22
" When had I tamed myself? It had been a lengthy apprenticeship, begun when I was as young as ten, and continued relentlessly throughout my adolescence, when I had discovered to my own terror that I wanted to murder somebody: my father, a sarcastic friend, my professor of Latin and Greek, even a rude passerby. It was not until I was almost twenty that I began to suspect that, along with the repression of my violent impulses, I had repressed everything, even my ability to experience a profound emotion, even my impulse to do good deeds and help others. I had become as good as I had hoped to be, but good with the cautious detachment of one who never indulges in excess. "
― Domenico Starnone , First Execution
29
" In the book, hummin bins made castles, and towers up to the sky. They tamed the animals and took care of them. And hummin bins helped each other. They were always good." When I was done, Ma asked, 'Delly, what are hummin bins?' 'They're like people, but better,' I said. Then I told her, 'When I grow up, I'm going to live with the hummin bins,' and she smiled." But Galveston grabbed the book, 'Let me see that,' she said, and started laughing. 'This says human beings. There's no such things as hummin bins.'" 'Ma, is it true?' I asked, and she nodded. 'How come you didn't tell me?' I cried." 'I liked the hummin bins better, too,' she said." ..." RB's right, Ferris Boyd. You are a hummin bin." Her eyeballs were wet, like they were swimming.It was quiet, then, till RB's soft cloud voice said, " You're a hummin bin, too, Delly. "
32
" ... the burrowing wasp, which in order to provide a supply of fresh meat for her offspring after her own decease, calls in the science of anatomy to amplify the resources of her instinctive cruelty, and, having made a collection of weevils and spiders, proceeds with marvellous knowledge and skill to pierce the nerve-centre on which their power of locomotion (but none of their other vital functions) depends, so that the paralysed insect, beside which her egg is laid, will furnish the larva, when it is hatched, with a tamed and inoffensive quarry, incapable either of flight or of resistance, but perfectly fresh for the larder... "
― Marcel Proust , Swann's Way
35
" Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing.Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives " the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless.Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live. "
39
" Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests. Parts of Texas and Kansas that he had first known as open range had since been made into rich farming districts, and the air had quite lost that lightness, that dry, aromatic odour. The moisture of plowed land, the heaviness of labour and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert. "
― Willa Cather , Death Comes for the Archbishop