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1 " He was lost. He knew it. He had neither the size nor the strength to defeat her, and she had him cornered. But he would fight. He was a warrior, the prince-son of the unicorns, and he meant to go down fighting. There would be no songs to mark his death; and none of his people would even know. But he had saved Korr and the others of the band. It was noon — they were safe out of the hills by now, and none of the rest of it mattered. "
― Meredith Ann Pierce , Birth of the Firebringer (Firebringer, #1)
2 " Without the mellifluous notes of memory, there would be no songs to sing, no ballads dedicated to past afflictions or affections, and no church hymns celebrating the trials and tribulations of saints, martyrs, and holy deities. Without respect for memories for days gone by, we would lack impetuses to write poems or produce literature reflecting the bitter hardships and ineffable joys of human life. Without a reference to the past serving as an ethical compass pointing the way forward, we would be oblivious to the inequities committed by foes and the glorious deeds performed by our ancestors; we would lack the essential evenhandedness required of every caretaker; and we would be poor stewards of this planet. The loss of memory severs us at the stem from one another. Without the bond of shared memories, we would each remain forever unconnected to our brothers and sisters. Without the twigs of memory, we would lead a life as dry and disjointed as withered leaves scattered by a cruel wind. "
3 " No sunrises that stop you dead with their unspeakable beuaty, either, he thought. No whales breaching only yards away from the ship, showering your awestruck self with a cold ocean rain. No songs and whiskey belowdecks at night while the wind plucks at the ship's rigging and the ice beats against her hull. "
― Jennifer Donnelly , The Wild Rose (The Tea Rose, #3)
4 " I had no songs in my repertoire for commercial radio anyway. Songs about debauched bootleggers, mothers that drowned their own children, Cadillacs that only got five miles to the gallon, floods, union hall fires, darkness and cadavers at the bottom of rivers weren't for radiophiles. There was nothing easygoing about the folk songs I sang. They weren't friendly or ripe with mellowness. They didn't come gently to the shore. I guess you could say they weren't commercial.Not only that, my style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic. Greil Marcus, the music historian, would some thirty years later call it " the invisible republic." Whatever the case, it wasn't that I was anti-popular culture or anything and I had no ambitions to stir things up. i just thought of popular culture as lame as hell and a big trick. It was like the unbroken sea of frost that lay outside the window and you had to have awkward footgear to walk on it.I didn't know what age of history we were in nor what the truth of it was. Nobody bothered with that. If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs taught me that. "
