the exterior QUOTES

1 " To approach the Other in conversation is to welcome his expression, in which at each instant he overflows the idea a thought would carry away from it. It is therefore to receive from the Other beyond the capacity of the I, which means exactly: to have the idea of infinity. But this also means: to be taught. The relation with the Other, or Conversation, is a non-allergic relation, an ethical relation; but inasmuch as it is welcomed this conversation is a teaching. Teaching is not reducible to maieutics; it comes from the exterior and brings me more than I contain. In its non-violent transitivity the very epiphany of the face is produced. "

― Emmanuel Levinas , Totality and Infinity: An Essay on Exteriority

2 " The time has come to realise that an interpretation of the universe—even a positivist one—remains unsatisfying unless it covers the interior as well as the exterior of things; mind as well as matter. The true physics is that which will, one day, achieve the inclusion of man in his wholeness in a coherent picture of the world. "

― Pierre Teilhard de Chardin , The Phenomenon of Man

3 " Life and light made up the interior, the realm of daytime. The exterior was darkness and night. "

― Chess Desalls , Travel Glasses (The Call to Search Everywhen, #1)

4 " Incredible how so many people have no sense of honor. How does this happen? This happens by thriving on how one appears to the world around him rather than cultivating a person inside him that he knows is honorable and that he can be proud of. When all the focus is on what people think about you based upon your facebook profile or based upon the exterior that you put on everyday; you leave no room for looking at yourself and saying, " I want to look into the mirror every day and see someone that I can be proud of." And that's what a life of honor is based upon. It is based upon the knowledge that you know your own actions, your own self, and you can see the things that you do and know the things that you think. You answer to yourself, therefore, your standards need to come up to what you expect of yourself. It doesn't matter at all if anybody is looking. When such a sense of honor is present in a large group of people, that's when we see no crime rate or a very low crime rate, respect for other human life and personas, respect for the surroundings and really a respect for oneself. Because a respect for other people can only first be born from a true respect for oneself. "

5 " The first treatise on the interior of the body, which is to say, the treatise that gave the body an interior , written by Henri De Mondeville in the fourteenth century, argues that the body is a house, the house of the soul, which like any house can only be maintained as such by constant surveillance of its openings. The woman’s body is seen as an inadequate enclosure because its boundaries are convoluted. While it is made of the same material as a man’s body, it has ben turned inside out. Her house has been disordered, leaving its walls full of openings. Consequently, she must always occupy a second house, a building to protect her soul. Gradually this sense of vulnerability to the exterior was extended to all bodies which were then subjected to a kind of supervision traditionally given to the woman. The classical argument about her lack of self-control had been generalized. "

― Mark Wigley

6 " Google maps are one thing but there's no substitute for pounding the beat and I spent quite a bit of time figuring out how to break into the back of the houses on Belgrave Place. Once I even for followed by a suspicious householder - I'd been hanging around staring at the exterior of his flat for too long. "

― Sara Sheridan

7 " No one is a good historian of the patent, visible, striking, and public life of peoples, if he is not, at the same time, in a certain measure, the historian of their deep and hidden life; and no one is a good historian of the interior unless he understands how, at need, to be the historian of the exterior also...True history being a mixture of all things, the true historian mingles in everything. "

― Victor Hugo

8 " It was a wonderful combination for a reporter, the exterior so comforting, the interior so driven. "

― David Halberstam , The Powers That Be

9 " The accent was warm and soft and undeniably Northern. When I turned around, I was staring into a pair of beautiful crystal-blue eyes. “Wow,” I whispered. I scanned the paint swatches, wondering if such a shade of blue would look good on the exterior of my house. “Mr. Johnson said you might need help selecting paint.” “It’s impossible,” I muttered. “I just wanted to buy some blue paint. Why is this so complicated?” The handsome man stepped closer to my side. “It isn’t, really. Just pick what you like.” I like crystal-blue. Luckily, I didn’t say those words aloud. "

10 " He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza.
“Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—”
“No,” Albert said.
“We’re almost ready for you,” the director assured him.
“That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.”
“You’re saying those . . . those are actually . . .”
“What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.”
There were a dozen crew people in the McDonald’s. None spoke or moved.
Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go. "

― Michael Grant , Light (Gone, #6)

11 " I am easily moved to tears and rarely survive a visit to the cinema without shedding them, racked, as I am, by the most perfunctory, meretricious or even callously sentimental attempts at poignancy (something about the exterior of the human face, so vast and palpable, with the eyes and the lips: it is all writ too large for me, too immediate for me.) "

― Martin Amis , Experience: A Memoir

12 " Because of this false idea, they devised an aesthetic belief in making the exterior of an object a reflection of the practical functions of the interior and of the constructive idea. Yet these analyses of utility and necessity that, according to their beliefs, should be the basis for the construction of any object created by humanity become immediately absurd once we analyze all the object being manufactured today. A fork or a bed cannot come to be considered necessary for humanity's life and health, and yet retain a relative value.

They are 'learned necessities.' Modern human beings are suffocating under necessities like televisions, refrigerators, etc. And in the process making it impossible to live their real lives. Obviously we are not against modern technology, but we are against any notion of the absolute necessity of objects, to the point even of doubting their real utility.'

Asger Jorn "

― , The Situationists and the City: A Reader