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1 " The taxi stand was only an open shelter, so I was freezing as I looked toward midtown. I could see the RCA building with its bright red logo at Rockefeller Center, and farther south, the Empire State Building with its illuminated set-backs. At the tip of Manhattan, the twin towers of the World Trade Center -- which were over 1,100 feet tall themselves -- flanked the mile-high Space Trylon. It was clear as well as cold, and as I looked toward Frank Lloyd Wright's masterpiece, it seemed to be poijnting to the stars. This, of course, was the idea, since it embodied the joint American-Soviet space exploration program that settled the Moon in 1955, and, twenty years later, Mars. "
― , Another Girl, Another Planet
2 " Skill is successfully walking a tightrope between the twin towers of New York's World Trade Center. Intelligence is not trying. "
― Marilyn vos Savant
3 " We are benefiting from one thing, and that is the attacks on the twin towers and the pentagon and the American struggle in Iraq. These events swung American public opinion in our favor "
― Benjamin Netanyahu
4 " What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian. "
― Giannina Braschi