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1 " The compound feelings have vanished, the mixture of colors in an art shop, sixteen shades of eggshell. Yellow and blue make green. Friendship? Jealousy? Tenderness? Consideration, sympathy. Happiness. I miss happiness the most, the mixture of everything, of all the negative emotions, a drop of surprise and a bit of joy. Happiness is the perfect blend, but no one knows the recipe. "
2 " No one today is purely one thing. Labels like Indian, or woman, or Muslim, or American are not more than starting-points, which if followed into actual experience for only a moment are quickly left behind. Imperialism consolidated the mixture of cultures and identities on a global scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly, exclusively, white, or Black, or Western, or Oriental. Yet just as human beings make their own history, they also make their cultures and ethnic identities. No one can deny the persisting continuities of long traditions, sustained habitations, national languages, and cultural geographies, but there seems no reason except fear and prejudice to keep insisting on their separation and distinctiveness, as if that was all human life was about. Survival in fact is about the connections between things; in Eliot’s phrase, reality cannot be deprived of the “other echoes [that] inhabit the garden.” It is more rewarding - and more difficult - to think concretely and sympathetically, contrapuntally, about others than only about “us.” But this also means not trying to rule others, not trying to classify them or put them in hierarchies, above all, not constantly reiterating how “our” culture or country is number one (or not number one, for that matter). "
― Edward W. Said , Culture and Imperialism
3 " Our Nation, a great stage for the acting out of great thoughts, presents the classic confrontation between Locke's views of the state of nature and Rousseau's criticism of them... Nature is raw material, worthless without the mixture of human labor; yet nature is also the highest and most sacred thing. The same people who struggle to save the snail-darter bless the pill, worry about hunting deer and defend abortion. Reverence for nature, mastery of nature- whichever is convenient. "
― Allan Bloom , The Closing of the American Mind
4 " From Bralloc’s mounted position he could see over the heads of most of his men, but the thickening darkness of evening coupled with the storm made it impossible to see more than a few yards. He jerked at the reins and swung his horse around, pushing into the crowd. The large grey charger was nearly as mean-spirited as her owner; she snorted and bucked her head, then nipped, stomped and shoved her way through, giving every indication that she was enjoying herself. His men drew to either side, and the crawling excitement in Bralloc’s belly became an angry swarm of insects. The scout – the ballsy woman whose name he could never remember - stood several paces away. Bralloc paid her no heed, however, and the mixture of nervousness, relief and fear on her face didn’t even register in his mind: his eyes were locked on the captive at her side. His lips twitched into a smile and he licked them, like a ghoul eyeing a fresh corpse. He forced himself to move slowly, deliberately – sucking each individual drop of marrow from the bones of his anticipation..." -From 'Feral "
5 " By far, the most important distortions and confabulations of memory are those that serve to justify and explain our own lives. The mind, sense-making organ that it is, does not interpret our experiences as if they were shattered shards of glass; it assembles them into a mosaic. From the distance of years, we see the mosaic’s pattern. It seems tangible, unchangeable; we can’t imagine how we could reconfigure those pieces into another design. But it is a result of years of telling our story, shaping it into a life narrative that is complete with heroes and villians, an account of how we came to be the way we are. Because that narrative is the way we understand the world and our place in it, it is bigger than the sum of its parts. If on part, one memory, is shown to be wrong, people have to reduce the resulting dissonance and even rethink the basic mental category: you mean Dad (Mom) wasn’t such a bad (good) person after all? You mean Dad (Mom) was a complex human being? The life narrative may be fundamentally true; Your father or mother might really have been hateful, or saintly. The problem is that when the narrative becomes a major source of self-justification, one the storyteller relies on to excuse mistakes and failings, memory becomes warped in its service. The storyteller remembers only the confirming examples of the parent’s malevolence and forgets the dissonant instances of the parent’s good qualities. Over time, as the story hardens, it becomes more difficult to see the whole parent — the mixture of good and bad, strengths and flaws, good intentions and unfortunate blunders.Memories create our stories, but our stories also create our memories. "
― Carol Tavris
6 " Merleau-Ponty's painting inhabits the same rhetoric as early cinema: it makes the invisible visible, or rather it makes visibility visible; it forms from the thresholds of the visible and invisible world, an order, mode, or aesthetic of visuality. Not only of the small or fast, but of visibility as such. The visuality of the visible and the invisible is found in the mixture of the body and its world, of your body and your world, all your worlds, all your bodies in this world and all those others. Painting is the process by which the visuality of the visible and invisible is made manifest: " Painting mixes up all our categories in laying out its oneiric universe of carnal essences, of effective likenesses, of mute meanings." Each painting is a universal archive, a picture of the universe, a universal image—and like a dream. "
7 " In all Thénardier's outpourings, the words and gestures, the fury blazing in his eyes, this explosion of an evil nature brazenly exposed, the mixture of bravado and abjectness, arrogance, pettiness, rage, absurdity; the hodgepodge of genuine distress, and lying sentiment, the shamelessness of a vicious man rejoicing in viciousness, the bare crudity of an ugly soul -- in this eruption of all suffering and hatred there was something which was hideous as evil itself and still as poignant as truth. "
― Victor Hugo , Les Misérables
8 " Some breakfast food manufacturer hit upon the simple notion of emptying out the leavings of carthorse nose bags, adding a few other things like unconsumed portions of chicken layer's mash, and the sweepings of racing stables, packing the mixture in little bags and selling them in health food shops. "
9 " What I wasn’t expecting was the euphoria once my body began releasing endorphins. The mixture of pain and pleasure was ecstasy. Getting my tattoo introduced me to secret, dark pleasures. I would always be a marked prisoner, but I was a liberated soul. "
― Scarlet Risque , Red Hourglass (Hourglass, #1)
10 " It was only after my head started reeling and my body started weaving and I tumbled into bed that I'd hear that soothing voice singing...The reverbations of that voice wandered sweetly, softly, working like a massage on the area of my heart that was the most tightly clenched, helping those knots to loosen. It was like the rush of waves, and like the laughter of people I'd met in all kinds of places, people I'd become friendly with and then separated from, and like the kind words all those people had said to me, and like the mewing of a cat I had lost, and like the mixture of noises that rang in the background in a place that was dear to me, a place far away, a place that no longer existed, and like the rushing of trees that whisked past my ears as I breathed in a scent of fresh greenery on a trip someplace... the voice was like a combination of all this. "
― Banana Yoshimoto , Asleep
11 " My parents are humans too. This has been one of my greatest awakenings in adulthood: my parents being regular people, too. They have baggage and losses, grown up in imperfect homes with imperfect families just as I did. Life hasn’t been easy on either of them between the mixture of poor decisions and bad breaks; this world lacks perfection for us all. "
― Natalie Brenner , This Undeserved Life: Uncovering The Gifts of Grief and The Fullness of Life
12 " Listen, I didn’t ask for a face and body girls find attractive. But thanks to the mixture of my parents’ DNA, I’ve got them, and I’m not ashamed to use ’em. "
― Simone Elkeles , Rules of Attraction (Perfect Chemistry #2)
13 " Why shouldn't I be introspective? We dont' make sense." " Neither do Chocolate and Peanut Butter, but it somehow works." He says " Somehow the mixture of two things is genius. "
14 " The truth is usually somewhere in the gray turbulent eddies set in motion by the mixture of black and white. "
― Ken Poirot
15 " I have been dwelling upon downtowns. This is not because mixtures of primary uses are unneeded elsewhere in cities. On the contrary they are needed, and the success of mixtures downtown (on in the most intensive portions of cities, whatever they are called) is related to the mixture possible in other part of cities. "
― Jane Jacobs , The Death and Life of Great American Cities
16 " In the creative state a man is taken out of himself. He lets down as it were a bucket into his subconscious and draws up something which is normally beyond his reach. He mixes this thing with his normal experiences and out of the mixture he makes a work of art. "
17 " I've always loved the mixture of crushing live drums with a programmed groove, that really cool blend, like in the verse there's a really funky drum beat that is programmed then it comes in to the chorus; you've got that enormous human feel where the band kicks in. "
18 " I love Indian food - it's my favourite cuisine. I love the mixture of spices and the subtle flavours. It's really erotic the spices are so sensuous. "
19 " I think life is about having the mixture of the curiosity of an older person and the imagination of a child. "