4
" Will those insights be tested,or simply used to justify the status quo and reinforce prejudices? When I consider the sloppy and self-serving ways that companies use data, I'm often reminded of phrenology, a pseudoscience that was briefly the rage in the nineteenth century. Phrenologists would run their fingers over the patient's skull, probing for bumps and indentations. Each one, they thought, was linked to personality traits that existed in twenty-seven regions of the brain. Usually the conclusion of the phrenologist jibed with the observations he made. If the patient was morbidly anxious or suffering from alcoholism, the skull probe would usually find bumps and dips that correlated with that observation - which, in turn, bolstered faith in the science of phrenology. Phrenology was a model that relied on pseudoscientific nonsense to make authoritative pronouncements, and for decades it went untested. Big Data can fall into the same trap. Models like the ones that red-lighted Kyle Behm and black-balled foreign medical students and St. George's can lock people out, even when the " science" inside them is little more than a bundle of untested assumptions. "
5
" Will those insights be tested, or simply used to justify the status quo and reinforce prejudices? When I consider the sloppy and self-serving ways that companies use data, I'm often reminded of phrenology, a pseudoscience that was briefly the rage in the nineteenth century. Phrenologists would run their fingers over the patient's skull, probing for bumps and indentations. Each one, they thought, was linked to personality traits that existed in twenty-seven regions of the brain. Usually the conclusion of the phrenologist jibed with the observations he made. If the patient was morbidly anxious or suffering from alcoholism, the skull probe would usually find bumps and dips that correlated with that observation - which, in turn, bolstered faith in the science of phrenology. Phrenology was a model that relied on pseudoscientific nonsense to make authoritative pronouncements, and for decades it went untested. Big Data can fall into the same trap. Models like the ones that red-lighted Kyle Behm and black-balled foreign medical students and St. George's can lock people out, even when the " science" inside them is little more than a bundle of untested assumptions. "
7
" It is a simple truth that the human mind can face better the most oppressive government, the most rigid restrictions, than the awful prospect of a lawless, frontierless world. Freedom is a dangerous intoxicant and very few people can tolerate it in any quantity; it brings out the old raiding, oppressing, murderous instincts; the rage for revenge, for power, the lust for bloodshed. The longing for freedom takes the form of crushing the enemy- there is always the enemy!- into the earth; and where and who is the enemy if there is no visible establishment to attack, to destroy with blood and fire? Remember all that oratory when freedom is threatened again. Freedom, remember, is not the same as liberty. "
― Katherine Anne Porter , The Never-Ending Wrong
8
" Bella. " Nathan Malone is dead." He caught her shoulders, shook her." No!" she screamed back. And she couldn't hit him. She wanted to, and she couldn't." look at me," he yelled. " Look at me, Bella. What happened killed the man you loved. All that is left is this. The man you see now.The name name I carry now. Anything else is no possible." " No!" She pulled away from him, stumbled to her feet, and shook with the rage pounding through her. " The name may be dead, but you are not dead. " You weren't just a SEAL," she cried. " You weren't just a friend, or a son, or a grandson, or a brother. You weren't just a warrior." She clenched her fists, pressed to her stomach as the agony swell up through every cell of her body. " You are my husband. My lover.It doesn't matter if your name is Nathan, Noah, or hey fucking you, you are my my lover. My soul. My heart. "
9
" The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means them to do it for his. He steals the mother’s milk and blackens it to make printer’s ink to scoff at her and glorify ideal women with. He pretends to spare her the pangs of child-bearing so that he may have for himself the tenderness and fostering that belong of right to her children. Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a blood-sucker, a hypocrite, and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! For mark you, Tavy, the artist’s work is to shew us ourselves as we really are. Our minds are nothing but this knowledge of ourselves; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men. In the rage of that creation he is as ruthless as the woman, as dangerous to her as she to him, and as horribly fascinating. Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. Which shall use up the other? that is the issue between them. And it is all the deadlier because, in your romanticist cant, they love one another. "
― George Bernard Shaw , Man and Superman
11
" If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice.
“He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.”
A chill went through me.
“Why do you think I’m doing this?” He waved a hand to me.
“Because you’re a monster.”
He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.”
I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?”
“Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.”
I lifted my brows in silent question.
“Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?”
Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared.
“It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.”
I knew, but I still asked, “Like what?”
“Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse.
“Why did Amarantha target you?” I dared ask. “Why make you her whore?”
“Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.”
I started. Tamlin had never said—never told me the Night Court was responsible for that.
“It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.”
I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him …
“So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human. "
― Sarah J. Maas , A Court of Thorns and Roses (A Court of Thorns and Roses, #1)
17
" Two Songs For The World's End I Bombs ripen on the leafless tree under which the children play. And there my darling all alone dances in the spying day. I gave her nerves to feel her pain, I put her mortal beauty on. I taught her love that hate might find, its black work the easier done. I sent her out alone to play; and I must watch, and I must hear, how underneath the leafless tree, the children dance and sing with Fear. II Lighted by the rage of time where the blind and dying weep, in my shadow take your sleep, though wakeful I. Sleep unhearing while I pray - Should the red tent of the sky fall to fold your time away, wake to weep before you die. Die believing all is true that love your maker said to you Still believe that had you lived you would have found love, world, sight, sound, sorrow, beauty - all true. Grieve for death your moment - grieve. The world, the lover you must take, is the murderer you will meet. But if you die before you wake never think death sweet. "
18
" The potency of prayer hath subdued the strength of fire; it hath bridled the rage of lions, hushed anarchy to rest, extinguished wars, appeased the elements, expelled demons, burst the chains of death, expanded the gates of heaven, assuaged diseases, repelled frauds, rescued cities from destruction, stayed the sun in its course, and arrested the progress of the thunderbolt. "
― John Chrysostom
20
" There are cancers so insidious in their nature that their very pulsation is invisible. Such cancers leave the ivory whiteness of the skin untouched, and marble not the firm, fair flesh, with their blue tints; the physician who bends over the patient's chest hears not, through he listens, the insatiable teeth of the disease grinding its onward progress through the muscles, as the blood flows freely on; the knife has never been able to destroy, and rarely even, temporarily, to discern the rage of these mortal scourges; their home is in the mind, which they corrupt; they fill the whole heart until it breaks. Such, madame, are the cancers, fatal to queens; are you, too, free from their scourge? "
― Alexandre Dumas , The Man in the Iron Mask (The D'Artagnan Romances, #3.4)
