123
" I recall Decimus instructing me while at work that wrong friends will make my heart yearn for sin more than it usually does. Compromises will be easier and wisdom will be replaced with folly. I just figured that they didn’t know him, and therefore were judging him. Plus, I told them that Erebus …was interested in becoming a Christian, and that was the basis of our friendship. My biggest mistake was when I told John that Jesus spent time with sinners far worse than Erebus. ‘Oh foolishness, you forget I was with Jesus when he was in the homes and company of sinners,’ John chided. ‘Jesus did not come to make friends, but to call sinners to repent. Do that long enough and let’s see how many friends you pick up…His visits were hardly a social call…He did not save any lost soul by living like that lost soul…until Erebus sees Christ in you, you are guilty of leading him astray as I’m afraid he is leading you astray...As I see it, friendships are grown when you are all going in the same direction, and can help, encourage and protect all involved. Friendships are not to be reckless, but constructive and purposeful where you are building each other up and improving each other’s character. If this isn’t that inner, guiding principle of all the friends you hold, then in what direction is it actually going, and what good will be derived from it? If friends are not making each other better, then they’re fulfilling the role of our spiritual enemy by tearing down what is good and ruining what had potential…… "
130
" Writing on role of victim, how we chose to be one in life , why we do it and how we can be free of that.Victim is a role we take very early in our life for many reasons. Like to protect ourselves, to be visible, to be listened, by fear, for approval and many others.It's the armour we create around us because we do not have any choices other then this. Slowly it become in our subconscious nature. We attract people in our life who are victimiser and we become victim again.We are used by them, we feel weak and overpowered by them.How do we know that we are in this role?It's very important for us to know that we are victim and its not doing good or serving us anymore. When we are victim we feel helpless, no power within, we physically too are unhealthy and our grounding is not stable.Find hard to make decision about anything, some of us find comfort in when other shows sympathy or pity towards us.We clearly need to know and accept that we have armour this role so far because there was no option or alternatives for us.Then slowly we can start choosing things, people which can bring us in our own body where we can tap that hidden power in us.Ask for help, engage in activity which will help you to break free of this mindset. We need to change our own energy frequency to attract people who are warrior, who are courageous and brave. Who can show us what does it feel to have courage and power within.Mantra isI do not need you my dear armour any more. Thank you for looking after me so long but now I am strong, confident and courageous to break free of this. I do not accept the role of Victim any more. "
139
" Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself.
“I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one "
― John Barth , The End of the Road
140
" Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself.
“I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one you walked in with untenable. Perhaps–I’m just suggesting an offhand possibility–you could change to thinking of me as The Sagacious Old Mentor, a kind of Machiavellian Nestor, say, and yourself as The Ingenuous But Promising Young Protégé, a young Alexander, who someday will put all these teachings into practice and far outshine the master. Do you get the idea? Or–this is repugnant, but it could be used as a last resort–The Silently Indignant Young Man, who tolerates the ravings of a Senile Crank but who will leave this house unsullied by them. I call this repugnant because if you ever used it you’d cut yourself off from much that you haven’t learned yet.
“It’s extremely important that you learn to assume these masks wholeheartedly. Don’t think there’s anything behind them: ego means I, and I means ego, and the ego by definition is a mask. Where there’s no ego–this is you on the bench–there’s no I. If you sometimes have the feeling that your mask is insincere–impossible word!–it’s only because one of your masks is incompatible with another. You mustn’t put on two at a time. There’s a source of conflict, and conflict between masks, like absence of masks, is a source of immobility. The more sharply you can dramatize your situation, and define your own role and everybody else’s role, the safer you’ll be. It doesn’t matter in Mythotherapy for paralytics whether your role is major or minor, as long as it’s clearly conceived, but in the nature of things it’ll normally be major. Now say something. "
― John Barth , The End of the Road
