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1 " THERE is something in the autumn that is native to my blood— Touch of manner, hint of mood; And my heart is like a rhyme, With the yellow and the purple and the crimson keeping time. "
― Bliss Carman
2 " Yea, she hath passed hereby, and blessed the sheaves,And the great garths, and stacks, and quiet farms,And all the tawny, and the crimson leaves.Yea, she hath passed with poppies in her arms,Under the star of dusk, through stealing mist,And blessed the earth, and gone, while no man wist.With slow, reluctant feet, and weary eyes,And eye-lids heavy with the coming sleep,With small breasts lifted up in stress of sighs,She passed, as shadows pass, among the sheep;While the earth dreamed, and only I was wareOf that faint fragrance blown from her soft hair.The land lay steeped in peace of silent dreams;There was no sound amid the sacred boughs.Nor any mournful music in her streams:Only I saw the shadow on her brows,Only I knew her for the yearly slain,And wept, and weep until she come again. "
― Frederic Manning
3 " Spare parts lay scattered, every turn wrought with twisted dread, all over the ground, the rooftops, and they were still. Some moving, twitching, enough to almost see. Half cracked and shattered, but still visible and eerie, smiles spread wide and thin, teeth decayed and not, paralleled by hollowed, some missing or in other places, eyes of shades green and blue and some brown with red, but no white, just color portrayed, even if it may be dampened in every way. The beauty in the frivolity, the polished shining gears and cracked glass illuminated so brightly, create a portrait of terror and wonder, significance of a different sort, that only human eyes can see and human minds can feel, but all this is something only dreams, the ethereal concepts that fuse and mince chaos and order into a more paradoxical state, can create and fathom and fashion and make. And yet, doubts upon anxious contradictions, my fingers can feel the brokenness of what can be witnessed, an abyss within a void where deeper within the still lies a glow, a half pulse of a flutter, a vein of mimicry of the reverse of all I see, with concave eyes lost in the magnitude of image whole. Massive and monumental, my feet dragged behind me, cuts in the dirt and spiraling tracks. And then I awoke, half my world disappeared. So much empty within the whole, holes of sizes big and small and all between, the loss of, what it was to be called, my dream. And then my life ended, the holes and tears and cracks complete, empty eyes can still see so clearly, the nothingness that everything has become, shadow and matte a combination of dark on black, in the nothingness that all has become, it is all complete in a way opposite of what I know, a world different in every way and stretch I see, vision upon view of different and strange, only when empty eyes, longing for purpose dreading its meaning, gaze upon their own reflection will the last piece fall into place, a round puzzle of pieces triangular and square, the completeness in the nothingness can be seen, mind flooded with wonder, envisioning the antonym of a dream, and what, in this new beginning, this all could mean. With a blink it all changes, incomplete images appear, holes are wide and seen because you are back now, between death and dream, interwoven as an integral part of this necessary in between seam, and when you touch, worry creases the brow, their faces, half real and the other untouchable, your hand passes through their skin, penetration of the most intimate sort, holding their hearts as if for sport. The warmth, the beating, the crimson piercing blood, so beautiful, the engine that we run, pumping and pumping only to cause the most dreaded flood. Now I drown, and I see you drown too. Together, we are, for split seconds few, we are torn apart and disappear in this vast blood red hue. "
4 " The world needed gentle men to rule if the people were to live in peace, not the warmongers and conniving men she so often witnessed wearing the crimson of the Imperial Council. "
― A.H. Septimius , Crowns Of Amara: The Return Of The Oracle
5 " These hapless livers were probably not always mere myths, and these legends which traced their spilt blood in the purple bloom of the violet, the scarlet stain of the anemone, or the crimson flush or the rose were no idle poetic emblem of youth and beauty fleeting as the Summer flowers. "
― James George Frazer