2
" -- all that you left behind when you signed up. when you dropped out of that world, went out on the plains with the thousands of other eager, nervous, frightened young men to push the arms of civilization farther into the darkness, and suddenly you had everybody together, raw-boned, freckle-faced crackers and big fucking spades and tough little beaners from the east side, who knows, maybe even some crazy howling ragheads from the desert, inscrutable yellow and red skins with slanted and almond and olive eyes. It didn't matter where you came from, everybody was together, you were all crazed, laughing and shouting all this bullshit jive with reefer and booze and crystal methedrine in your veins and Independence Day going off over your head. And then a shell lands right in the middle and suddenly you're sitting in the pile of smashed cherry pie and scattered limbs screaming AAAAHHHHH! AAAAHHHHH! AAAAHHHHH! over and over again because you alone were untouched, because all those other lives and all those other voices that were laughing and shouting around you a second ago stopped, and were gone forever, and you alone kept talking into the void. "
9
" They went back to scooping up breakfast, licking the mess off their fingers. Soon the pile of berry mush was gone and their tongues were dyed a nice midnight blue. Ian seemed in a good mood, sticking his tongue out playfully at his best friend. Eena did likewise, right back at him. She was happy he was smiling, even if his teeth were purple.
(You’re too much fun, Eena,) Ian announced in her mind. (I’m really glad we’re friends.)
(Me too,) she agreed. (Best friends.)
Ian leaned back on his hands and watched the waves roll in from far off. The swells were building into large, flat-crested waves.
(Angelle never thought like you do. You’re creative and kinda crazy. Her thoughts were always more simple and, well…..normal.)
(Yeah, well, deadly dragons and evil witches tend to suck all the normal right out of you,) she grumbled.
(I suppose.) "
― Richelle E. Goodrich , Eena, The Two Sisters (The Harrowbethian Saga #4)
10
" The scene unfolded before him as though he were a ghost.
His mother stood on the raised stump, her body tied to the tall stake behind her. A pile of wood encircled her feet. Only a small crowd had gathered in the courtyard, despite his father’s commands that all should attend. Alasdair sobbed at her feet, calling out to her. The young Alasdair climbed on the pile and clutched her flowing gown. She had been dressed in her finest, not stripped down to her chemise like the handmaid who stood tied to a post beside her. His father had always liked a display. Alasdair’s hands reached and passed over his mother’s large pregnant belly. With that, she sobbed, too. “Oh, Ali, be good for Momma. I’ll see you in the pearly white heaven that God has promised us. Be steadfast, son. Trust your heart.”
“Light it,” his father ordered. "
― Jean M. Grant , A Hundred Kisses
11
" Let us return for a moment to Lady Lovelace’s objection, which stated that the machine can only do what we tell it to do. One could say that a man can “inject” an idea into the machine, and that it will respond to a certain extent and then drop into quiescence, like a piano string struck by a hammer. Another simile would be an atomic pile of less than critical size: an injected idea is to correspond to a neutron entering the pile from without. Each such neutron will cause a certain disturbance which eventually dies away. If, however, the size of the pile is sufficiently increased, the disturbance caused by such an incoming neutron will very likely go on and on increasing until the whole pile is destroyed. Is there
a corresponding phenomenon for minds, and is there one for machines? There does seem to be one for the human mind. The majority of them seem to be “sub-critical,” i.e. to correspond in this analogy to piles
of sub-critical size. An idea presented to such a mind will on average give rise to less than one idea in reply. A smallish proportion are supercritical. An idea presented to such a mind may give rise to a whole “theory” consisting of secondary, tertiary and more remote ideas. Animals’ minds seem to be very definitely sub-critical. Adhering to this analogy we ask, “Can a machine be made to be super-critical? "
― Alan Turing , Computing machinery and intelligence
12
" Let us return for a moment to Lady Lovelace’s objection, which stated that the machine can only do what we tell it to do. One could say that a man can " inject" an idea into the machine, and that it will respond to a certain extent and then drop into quiescence, like a piano string struck by a hammer. Another simile would be an atomic pile of less than critical size: an injected idea is to correspond to a neutron entering the pile from without. Each such neutron will cause a certain disturbance which eventually dies away. If, however, the size of the pile is sufficiently increased, the disturbance caused by such an incoming neutron will very likely go on and on increasing until the whole pile is destroyed. Is there a corresponding phenomenon for minds, and is there one for machines? There does seem to be one for the human mind. The majority of them seem to be " sub critical," i.e. to correspond in this analogy to piles of sub-critical size. An idea presented to such a mind will on average give rise to less than one idea in reply. A smallish proportion are supercritical. An idea presented to such a mind may give rise to a whole " theory" consisting of secondary, tertiary and more remote ideas. Animals’ minds seem to be very definitely sub-critical. Adhering to this analogy we ask, " Can a machine be made to be super-critical? "
13
" You think I would take a wild lily and trim it to appear an English rose? You shall meet the ton as a bright Italian star." Callie couldn't help but chuckle. " Capital. Shall we choose some fabrics?" The words sent the cluster of women around them into a flurry, rolling out yards of muslins and satins, jaconet and crepe, velvet and gros de Naples in every imaginable color and pattern." Which do you like?" Callie asked.Juliana turned her attention to the pile of fabrics, a bemused smile on her face. Mariana approached and locked their arms together. Leaning close, she said, " I adore that mulberry crepe. It would go beautifully with your hair." Turning to Callie she said, " And you, sister?" Callie cocked her head in the direction of a willow green satin, and said, " If you don't leave here with an evening dress in satin, I shall be very disappointed." Juliana laughed. " Well, then I shall have to have it! And I do like that rose muslin." Madame Hebert lifted the bolt and passed it to a seamstress. " Excellent choice, signorina. May I suggest the gold satin as well? For evening, of course. "
