the count QUOTES

1 " When I was alive, I believed — as you do — that time was at least as real and solid as myself, and probably more so. I said 'one o'clock' as though I could see it, and 'Monday' as though I could find it on the map; and I let myself be hurried along from minute to minute, day to day, year to year, as though I were actually moving from one place to another. Like everyone else, I lived in a house bricked up with seconds and minutes, weekends and New Year's Days, and I never went outside until I died, because there was no other door. Now I know that I could have walked through the walls. (...) You can strike your own time, and start the count anywhere. When you understand that — then any time at all will be the right time for you. "

― Peter S. Beagle , The Last Unicorn (The Last Unicorn, #1)

2 " Darling, has not the count just told us that all human wisdom is summed up in two words? Wait and hope. "

― Alexandre Dumas , The Count of Monte Cristo

3 " But the Count hadn’t the temperament for revenge; he hadn’t the imagination for epics; and he certainly hadn’t the fanciful ego to dram of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the count would maintain his resolve by committing to the business of practicalities. Having dispensed with dreams of quick discovery, the world’s Crusoes seek shelter and a source of fresh water; they teach themselves to make fire from flint; they study their island’s topography, it’s climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand. "

― Amor Towles , A Gentleman in Moscow

4 " So I have 8 to 10 screenplays written and unproduced. And frankly, some of them are my favorite stories. I have a Western version of The Count Of Monte Cristo where the count has a clockwork hand. I have a screenplay called Mephisto's Bridge about a Faustian deal with the devil. I love them all. "

― Guillermo del Toro

5 " I start to count. This is the important part. I have to count right. Not too fast, nor too slow. All the way to one hundred. It must be spoken aloud, without interruption. Whispering is acceptable; the count keeps my wolf to the Dark Wood. It keeps me on safety’s slender path. "

― Michael F. Stewart , Counting Wolves

6 " But of course, the Count also wept for himself. For despite his friendships with Marina and Andrey and Emile, despite his love for Anna, despite Sofia - that extraordinary blessing that had struck him from the blue - when Mikhail Fyodorovich Mindich died, there went the last of those who had known him as a younger man. "

― Amor Towles , A Gentleman in Moscow

7 " But as the Count advanced through Essays Eleven, Twelve, and Thirteen, his goal seemed to recede into the distance. It was suddenly as if the book were not a dining room table at all, but a sort of Sahara. And having emptied his canteen, the Count would soon be crawling across its sentences with the peak of each hard-won page revealing but another page beyond..... "

― Amor Towles , A Gentleman in Moscow

8 " Go," said the count deliberately, " go, dear friend, but promise me, if you meet with any obstacle to remember that I have some power in this world; that I am happy to use that power in the behalf of those I love; and that I love you, Morrel." " I will remember it," said the young man, " as selfish children recollect their parents when they want their aid. When I need your assistance, and the moment may come, I will come to you, count. "

9 " if the count of monte cristo could escape the chateau d'if, william smithback could escape from river oaks "

10 " As he stood there lost in reflection, Auclair thought he seemed more like a man revolving plans for a new struggle with fortune than one looking back upon a life of brilliant features. The Count had the bearing of a fencer when he takes up the foil; from his shoulders to his heels there was intention and direction. His carriage was his unconscious idea of himself, -- it was an armour he put on when he took off his night-cap in the morning, and he wore it all day, at early mass, at his desk, on the march, at the Council, at his dinner-table. Even his enemies relied upon his strength. "

― Willa Cather

11 " As Raimon and Desire listened, Aimeric sang of Carenza's beauty. He sang of the oaths he had given to his lord, the count Bertran, and of another oath, one that he had sworn to Countess Carenza in his heart. He would keep her at the forefront of his thoughts, he would cherish her forever. They would never satisfy their desire, never even kiss one another, but he would be faithful to her until he died. "

― Neil Gaiman , The Sandman: Book of Dreams

12 " The novelist Dumas would one day borrow features from both of his uncles, not to mention his grandfather, the acknowledged scoundrel, in fashioning the central villains of The Count of Monte Cristo. Reading court documents detailing the sordid unraveling of Charles's sham fortune, which would have devastating effects on his daughter and her unsuspecting husband, I couldn't help thinking that one of the interesting things about Dumas's villains is that, while greedy and unprincipled themselves, they produce children who can be innocent and decent. This was something that the writer understood very well from his own family. "

13 " Dorian said, 'If you do the right thing twice, it will cost you your life. ' Blint said, 'There are things more valuable than life.' The count said, 'You can't pay for all you've done. But you aren't beyond redemption. There's always a way out. And if you're willing to make the sacrifice, the God will give you the chance to save something priceless. "

― Brent Weeks , The Way of Shadows (Night Angel, #1)

14 " Count Ayakura’s abstraction persisted. He believed that only a vulgar mentality was willing to acknowledge the possibility of catastrophe. He felt that taking naps was much more beneficial than confronting catastrophes. However precipitous the future might seem, he learned from the game of kemari that the ball must always come down. There was no call for consternation. Grief and rage, along with other outbursts of passion, were mistakes easily committed by a mind lacking in refinement. And the Count was certainly not a man who lacked refinement.

Just let matters slide. How much better to accept each sweet drop of the honey that was Time, than to stoop to the vulgarity latent in every decision. However grave the matter at hand might be, if one neglected it for long enough, the act of neglect itself would begin to affect the situation, and someone else would emerge as an ally. Such was Count Ayakura’s version of political theory. "

― Yukio Mishima , Spring Snow

15 " I am not going to let him win, Guillaume. Not this time. I could not keep him from making my mother pay the price for our failed rebellion. Fifteen years she has been his prisoner, fifteen years! And she is his prisoner, for all that she no longer wants for a queen’s comforts. I have had to submit to his demands and subject myself to his whims and endure the indignity of having him brandish the crown before me as he would tease a dog with a bone. But no more. I will not let him rob me of my birthright, and I will not let him keep me from honoring my vow to defend the Holy Land. I do think he is behind that very opportune rebellion in my duchy, and I would not put it past him to be conniving with the Count of Toulouse, either. And if by chance he did not, it is only because he did not think of it. No, a reckoning is long overdue, and we will have it at Bonsmoulins. "

― Sharon Kay Penman , Devil's Brood (Plantagenets #3; Henry II & Eleanor of Aquitaine, #3)

16 " This is a robbery. Sorry for the inconvenience'n'all but if you don't line up out here at the count of five then I'm gonna get all trigger-happy on your ass. One, two... "

17 " These men are in prison: that is the Outsider’s verdict. They are quite contented in prison—caged animals who have never known freedom; but it is prison all the same. And the Outsider? He is in prison too: nearly every Outsider in this book has told us so in a different language; but he knows it. His desire is to escape. But a prison-break is not an easy matter; you must know all about your prison, otherwise you might spend years in tunnelling, like the Abbe in The Count of Monte Cristo, and only find yourself in the next cell. "

― Colin Wilson , The Outsider