyes tiredat times from having seenthe unchanging earth,but when your laughter entersit rises to the sky seeking meand it opens for me allthe doors of life.My love, in the darkesthour your laughteropens, and if suddenlyyou see my blood stainingthe stones of the street,laugh, because your laughterwill be for my handslike a fresh sword.Next to the sea in the autumn,your laughter must raiseits foamy cascade,and in the spring, love,I want your laughter likethe flower I was waiting for,the blue flower, the roseof my echoing country.Laugh at the night,at the day, at the moon,laugh at the twistedstreets of the island,laugh at this clumsyfool who loves you,but when I openmy eyes and close them,when my steps go,when my steps return,deny me bread, air,light, spring,but never your laughter. "
31
" Holmes and Watson are on a camping trip. In the middle of the night Holmes wakes up and gives Dr. Watson a nudge. " Watson" he says, " look up in the sky and tell me what you see." " I see millions of stars, Holmes," says Watson." And what do you conclude from that, Watson?" Watson thinks for a moment. " Well," he says, " astronomically, it tells me that there are millions of galaxies and potentially billions of planets. Astrologically, I observe that Saturn is in Leo. Horologically, I deduce that the time is approximately a quarter past three. Meterologically, I suspect that we will have a beautiful day tomorrow. Theologically, I see that God is all-powerful, and we are small and insignficant. Uh, what does it tell you, Holmes?" " Watson, you idiot! Someone has stolen our tent! "
35
" Realizing the seriously ruthless, venomous habits and agendas of evil always instills a more fierce passion and longing for a closer God. Men, out of pride, may claim their own authorities over what constitutes good and evil; they may self-proclaim a keen knowledge of subjective morality through religion or science. But that is only if they are acknowledging the work of evil as a cartoon-like, petty little rain cloud in the sky that merely wants to dampen one's spirits. On the contrary, a man could be without a doubt lit with the strength, the peace, and the knowledge of the gods, his gods, but when or if the devils grow weary in unsuccessful attempts to torment him, they begin tormenting his loved ones, or, if not his loved ones, anyone who may attempt to grasp his philosophies. No matter how godly he may become, God is, in the end, his only hope and his only grace for the pressures built around him - it is left up to a higher authority and a more solid peace and a wider love to eclipse not just one's own evils but all evils for goodness to ultimately matter. If all men were gods, each being would dwell in a separate prison cell, hopeless, before finally imploding into nothingness. "
― Criss Jami , Killosophy
36
" Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon.I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.”—from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer) "
37
" The amorous shepherd has lost his staff,
And his sheep are straying on the hillside,
And he didn’t even play the flute he brought to play because he was thinking so much.
No one came to him or went away. He never found his staff again.
Others, cursing at him, gathered his sheep for him.
No one had loved him, in the end.
When he got up from the hillside and the false truth, he saw everything:
The great valleys full of the same green as always,
The great distant mountains, more real than any feeling,
All reality, with the sky and the air and the fields that exist, is present.
(And once again the air, that he’d missed for so long, entered coolly into his lungs)
And he felt that the air was opening again, but with pain, a liberty in his chest.
(7/10/1930) "
― Fernando Pessoa , O Pastor Amoroso