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61 " I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike.I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you? "
― , Today I'm Alice: Nine Personalities, One Tortured Mind
62 " What I find particularly hypocritical and dishonest is the suggestion that secularism is synonym for “doubt” and “tolerance”, as opposed to the certainty and intolerance of religion. Since the French Revolution, secularism, when translated into social or political action, has hardly been a synonym for tolerance and scepticism, but has been instead unfailingly characterised by a presumption to occupy the moral high ground which entitles to deal out moral judgments. This self-righteousness has often extended to a point that its proponents have not hesitated to execute those who dare to dissent from the new received orthodoxy, with an unwavering certainty that they are fulfilling the momentous mission of promoting social and moral progress. It is perhaps worth reminding that communism – an ideological monster responsible for, within just a few short decades, mass murders on a scale previously unprecedented in human history – is a political manifestation of the idea of a secular society. Marxist communist ideologies are intrinsically linked to the notion of a state sponsored, and enforced, secularism. 3 Communism has never struck me as particularly tolerant or imbued with scepticism. It is indeed a shame that the ruthless dictators of state atheism – such as Stalin, Mao and Pol Pot - before butchering tens of millions of people, did not doubt for an instant of doing the right thing. "
63 " The ugliness that man can do to man might cast a shadow between you and the certainty of the justice and mercy God can do to him hereafter. It takes half a lifetime to reach the spot where eternity is always visible, and the crude injustice of the hour shrivels out of sight. "
― Ellis Peters , One Corpse Too Many (Chronicles of Brother Cadfael, #2)
64 " Usually, I set one foot in a library and I feel my own internal volume lower. A library is a physical equivalent of a sigh. It's the silence, sure, but it's also the certainty of all those books, the way they stand side by side with their still, calm conviction. It's the reassurance of knowledge in the face of confusion. "
― Deb Caletti , The Last Forever
65 " As she rounded a corner one of her favourite songs came on the radio, and sunlight filtered through the trees the way it does with lace curtains, reminding her of her grandmother, and tears began to slide down her cheeks. Not for her grandmother, who was then still very much among the living, but because she felt an enveloping happiness to be alive, a joy made stronger by the certainty that someday it would all come to an end. It overwhelmed her, made her pull the car to the side of the road. Afterwards she felt a little foolish, and never spoke to anyone about it. Now, however, she knows she wasn’t being foolish. She realizes that for no particular reason she stumbled into the core of what it is to be human. It’s a rare gift to understand that your life is wondrous, and that it won’t last forever. "
― Steven Galloway , The Cellist of Sarajevo
66 " For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off! "
― Stefan Zweig , Beware of Pity
67 " I thought I was in love with Leola, by which I meant that if I could have found her in a quiet corner, and if I had been certain that no one would ever find out, and if I could have summoned up the courage at the right moment, I would have kissed her. But, looking back on it now, I know that I was in love with Mrs Dempster. Not as some boys are in love with grown-up women, adoring them from afar and enjoying a fantasy life in which the older woman figures in an idealized form, but in a painful and immediate fashion; I saw her every day, I did menial tasks in her house, and I was charged to watch her and keep her from doing foolish things. Furthermore, I felt myself tied to her by the certainty that I was responsible for her straying wits, the disorder of her marriage, and the frail body of the child who was her great delight in life. I had made her what she was, and in such circumstances I must hate her or love her. In a mode that was far too demanding for my age or experience, I loved her. "
― Robertson Davies , Fifth Business (The Deptford Trilogy, #1)
68 " The reason the founders chafed at the idea of an American standing army and vested the power of war making in the cumbersome legislature was not to disadvantage us against future enemies, but to disincline us toward war as a general matter... With citizen-soldiers, with the certainty of a vigorous political debate over the use of a military subject to politicians' control, the idea was for us to feel it- uncomfortably- every second we were at war. But after a generation or two of shedding the deliberate political encumbrances to war that they left us... war making has become almost an autonomous function of the American state. It never stops. "
― , Drift: The Unmooring of American Military Power
69 " One third, more or less, of all the sorrow that the person I think I am must endure is unavoidable. It is the sorrow inherent in the human condition, the price we must pay for being sentient and self-conscious organisms, aspirants to liberation, but subject to the laws of nature and under orders to keep on marching, through irreversible time, through a world wholly indifferent to our well-being, toward decrepitude and the certainty of death. The remaining two thirds of all sorrow is homemade and, so far as the universe is concerned, unnecessary. "
― Aldous Huxley , Island
70 " I've thought about that often since. I mean, about the word nice. Perhaps I mean good. Of course they mean nothing, when you start to think about them. A good man, one says; a good woman; a nice man, a nice woman. Only in talk of course, these are not words you'd use in a novel. I'd be careful not to use them.Yet of that group, I will say simply, without further analysis, that George was a good person, and that Willi was not. That Maryrose and Jimmy and Ted and Johnnie the pianist were good people, and that Paul and Stanley Lett were not. And furthermore, I'd bet that ten people picked at random off the street to meet them, or invited to sit in that party under the eucalyptus trees that night, would instantly agree with this classification-would, if I used the word good, simply like that, know what I meant.And thinking about this, which I have done so much, I discover that I come around, by a back door, to another of the things that obsess me. I mean, of course, this question of 'personality.' Heaven knows we are never allowed to forget that the 'personality' doesn't exist any more. It's the theme of half the novels written, the theme of the sociologists and all the other -ologists. We're told so often that human personality has disintegrated into nothing under pressure of all our knowledge that I've even been believing it. Yet when I look back to that group under the trees, and re-create them in my memory,suddenly I know it's nonsense. Suppose I were to meet Maryrose now, all these years later,she'd make some gesture, or turn her eyes in such a way, and there she'd be, Maryrose, and indestructible. Or suppose she 'broke down,' or became mad. She would break down into her components, and the gesture, the movement of the eyes would remain, even though some connection had gone. And so all this talk, this antihumanist bullying, about the evaporation of the personality becomes meaningless for me at that point when I manufacture enough emotional energy inside myself to create in memory some human being I've known. I sit down, and remember the smell of the dust and the moonlight, and see Ted handing a glass of wine to George, and George's over-grateful response to the gesture. Or I see, as in a slow-motion film, Maryrose turn her head, with her terrifyingly patient smile... I've written the word film. Yes. The moments I remember all have the absolute assurance of a smile, a look, a gesture, in a painting or a film. Am I saying then that the certainty I'm clinging to belongs to the visual arts, and not to the novel, not to the novel at all, which has been claimed by the disintegration and the collapse? What business has a novelist to cling to the memory of a smile or a look, knowing I so well the complexities behind them? Yet if I did not, I'd never be able to set a word down on paper; just as I used to keep myself from going crazy in this cold northern city by deliberately making myself remember the quality of hot sunlight on my skin.And so I'll write again that George was a good man. "
― Doris Lessing , The Golden Notebook
71 " I could see it all. The hand on the shoulder, then the hug. The mouths that find each other through the tears, the moment when guilt and the certainty that things must go no further gives way to lust and the certainty that they cannot stop. "
― S.J. Watson
72 " when that small Siberian bird fell out of the sky over Gray's River, not once but twice, he brought with him the sweetness of chance in any place, the certainty of wonder in all places. And if that's not grace, I don't know what it. "
― , Sky Time in Gray's River: Living for Keeps in a Forgotten Place
73 " This very heart which is mine will forever remain indefinable to me. Between the certainty I have of my existence and the content I try to give to that assurance, the gap will never be filled. Forever I shall be a stranger to myself. "
― Albert Camus , The Myth of Sisyphus and Other Essays
74 " He wins his battles by making no mistakes.Making no mistakes is what establishes the certainty of victory, for it means conquering an enemy that is already defeated. "
― Sun Tzu , The Art of War
75 " For a Man cannot believe a Miracle without relying upon Sense, nor Transubstantiation without renouncing it. So that never were any two things so ill coupled together as the Doctrine of Christianity and that of Transubstantiation, because they draw several ways, and are ready to strangle one another: For the main Evidence of the Christian Doctrine, which is Miracles, is resolved into the certainty of Sense, but this Evidence is clear and point blank against Transubstantiation. "
― , A Discourse Against Transubstantiation
76 " We had been hopelessly labouring to plough waste lands; to make nationality grow in a place full of the certainty of God… Among the tribes our creed could be only like the desert grass – a beautiful swift seeming of spring; which, after a day’s heat, fell dusty. "
― T.E. Lawrence , Seven Pillars of Wisdom: A Triumph
77 " I took especially great pleasure in mathematics because of the certainty and the evidence of its arguments. "
― René Descartes
78 " Hope is not the conviction that something will turn out well but the certainty that something makes sense regardless of how it turns out. "
79 " Life to the great majority is only a constant struggle for mere existence with the certainty of losing it at last. "
80 " I have always felt that the moment when first you wake up in the morning is the most wonderful of the twenty-four hours. No matter how weary or dreary you may feel you possess the certainty that... absolutely anything may happen. And the fact that it practically always doesn't matters not one jot. The possibility is always there. "
