21
" I said that I have finished telling my story, not that the story is finished. I said before that no story is ever really finished, each one is part of a longer story and consists of smaller stories, some of which are told, others passed over in silence. And whenever you tell any one of the stories, whether you intend it or not, you include the shadow of all the others. The result is that once you have told one story, once you have undone the meshes of the net at one point, you are trapped. You are compelled to go on with the story. And because we ourselves, like all life, are stories, we become the story of the stories. "
23
" Not in order to justify, but simply in order to explain my lack of consistency, I say: Look at my present life and then at my former life, and you will see that I do attempt to carry them out. It is true that I have not fulfilled one thousandth part of them [Christian precepts], and I am ashamed of this, but I have failed to fulfill them not because I did not wish to, but because I was unable to. Teach me how to escape from the net of temptations that surrounds me, help me and I will fulfill them; even without help I wish and hope to fulfill them.
Attack me, I do this myself, but attack me rather than the path I follow and which I point out to anyone who asks me where I think it lies. If I know the way home and am walking along it drunkenly, is it any less the right way because I am staggering from side to side! If it is not the right way, then show me another way; but if I stagger and lose the way, you must help me, you must keep me on the true path, just as I am ready to support you. Do not mislead me, do not be glad that I have got lost, do not shout out joyfully: “Look at him! He said he was going home, but there he is crawling into a bog!” No, do not gloat, but give me your help and support. "
― Leo Tolstoy
27
" Me and Jason against you and Stacy.” Alana handed Alexis a badminton racket and grinned. “Yay,” Alexis said without even a smidgeon of enthusiasm. “Do you want to serve?” Stacy asked Alexis when Jason and Alana moved to the other side of the net. “Serve you what? There’s no staff here to take care of your every whim, princess,” Alexis said lowly so the others wouldn’t hear. Stacy recoiled at the remark, then her temper flared. “You know what I was asking,” she replied coolly. “You can serve. Here’s the birdie,” Alexis replied and handed it to her on her middle finger. “Shuttlecock,” Stacy corrected. “Butthole…cock.” Alexis shrugged when Stacy glared at her. “That’s what we used to call them.” “Uh-huh,” Stacy said as she prepared to serve. The birdie sailed over the net,and volley began. This went on for a few minutes, then Alexis heard a hard thwack behind her, and the birdie stung her on the back of the thigh. She turned and looked at Stacy with fire in her eyes. “My bad,” Stacy said nonchalantly.Alexis picked up the birdie and hit it toward Jason. He served again. Stacy returned and nailed Alexis in the back of the head. “I’m so sorry,” Stacy said with an acerbic smile. “I’m having a hard time getting my shuttlecock up for you.” ...An intense volley began, and Alana said, “Uh, hey, y’all are
supposed to be hitting it to us.” Jason watched in fascination. “I think they’re trying to kill the birdie.” Alexis finally missed and snatched it off the ground. “We were just warming up.” “Yeah, I’m good and hot now,” Stacy added between clenched teeth...“My serve,” Alexis said as she whirled around, then lowered her voice as she passed Stacy. “You’re about to find out whywe call them butthole cocks.” Stacy held her racket out like a sword. “How about I just waffle your ass now?” Alexis struck a fencing pose, or at least she thought she did. “On guard, biatch.”...Alana rushed under the net and stepped between the two staring daggers at each other. “Hey, we want to be able to use these rackets again. Maybe we should take a break since y’all kind of murdered the birdie.” Alana laughed. “It’s missing two plastic feathers... "
― Robin Alexander , Dear Me
29
" Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up. This curious event occurred last March, just before Princeton eliminated the Virginia Military Institute, the year's Southern Conference champion, from the NCAA championships. The game was played in Philadelphia and was the last of a tripleheader. The people there were worn out, because most of them were emotionally committed to either Villanova or Temple-two local teams that had just been involved in enervating battles with Providence and Connecticut, respectively, scrambling for a chance at the rest of the country. A group of Princeton players shooting basketballs miscellaneously in preparation for still another game hardly promised to be a high point of the evening, but Bradley, whose routine in the warmup time is a gradual crescendo of activity, is more interesting to watch before a game than most players are in play. In Philadelphia that night, what he did was, for him, anything but unusual. As he does before all games, he began by shooting set shots close to the basket, gradually moving back until he was shooting long sets from 20 feet out, and nearly all of them dropped into the net with an almost mechanical rhythm of accuracy. Then he began a series of expandingly difficult jump shots, and one jumper after another went cleanly through the basket with so few exceptions that the crowd began to murmur. Then he started to perform whirling reverse moves before another cadence of almost steadily accurate jump shots, and the murmur increased. Then he began to sweep hook shots into the air. He moved in a semicircle around the court. First with his right hand, then with his left, he tried seven of these long, graceful shots-the most difficult ones in the orthodoxy of basketball-and ambidextrously made them all. The game had not even begun, but the presumably unimpressible Philadelphians were applauding like an audience at an opera. "
― John McPhee , A Sense of Where You Are: Bill Bradley at Princeton
32
" There was a grumpy librarian in the library. I could tell that he was the librarian because he seemed to be made of books. I told him that we needed information, and he got us some butterfly nets and sent us up to the top floor of the library.
I wondered why we were carrying nets. Valentine didn't know.
The book I wanted was pretty obvious. It was called A History of Everything.
Finding it was easy. Catching it, however, was not. The moment I reached for it, the whole shelfful of books took off into the air, fluttering like pigeons, and suddenly I knew what the butterfly nets were for.
I waved the net about and eventually I caught A History of Everything. As soon as I'd got it, all the rest of the books flapped back to their shelf, all except one, a little red-covered book, which fluttered over my head happily. "
― Neil Gaiman , MirrorMask
33
" I apologize to my priestess. I underestimated her. I equated her with the global media, which is where I found those easily digestible raw materials for my banal and bourgeois account of My Life with Poor Terminal Celestine. There are so many blogs and articles in the 'Living' sections of online newspapers pouring out the synthetic emotions and the mundane details and the shocking bodily consequences of any disease you can think of or even invent. Honestly, Celestine and I felt we had to fully understand the phenomenon of the internet, because consumerism and the internet had fused, they had become one thing, even though on a certain level it was anathema to us, noxious to the strange, introverted, and, yes, relentlessly snob personal culture we had spent years developing together. But also we realized we needed the net in order to understand what was the basic human condition, what a current human being really was, because we had lost touch with that, our students made that clear to us, and so we were also using the internet to research our roles playing normal human beings. "
― David Cronenberg , Consumed
