14
" Oh, but my netherling side did, and she casts my human armor aside.
She guides my hands, knots my fingers through his hair, teases his tongue with hers. She won’t let me pull away, because she wants to be there again. In Wonderland, where his tobacco-flavored kisses always take us . . .
Because the things I loathe are the things she adores: His snark, his infuriating condescension. His menacing mastery of half-truths and riddles. The way he shoves me into the face of danger, forces me to look beyond my fears and reach for my full potential.
Most of all, because he encourages me to believe in the madness ...in her . . . the darker side of myself: the queen who was born to reign over the Red kingdom and to give Wonderland a legacy of dreams and imagination.
His gloved palms seek the bend of my waist, the bow of my hips. He moves me on top of him, so close there’s not enough space for a blade of grass between us. His kisses grow insistent, desperate. His flavor winds through me, fruit and smoke and earth, and other things born of shadows and storms . . . things I can’t put a name to. "
― A.G. Howard , Ensnared (Splintered, #3)
15
" She tied him a fly, using a pattern she’d designed, one that had given her untold luck with those silvery fish, those fighting steelhead. She was anxious for his return.
“Does it have a name?” he said, when she gave it to him.
“The Predator.” She smiled. A little embarrassed.
His eyes turned dark, and her heart beat faster. His voice dipped low. “It’s a fine name.”
He regarded her for several heavy, silent beats. She felt an atavistic pull, the hairs on her arms rising toward him, as if in electrical attraction. He leaned closer and her mouth turned dry. And he told her about the wild blueberries. Down by the bend in the river.
She took the lure.
She went in search of the berries.
She never came home. "
― Loreth Anne White , A Dark Lure (A Dark Lure, #1)
16
" He's at ease, his body sculpted to the music, his shoulder searching the other shoulder, his right toe knowing the left knee, the height, the depth, the form, the control, the twist of his wrist, the bend of his elbow, the tilt of his neck, notes digging into arteries, and he is in the air now, forcing the legs up beyond muscular memory, one last press of the thighs, an elongation of form, a loosening of human contour, he goes higher and is skyheld. "
― Colum McCann , Dancer
18
" Save for the fit of bizarre laughter at the end, the man seems so calm, sensible, rational. Duffy wishes he met more like him. A bit paranoid about this terrorism business, but frankly, he might be right. You never know who is around the bend to blow you up, destroy your symbols, set your embassy on fire, shit on your toilet seat, or send anthrax swimming into the subway air and into everyone's lungs. "
― Alex Kudera , Fight for Your Long Day