61
" My prolonged study of these photographs led me to appreciate the importance of perserving certain moments for prosperity , and as time moved forwards I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives.To watch my uncle pose my brother a maths problem , and at the same time to see him in a picture taken thirty-two years earlier ; to watch my father scanning the newspaper and trying , with a half-smile , to catch the tail of a joke rippling across the crowded room,and at that very same moment to see a picture of him to me that my grandmother had framed and frozen these memories so that we could weave them into the present.When,in the tones ordinarily preserved for discussing the founding of a nation , my grandmother spoke of my grandfather who had died so young,and pointed at the frames on the tables and the walls , it seemed that she , likes me , was pulled in two directions , wanting to get on with life but also longing to capture the moment of perfection , savouring the ordinary life but still honouring the ideal.But even as I pondered these dilemmas-if you plucked a special moment from life and framed it , were you defying death , decay and the passage of time. or were you submitting to them ?-I grew very bored with them.pg.13 "
62
" Yeah, this place needs a better-quality blueberry muffin." I raised a pointed finger. " And I could provide it." " You sound pretty sure of yourself," Jim said, placing a pat of butter on his baked potato." And there are always blueberry pies," I said, pausing to think of other possibilities. " Turnovers, cakes, croissants..." I popped the fry into my mouth. " I don't think anybody's done blueberry croissants." " No," Jim said slowly. " I don't think they have." " Of course, I'd sell some other things, too. Can't all be blueberries," I mused as I began to envision the bakery- a tray of lemon pound cake, peach cobbler in a fluted casserole, a basket of pomegranate-and-ginger muffins. I could see myself pulling a baking sheet of cookies from the oven, the smell of melted chocolate in the air. There would be white wooden tables and chairs in the front room, and people could order coffee and sandwiches. Maybe even tea sandwiches, like the ones Gran used to make. Cucumber and arugula. Bacon and egg. Curried chicken. "
63
" What’s up, Albert?”
“Well, I’ve done inventory at Ralph’s, and I think if I had a lot of help, I could put together an okay Thanksgiving dinner.”
Sam stared at him. He blinked. “What?”
“Thanksgiving. It’s next week.”
“Uh-huh.”
“There are ovens at Ralph’s, big ones. And no one has taken the frozen turkeys. Figure two hundred and fifty kids if pretty much everyone from Perdido Beach shows up, right? One turkey will feed maybe eight people, so we need thirty-one, thirty-two turkeys. No problem there, because there are forty-six turkeys at Ralph’s.”
“Thirty-one turkeys?”
“Cranberry sauce will be no problem, stuffing is no problem, no one has taken much stuffing yet, although I’ll have to figure out how to mix, like, seven different brands and styles together, see how it tastes.”
“Stuffing,” Sam echoed solemnly.
“We don’t have enough canned yams, we’ll have to do fresh along with some baked potatoes. The big problem is going to be whipped cream and ice cream for the pies.”
Sam wanted to burst out laughing, but at the same time he found it touching and reassuring that Albert had put so much thought into the question.
“I imagine the ice cream is pretty much gone,” Sam said.
“Yeah. We’re very low on ice cream. And kids have been taking the canned whipped cream, too.”
“But we can have pie?”
“We have some frozen. And we have some pie shells we can bake up ourselves.”
“That would be nice,” Sam said.
“I’ll need to start three days before. I’ll need, like, at least ten people to help. I can haul the tables out of the church basement and set up in the plaza. I think I can do it.”
“I’ll bet you can, Albert,” Sam said with feeling.
“Mother Mary’s going to have the prees make centerpieces.”
“Listen, Albert…”
Albert raised a hand, cutting Sam off. “I know. I mean, I know we may have some great big fight before that. And I heard you have your fifteenth coming up. All kinds of bad stuff may happen. But, Sam—”
This time, Sam cut him off. “Albert? Get moving on planning the big meal.”
“Yeah?”
“Yeah. It will give people something to look forward to. "
― Michael Grant
73
" Can you really ask what reason Pythagoras had for abstaining from flesh? For my part I rather wonder both by what accident and in what state of soul or mind the first man did so, touched his mouth to gore and brought his lips to the flesh of a dead creature, he who set forth tables of dead, stale bodies and ventured to call food and nourishment the parts that had a little before bellowed and cried, moved and lived. How could his eyes endure the slaughter when throats were slit and hides flayed and limbs torn from limb? How could his nose endure the stench? How was it that the pollution did not turn away his taste, which made contact with the sores of others and sucked juices and serums from mortal wounds? … It is certainly not lions and wolves that we eat out of self-defense; on the contrary, we ignore these and slaughter harmless, tame creatures without stings or teeth to harm us, creatures that, I swear, Nature appears to have produced for the sake of their beauty and grace. But nothing abashed us, not the flower-like tinting of the flesh, not the persuasiveness of the harmonious voice, not the cleanliness of their habits or the unusual intelligence that may be found in the poor wretches. No, for the sake of a little flesh we deprive them of sun, of light, of the duration of life to which they are entitled by birth and being. "
― Plutarch , Moralia
74
" Away from home, my partner and I are on holiday on a resort on an island. Mealtimes bring everyone together. We enter the dining room, where we face many tables places alongside each other… I face what seems like a shocking image. In front of me, on the tables, couples are seated. Table after table, couple after couple, taking the same form: one many sitting by one woman around a ‘round table,’ facing each other 'over’ the table… I am shocked by the sheer force of the regularity of that which is familiar: how each table presents the same form of sociality as the form of the heterosexual couple. How is it possible, with all that is possible, that the same form is repeated again and again? How does the openness of the future get closed down into so little in the present? "
― Sara Ahmed , Queer Phenomenology: Orientations, Objects, Others
75
" David strode through the battle raging between his men and the castle defenders in the courtyard and headed straight for the keep, intent on his goal.
The castle would fall quickly. The defenders lacked leadership and were in disarray. His only concern was whether the castle had a secret tunnel for escape. During the siege, he had spread his men out through the fields surrounding the fortress to keep watch. But he had concentrated his forces for the attack and most were now inside the castle. If there was a tunnel, he must secure the widow and her daughters before they had a chance to escape. He did not relish the idea of having to chase them down through the fields with dogs.
The defenders had foolishly waited too long to withdraw to the keep, and most were caught in the courtyard when David’s men burst through the gate. He barely spared them a glance as he ran up the steps of the keep.
With several of his warriors at his back, he burst through the doors brandishing his sword. He paused inside the entrance to hall. Women and children were screaming, and the few Blackadder warriors who had made it inside were overturning tables in a useless attempt to set up a defense.
“If ye hope for mercy, drop your weapons,” David shouted, making his voice heard above the chaos.
He locked gazes with the men who hesitated to obey his order until every weapon clanked to the floor, then he swept his gaze over the women. Their clothing confirmed what he’d known the moment he entered the hall. Blackadder’s widow was not in the room.
“Where is she?” he demanded of the closest Blackadder man.
“Who, m’lord?” the man said, shifting his gaze to the side.
“Your mistress!” David picked him up by the front of his tunic and leaned in close. “Tell me now.”
“In her bedchamber,” the man squeaked, pointing to an arched doorway. “’Tis up the stairs.”
David caught a sudden whiff of urine and dropped the man to the floor in disgust. The wretch had wet himself.
“Take him to the dungeon,” he ordered. The coward had given up his mistress far too easily. "
― Margaret Mallory , Captured by a Laird (The Douglas Legacy, #1)
76
" We stepped in, and, as we paid the cover charge, the music hit us. The double doors buzzed open and we walked in. A handsome man and his lover in an orange top snuggled as they walked to the exit. Veronica turned to me and smiled, taking my hand. I unbuttoned my shirt at the neck and exposed my collar. It was a thin metal collar with a padlock on the front. If the padlock wasn’t attached it would have looked like any other interesting necklace that was tight against my neck, but it got more interesting with the padlock.
On Veronica’s left hand there was a thick bracelet, and that had a key on it. Her right wrist had a glow bracelet. We walked past the tables of people as they drank and screamed over the music to talk. We decided to go right to the dance floor. She took me by the hand, led me.
We were on the dance floor and I couldn’t dance. I ended up just throwing myself around, getting lost in the people surrounding us. The bodies pressed against us, the industrial music loud and crisp. The bass shook your bones, and my ribcage felt like it was rattled to pieces. I closed my eyes and just moved. Veronica moved with a grace I hadn’t seen in awhile when I opened my eyes. She pressed herself against a couple that surrounded her. I felt my breath catch in my throat, my heart pounded from excitement. She squeezed past them and moved to me, her hands ran down my face, and then she gripped the padlock with her left hand.
She pulled me down to her, which wasn’t very far, but it was the intensity of the moment that made all the difference. What she did next made me jump, my body tensed and relaxed in milliseconds. She gave me a deep kiss, and, while she kissed me, distracted me, her other hand undid my padlock. I pulled back as I jumped in shock. Our eyes were locked on each others’ in the flashing neon stage lights. She had a twinkle in her eye as she pulled me close to her.
“Find a man, for you.”
I pulled back, looked at her in surprise. She smiled wickedly, an erotic edge to her features suddenly. She was hot when she was getting dressed and she was even hotter now. I didn’t know what the hell was going on, but I leaned into her ear.
“Are you looking for a woman? "
― Todd Misura , Divergence: Erotica from a Different Angle
