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tenderness  QUOTES

41 " I could imagine a hot day. I could imagine a number of curious people spontaneously following a young man of great wisdom, a young man rumored to wield power over the mysterious afflictions they saw every day in their villages. They are not sure where they are going, and once the young man stops to speak, they find themselves on the other side of the Sea of Galilee, the nearest town now very far away. Many are feeling hunger pangs, uncertain of why they have come so far. What will they do? One of the young man's friends arrives, unexpectedly bearing food. The people are happy and relieved, and among them talk circulates of the surprising tenderness with which the wise young man hands out victuals to the people, few of whom he knows well.

Eventually, the story is written down. Years go by, then decades, and in this time the crowd increases from fifty to five hundred to five thousand. The unexpected arrival of the follower bearing food vanishes from the telling. An event experienced by its participants in miraculous terms is transformed into a miraculous story. The core of the story remains the same: the hungry were fed when they were not expecting to be, and the young man who fed them do so of his own volition. You could base a code of ethics on a single act of unexpected munificence, and perhaps even fashion from it a crude if supple morality, but you would not have a cosmology, or anything close to one, and cosmologies were what most people craved. "

Tom Bissell , Apostle: Travels Among the Tombs of the Twelve

46 " The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means them to do it for his. He steals the mother’s milk and blackens it to make printer’s ink to scoff at her and glorify ideal women with. He pretends to spare her the pangs of child-bearing so that he may have for himself the tenderness and fostering that belong of right to her children. Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a blood-sucker, a hypocrite, and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! For mark you, Tavy, the artist’s work is to shew us ourselves as we really are. Our minds are nothing but this knowledge of ourselves; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men. In the rage of that creation he is as ruthless as the woman, as dangerous to her as she to him, and as horribly fascinating. Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. Which shall use up the other? that is the issue between them. And it is all the deadlier because, in your romanticist cant, they love one another. "

George Bernard Shaw , Man and Superman

60 " Three miles from my adopted city lies a village where I came to peace.The world there was a calm place, even the great Danube no more than a pale ribbon tossed onto the landscapeby a girl’s careless hand. Into this stillness I had been ordered to recover. The hills were gold with late summer;my rooms were two, plus a small kitchen, situated upstairs in the back of a cottage at the end of the Herrengasse. From my window I could see onto the courtyard where a linden tree twined skyward — leafy umbilicus canted toward light, warped in the very act of yearning —and I would feed on the sun as if that alone would dismantle the silence around me.At first I raged. Then music raged in me, rising so swiftly I could not write quickly enough to ease the roiling. I would stop to light a lamp, and whatever I’d missed — larks flying to nest, church bells, the shepherd’s home-toward-evening song — rushed in, and Iwould rage again. I am by nature a conflagration; I would rather leap than sit and be looked at.So when my proud city spread her gypsy skirts, I reentered, burning towards her greater, constant light.Call me rough, ill-tempered, slovenly— I tell you, every tenderness I have ever known has been nothing but thwarted violence, an ache so permanent and deep, the lightest touch awakens it. . . . It is impossible to care enough. I have returned with a second Symphony and 15 Piano Variationswhich I’ve named Prometheus,after the rogue Titan, the half-a-god who knew the worst sin is to take what cannot be given back.I smile and bow, and the world is loud. And though I dare not lean in to shout Can’t you see that I’m deaf? —I also cannot stop listening. "