3
" I’m not this unusual,” she said. “It’s just my hair.”
She looked at Bobby and she looked at me, with an expression at once disdainful and imploring. She was forty, pregnant, and in love with two men at once. I think what she could not abide was the zaniness of her life. Like many of us, she had grown up expecting romance to bestow dignity and direction.
“Be brave,” I told her. Bobby and I stood before her, confused and homeless and lacking a plan, beset by an aching but chaotic love that refused to focus in the conventional way. Traffic roared behind us. A truck honked its hydraulic horn, a monstrous, oceanic sound. Clare shook her head, not in denial but in exasperation. Because she could think of nothing else to do, she began walking again, more slowly, toward the row of trees. "
― Michael Cunningham , A Home at the End of the World
4
" Emerging from the next chalet in the row was a young woman, probably mid-twenties he guessed, about medium height and build, with dark brown bobbed hair. She was clutching an arm full of books and a cup of coffee.
That he had taken all this in, in a single glance, was remarkable. As he had simultaneously taken the fact, she was absolutely naked…
“Good morning Miss!”
“Miss? I never call anyone Miss! She could be married! A radical feminist! And I have just insulted her! I should have said Mizz, or Mam’, Oh God!” The thoughts raced through Addy’s panic-stricken mind.
“There has been a spot of trouble at the clubhouse.” Professional, act professional. “I am making a few enquiries, I’d like to come back and ask you a few questions when …” Professional, you’re a professional, Man up! “… When you have … got yourself sorted out.” Phew!! "
― Ted Bun , The Uncovered Policeman: A Romantic Naturist Comedy (Rags to Riches Book 1)
5
" I wondered straightaway how he could sit at peace there, of an evening, with the row of heads staring down at him. There were no pictures, no flowers: only the heads of chamois. The concession to melody was the radiogram and the stack of records of classical music.Foolishly, I had asked, " Why only chamois?" He answered at once, " They fear Man." This might have led to an argument about animals in general, domestic, wild, and those which adapt themselves to the whims and vagaries of the human race; but instead he changed the subject abruptly, put on a Sibelius record, and presently made love to me, intently but without emotion. I was surprised but pleased. I thought, " We are suited to one another. There will be no demands. Each of us will be self-contained and not beholden to the other." All this came true, but something was amiss. There was a flaw - not only the nonappearance of children, but a division of the spirit. The communion of flesh which brought us together was in reality a chasm, and I despised the bridge we made. Perhaps he did as well. I had been endeavouring for ten years to build for my self a ledge of safety. (" The Chamois" ) "
10
" Tobacco,' Jig said. 'I used to raise tobacco once. But I quit. I was plowing one morning, and the Lord said, " Jig, how'd you like for your daughter to smoke?" And I said, " I wouldn't like it, Lord. It's a sin for a woman to smoke." And I unhitched the mule right there in the middle of the row and left.''You say you left?''Left,' Jig said. 'I went fishing then. You know that's where He called them from. From fishing. One of these mornings He'll come and stand on the riverbank and He'll say, " Jig." And I'll say, " Yes, Lord?" And He'll say, " Follow me, Jig." And I will arise and follow Him. Aw, He ain't come yet. But He's coming. He's got to get my mansion ready first, but He'll be here.'Then Jig told us about Heaven. He said it was a million miles square and a million miles high, and every street was gold and every house was a mansion. And at night every star was brighter than the sun.'Do you know why He made the stars?'Uncle Burley said he didn't know.'He liked to hear them sing,' Jig said. "
14
" Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—”
“If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.”
Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders.
“Where is it?” he asked.
“The key?”
His tone was deadly. “Yes, Daisy. The key.”
“It fell inside my corset. Which means… I’ll have to take that off too.”
There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew.
He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her.
Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap.
Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset.
She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise.
The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew.
His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her.
Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?”
“No.”
But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders.
He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat.
Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff.
Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer.
Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.”
He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap. "
― Lisa Kleypas , Scandal in Spring (Wallflowers, #4)