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1 " Collaborations are the black holes of knowledge regimes. They willingly produce nothingness, opulence and ill behavior. And it is their very vacuity that is their strength...It does not entail the transmission of something from those who have to those who do not, but rather the setting in motion of a chain of unforeseen accesses. "
― Florian Schneider
2 " This is the setting out.The leaving of everything behind.Leaving the social milieu. The preconceptions.The definitions. The language. The narrowed field of vision. The expectations.No longer expecting relationships, memories, words, or letters to mean what they used to mean. To be, in a word: Open. "
3 " To generalize about war is like generalizing about peace. Almost everything is true. Almost nothing is true. At its core, perhaps, war is just another name for death, and yet any soldier will tell you, if he tells the truth, that proximity to death brings with it a corresponding proximity to life. After a firefight, there is always the immense pleasure of aliveness. The trees are alive. The grass, the soil—everything. All around you things are purely living, and you among them, and the aliveness makes you tremble. You feel an intense, out-of-the-skin awareness of your living self—your truest self, the human being you want to be and then become by the force of wanting it. In the midst of evil you want to be a good man. You want decency. You want justice and courtesy and human concord, things you never knew you wanted. There is a kind of largeness to it, a kind of godliness. Though it’s odd, you’re never more alive than when you’re almost dead. You recognize what’s valuable. Freshly, as if for the first time, you love what’s best in yourself and in the world, all that might be lost. At the hour of dusk you sit at your foxhole and look out on a wide river turning pinkish red, and at the mountains beyond, and although in the morning you must cross the river and go into the mountains and do terrible things and maybe die, even so, you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not. "
― Tim O'Brien , The Things They Carried
4 " …the love we most cherish will, of necessity, bring us pain. Because that love is like the setting of a body with broken bones. But I want to stage the setting. I want to direct all scenes. "
― Rebecca Wells , Divine Secrets of the Ya-Ya Sisterhood
5 " Society nowadays tells people that their happiness is all that matters but happiness is never found if it costs someone else’s theirs. That is not what happiness is, nor would such a person deserve it, because happiness is forged by the setting aside of self and in doing for others to make them happy first and foremost, so if you have to hurt another human being to “find your happiness,” then you have no clue what the word actually means or what it’s willing to do, and in being so self-centered and entitled, it’s veritably tragic that the only care and concern you have is for yourself. "
― Donna Lynn Hope
6 " A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers. "
― Annie Dillard , An American Childhood
7 " We would oppose the turning of the planet and refuse the setting of the sun. "
― , You Shall Know Our Velocity!
8 " Yes, the setting (Dartmoor) is a worthy one. If the devil did desire to have a hand in the affairs of men.Sherlock Holmes "
― Arthur Conan Doyle , The Hound of the Baskervilles (Sherlock Holmes, #5)
9 " It’s easy to think that if we had a different house, different car, different job, different relationship, different city, everything would be different; that we would feel different then.The problem is, you are the main character in the story that is your life. No matter how much you alter the setting of that story, you can’t escape from yourself. There are many factors which contribute to your experience on this planet, but ultimately, you are the one creating your experience here. In order to get to the life you are here to live, you must begin by becoming the person you are here to become. "
― Stephen Lovegrove , How to Find Yourself, Love Yourself, & Be Yourself: The Secret Instruction Manual for Being Human
10 " Leaving the age of materialism and duality behind us, we now seek to become Masters of the Spiritual Kingdom ~ moving into the penthouse of ourselves, the crown chakra, as it were. Herein lays all our joy, our progress and our discovery of our superior and limitless Divine powers. By loosening identification with the sense world, we begin to access the greater causal gifts and realms.I believe we must always learn to use our power of choice ~ to develop Spiritual authority, and come out of victim consciousness. It is important to encourage the setting of strong goals (focusing around fulfillment of pure heart’s desires). When the will is highly focused, the reader become receptive to the Higher Way and technologies of God I wish to impart. "
11 " If today you can take a thing like evolution and make it a crime to teach it in the public school, tomorrow you can make it a crime to teach it in the private schools, and the next year you can make it a crime to teach it to the hustings or in the church. At the next session you may ban books and the newspapers. Soon you may set Catholic against Protestant and Protestant against Protestant, and try to foist your own religion upon the minds of men. If you can do one you can do the other. Ignorance and fanaticism is ever busy and needs feeding. Always it is feeding and gloating for more. Today it is the public school teachers, tomorrow the private. The next day the preachers and the lectures, the magazines, the books, the newspapers. After while, your honor, it is the setting of man against man and creed against creed until with flying banners and beating drums we are marching backward to the glorious ages of the sixteenth century when bigots lighted fagots to burn the men who dared to bring any intelligence and enlightenment and culture to the human mind. "
― Clarence Darrow , The Essential Words and Writings of Clarence Darrow
12 " I can feel Ari’s mounting excitement the farther we walk. She’s bouncing up and down like a kangaroo on speed. I feel the bulk of the box pressing against my leg as we walk, and I contemplate all that I’ve decided to tell her tonight. Lifting my head, I stare in awe at the light of a thousand stars illuminating the dark, night sky. The setting really couldn’t be any more romantic, any more perfect. "
― Siobhan Davis , Light Of A Thousand Stars (True Calling #2.5)
13 " you cannot be friends either with boy or man unless you give yourself away in the process, and Mr. Pembroke did not commend this. He, for “personal intercourse,” substituted the safer “personal influence,” and gave his junior hints on the setting of kindly traps, in which the boy does give himself away and reveals his shy delicate thoughts, while the master, intact, commends or corrects them.Originally Rickie had meant to help boys in the anxieties that they undergo when changing into men: at Cambridge he had numbered this among life’s duties. But here is a subject in which we mustinevitably speak as one human being to another, not as one who has authority or the shadow of authority, and for this reason the elder school-master could suggest nothing but a few formulae. Formulae, like kindly traps, were not in Rickie’s line, so he abandoned thesesubjects altogether and confined himself to working hard at what was easy. "
14 " What we see in a democracy governed by “representatives” is not a government “for the people” but an organized conflict of interests that only results in the setting up of unstable balances of power. "
― Ananda K. Coomaraswamy
15 " The things that kept them awake in the middle of the night, the things they did underneath the cover of darkness, both dreadful and beautiful, both attractive and repulsive, were revealed in stark clarity to their minds. A harsh reality that intensified sensations with each gust of wind. They shrank from it with frightened whimpers. The setting in each house would have fit perfectly into a post-apocalyptic tale of nuclear holocausts. Shell-shocked expressions gazed into the nothingness. Blankets over faces, silent prayers to the heavens. No curious eyes at the windows, or storm watchers dared to partake. The mere thought of looking out was too much to be borne. "
― Jaime Allison Parker
16 " Whatever wisdom I have has been hard-earned – each meaning carefully culled out of the dictionary of human experiences and emotions and put in its precise place in the matrix. Meaning doesn’t come easy. The Great Crossword Setter in the Sky is capricious and wilful, demanding absolute obedience. You can waste the better part of a lifetime arguing about the randomness of the clues, the setting of the squares, why a certain square is black and not white as you need it to be, question the whole point of doing the crossword – what, after all, is to be gained by solving it. Only after all the chattering is over and you give your complete attention to it, does the perfection of the pattern reveal itself. As is, where is, everything fits. And at the end, when it’s all done, there is no reward to be had – the joy of doing it right is all the reward there ever is. (A Deepavali Gift) "
17 " She really talks to you, doesn't she?" She asked. " it's not just you talking to her. She talks BACK." " hel, half the time she starts it." I said, half-defensively. " I know it's weird." " Well, yes, it's weird. Technically, I think it's insane. But who am I to judge?" Maggie shrugged. " I live in a house most people view as the setting of a horror movie waiting to happen, with an army of security ninjas and a couple dozen epileptic dogs for company. I don't think I'm qualified to pass judgement on 'weird'. "
18 " How often have I noticed or, indeed, listened to him? We talk, but do I actually listen, or is our conversation mainly a question of my waiting for him to stop and for it to be my turn to say something? For how many of us is that what conversation means - the setting up of our lines? "
― Alexander McCall Smith , The Unbearable Lightness of Scones (44 Scotland Street, #5)
19 " What’s the biggest problem facing teenagers today? Ourselves. We’re a generation of lazy underachievers who need to learn that hard work pays off. What’s your town known for? Cow manure! Hold for laughs... Actually Irondale is the setting of Fannie Flagg’s famous novel Fried Green Tomatoes at the Whistle Stop Café. Why’d you enter the Junior Miss Birmingham pageant? To win... to go to State... then Nationals... maybe get the hell out of Alabama. "
― Nadria Tucker , The Heaviest Corner on Earth
20 " My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction. "