104
" Happiness is not to be achieved at the command of emotional whims. Happiness is not the satisfaction of whatever irrational wishes you might blindly attempt to indulge. Happiness is a state of non-contradictory joy—a joy without penalty or guilt, a joy that does not clash with any of your values and does not work for your own destruction, not the joy of escaping from your mind, but of using your mind's fullest power, not the joy of faking reality, but of achieving values that are real, not the joy of a drunkard, but of a producer. Happiness is possible only to a rational man, the man who desires nothing but rational goals, seeks nothing but rational values and finds his joy in nothing but rational actions. "
― Ayn Rand , Atlas Shrugged
105
" Damn, you're good,' he said and rolled onto his back. The man wasn't much for flowery speech, Alesandra thought with a smile. It didn't matter. She was arrogantly proud of herself because she'd pleased him. Perhaps she should give him a little praise too. She rolled onto her side to face him, put her hand on his chest directly over his pounded heart, and whispered. 'You're good, too. 'Tis the truth, you're the best I've ever had.'
He opened his eyes to look at her. 'I'm the only one you've ever had, remember?' His voice was gruff with affection.
'I remember,' she said.
'No other man is ever going to touch you, Alesandra. You're mine. "
― Julie Garwood , Castles (Crown's Spies #4)
113
" Pedersen was always wooing her. Sometimes he was gracious and kind, but at other times when his failure wearied him he would be cruel and sardonic, with a suggestive tongue whose vice would have scourged her were it not that Marie was impervious, or too deeply inured to mind it. She always grinned at him and fobbed him off with pleasantries, whether he was amorous or acrid.'God Almighty,' he would groan, 'she is not good for me, this Marie. What can I do for her? She is burning me alive and the Skaggerack could not quench me, not all of it. The devil! What can I do with this? Some day I shall smash her across the eyes, yes, across the eyes.'So you see the man really loved her.(" The Tiger" ) "
114
" As the sun began to rise, the man reached out to the woman, and they clasped hands. He cradled her, and languidly they lifted themselves up to their feet, their bodies brushing, their eyes lost in each other's. Sensuously, deliberately, they danced, moving as though they were one, their body language smooth as their limbs carefully unfolded. They twirled and rocked, intertwined and separated, nearly leaning onto one another but barely touching, their movements sometimes tender, sometimes almost violent...Moments passed while the dancers held tight to each other, as though their bodies were melting together. The expression on their features as they lifted their faces to the sky was one of unimaginable joy. "
― Hannah Fielding
117
" From Les Miserables:All at once, in the midst of this profound calm, a fresh sound arose; a sound as celestial, divine, ineffable, ravishing, as the other had been horrible. It was a hymn which issued from the gloom, a dazzling burst of prayer and harmony in the obscure and alarming silence of the night; women's voices, but voices composed at one and the same time of the pure accents of virgins and the innocent accent of children, -- voices which are not of the earth, and which resemble those that the newborn infant still hears, and which the dying man hears already. This song proceeded from the gloomy edifice which towered above the garden. At the moment when the hubbub of demons retreated, one would have said that a choir of angels was approaching through the gloom.Cosette and Jean Valjean fell on their knees.They knew not what it was, they knew not where they were; but both of them, the man and the child, the penitent and the innocent, felt that they must kneel.These voices had this strange characteristic, that they did not prevent the building from seeming to be deserted. It was a supernatural chant in an uninhabited house. While these voices were singing, Jean Valjean thought of nothing. He no longer beheld the night; he beheld a blue sky. It seemed to him that he felt those wings which we all have within us, unfolding.The song died away. It may have lasted a long time. Jean Valjean could not have told. Hours of ecstasy are never more than a moment. "
